ユーザーズガイド ROLAND SN-R8-11

[. . . ] Copyright © 2009 ROLAND CORPORATION All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION. USING THE UNIT SAFELY Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly. Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly. * Material damage refers to damage or other adverse effects caused with respect to the home and all its furnishings, as well to domestic animals or pets. The symbol alerts the user to important instructions or warnings. The specific meaning of the symbol is determined by the design contained within the triangle. [. . . ] 20–1000 Hz Low Damp 1–100% High Damp Freq 1000–10000 Hz High Damp 1–100% High Cut Freq 1000–10000 Hz Type: 2 (HALL)/ 3 (PLATE)/5 (CHURCH) Pre Delay 0–100 ms 36 Parameter Time Low Damp Freq Value 0. 1–6. 0 sec. 20–1000 Hz Description Time over which the reverb sound decays Frequency below which the low range of the reverb sound will be dampened Amount of attenuation for LF damp (100%: no effect) Frequency above which the high range of the reverb sound will be dampened Amount of attenuation for HF damp (100%: no effect) Frequency above which the high range of the final output sound will be cut Delay time from the original sound until the reverb is heard Time over which the reverb sound decays Size of the room or hall Frequency above which the high range of the final output sound will be cut (BYPASS: no cut) Density of the reverberation Change in reverb density over time With higher values, the sound will become denser over time. This is particularly noticeable with longer reverb times. Parameter LF Damp Freq Value 50–4000 Hz Description Frequency below which the low range of the reverb sound will be dampened Amount of attenuation for LF damp (0: no effect) Frequency above which the high range of the reverb sound will be dampened Amount of attenuation for HF damp (0: no effect) LF Damp Gain -36–0 dB 4000 Hz–12500 Hz -36–0 dB Low Damp 1–100% HF Damp Freq High Damp Freq 1000–10000 Hz HF Damp Gain High Damp 1–100 % High Cut Freq 1000–10000 Hz Type: 6 (SRV ROOM)/ 7 (SRV HALL)/ 8 (SRV PLATE) Pre Delay Time Size High Cut Freq Density 0. 0–100 ms 0–127 1–8 160 Hz–12500 Hz, BYPASS 0–127 Diffusion 0–127 37 Controller Assignments (CONTROL) Here you can assign controllers to switch between Unison mode and Stack mode, or to switch between performance variations. For example, you could use a pedal to switch between Unison mode and Stack mode. Parameter Value Bend Range Down 0–12 Description Specifies the amount of pitch change for BendDown This setting is in semitone steps (valid when Bender Mode is ”NORMAL, ” ”LOCK1” or ”LOCK2”). Bender settings (Bend/Hold screen) Here you can specify bender range for each instrument. . Settings for each patch Parameter Value Description Specifies what happens when you operate the bender NORMAL: Normal operation LOCK1: Bend will apply only to the first-played key. LOCK2: No change will be produced by returning the bender. COMBI: This mode allows you to express the subtle pitch changes that are distinctive of a brass instrument. The proportion of breath noise will increase when you operate the bender in the Down direction. This lets you freely control the breathiness at the beginning or end of a note. Switches the mode in which the damper pedal will operate NORMAL: Operates as a conventional damper pedal. LEGATO: Sustains the currently sounding note until the next key is played. ACCOMP: Produces a sostenuto-like effect. From Main Screen F7>F3 (on the Fantom-G) NORMAL, LOCK1, LOCK2, COMBI Bender Mode Settings for each instrument Parameter Play/Standby Value PLAY, STANDBY Description Turns the sound of each player on/off. Specifies the amount of pitch change for BendUp This setting is in semitone steps (valid when Bender Mode is ”NORMAL, ” ”LOCK1” or ”LOCK2”). Adjusts the amount of the wah effect that occurs in the range of the center frequency. Set a higher value for Q to narrow the range to be affected. Output level Hexa Chorus Balance W R in Balance D Parameter Pre Delay Rate # Depth Pre Delay Deviation Depth Deviation Value 0. 0–100. 0 ms 0. 05–10. 00 Hz, note 0–127 0–20 -20– +20 R out Description Adjusts the delay time from the direct sound until the chorus sound is heard. Frequency of modulation Depth of modulation Adjusts the differences in Pre Delay between each chorus sound. Adjusts the difference in modulation depth between each chorus sound. Adjusts the difference in stereo location between each chorus sound. 20: The chorus layers are spaced at 60-degree intervals relative to the center. Volume balance between the direct sound (D) and the chorus sound (W) Output level Filter Type LPF, BPF Rate # Depth # Sens Manual # 0. 05– 10. 00 Hz, note 0–127 0–127 0–127 Peak 0–127 Pan Deviation 0–20 Level 0–127 Balance # Level D100:0W– D0:100W 0–127 44 05: COMPRESSOR Flattens out high levels and boosts low levels, smoothing out fluctuations in volume. fig. MFX26 06: LIMITER Compresses signals that exceed a specified volume level, preventing distortion from occurring. fig. MFX27 L in Compressor 2-Band EQ L out L in Limiter 2-Band EQ L out R in Compressor Value 0–127 0–127 0–18 dB -15– +15 dB -15– +15 dB 0–127 2-Band EQ R out R in Parameter Release # Threshold # Ratio Post Gain Low Gain High Gain Level # Limiter Value 0–127 0–127 1. 5:1, 2:1, 4:1, 100:1 0–18 dB -15– +15 dB -15– +15 dB 0–127 2-Band EQ R out Parameter Attack # Threshold # Post Gain Low Gain High Gain Level # Description Time from when the volume goes up the Threshold level until the compressor effect applies Adjusts the volume at which compression begins Adjusts the output gain. Gain of the low frequency range Gain of the high frequency range Output level Description Adjusts the time after the signal volume falls below the Threshold Level until compression is no longer applied. Adjusts the volume at which compression begins Compression ratio Adjusts the output gain. Gain of the low frequency range Gain of the high frequency range Output level 45 07: LOFI COMPRESS (Lo-Fi Compress) This is an effect that intentionally degrades the sound quality for creative purposes. fig. MFX31 08: TELEPHONE Produces a muffled sound, similar to what it would sound like if heard over the phone. fig. MFX33 L in Compressor Lo-Fi L out L in R in Telephone Telephone Value 0–15 -15– +15 dB D100:0– D0:100W 0–127 L out R out Description Audio quality of the telephone voice Bandwidth of the telephone voice Volume balance between the direct sound (D) and the effect sound (W) Output level R in Compressor Value 1–6 Lo-Fi R out Parameter Voice Quality # Treble Balance # Level Parameter Pre Filter Type LoFi Typ 1–9 Post Filter Type OFF, LPF, HPF Post Filter Cutoff Balance # Level # 200–8000 Hz D100:0W– D0:100W 0–127 Description Selects the type of filter applied to the sound before it passes through the Lo-Fi effect. [. . . ] Paseo García Faria, 33-35 08005 Barcelona SPAIN TEL: 93 493 91 00 VENEZUELA Instrumentos Musicales Allegro, C. A. Av. las industrias edf. Guitar import #7 zona Industrial de Turumo Caracas, Venezuela TEL: (212) 244-1122 ITALY Roland Italy S. Viale delle Industrie 8, 20020 Arese, Milano, ITALY TEL: (02) 937-78300 QATAR Al Emadi Co. Box 62, Doha, QATAR TEL: 4423-554 DENMARK Roland Scandinavia A/S Nordhavnsvej 7, Postbox 880, DK-2100 Copenhagen DENMARK TEL: 3916 6200 IRAN MOCO INC. [. . . ]