ユーザーズガイド ROLAND SR-JV80-10

[. . . ] Before using this unit, carefully read the sections entitled: "USING THE UNIT SAFELY" and "IMPORTANT NOTES" These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, this manual should be read in its entirety. The manual should be saved and kept on hand as a convenient reference. Thank you for choosing the Roland SR-JV80-10 "Bass & Drums" Wave Expansion Board. This expansion board consists of bass and drum sounds created by five well-known musicians. Bass : Marcus Miller, Abraham Laboriel, John Patitucci Drums: Abe Laboriel Jr. , Bob Wilson Bass : Marcus Miller, Abraham Laboriel, John Patitucci Drums: Abe Laboriel Jr. , Bob Wilson Bass sounds are slap, fingered, picking, fretless, harmonics and acoustic bass manners, various musical instruments. [. . . ] hrd Sn Soft Low Tom 16 Hat cls 2 Soft Low Tom 16 Hat hlf 1 Soft Mid Tom 16 Hat hlf 2 Soft Mid Tom Soft Hi Tom Long Crash 1 Soft Mid Tom Long Ride 1 Crash 1 LngRide Bell Tambourine Crash 1 Cowbell 1 Long Crash 2 Rattles Long Ride 2 CGA Mute Hi CGA Mute Lo CGA Slap Conga Hi Conga Lo Timbale Timbale Agogo Agogo Cabasa Up Maracas Cabasa Cut Stomp K NaturalStick LiteVerb Sn 808 Claps Choke Sn Soft Low Tom CR78 Hat cls Soft Low Tom CR78 Hat opn Soft Mid Tom CR78 Hat opn Soft Mid Tom Soft Hi Tom Long Crash 2 Soft Mid Tom Long Ride 1 Crash 1 Funk Sn1 Dry flm Sn Funk Sn2 Picc. mid Sn SlmDry hrdSn Ring hrd Sn 95 94 C7 96 98 97 E–151 E–152 E–200 E–167 E–168 E–169 E–222 E–205 E–224 E–206 E–226 E–210 E–226 E–228 E–237 E–228 E–239 IB-102 E–241 IB-119 E–238 IB-103 E–238 IB-122 E–240 IB-106 IB-107 IB-112 IB-108 IB-109 IB-113 IB-113 IB-014 IB-014 IB-114 IB-117 IB-116 E–154 E–155 E–159 E–168 E–166 E–167 E–169 E–170 E–172 E–171 E–173 E–207 E–208 E–204 E–209 E–221 E–223 E–225 E–227 E–238 E–206 E–199 E–158 E–092 E–099 IB-181 IB-182 E–157 E–156 E–201 E–191 E–197 E–192 E–222 E–213 E–221 E–214 E–224 E–216 E–225 E–228 E–237 E–227 E–239 IB-102 E–241 IB-119 E–238 IB-103 E–238 IB-122 E–240 IB-106 IB-107 IB-112 IB-108 IB-109 IB-113 IB-113 IB-014 IB-014 IB-114 IB-117 IB-116 E–154 E–159 E–160 E–196 E–191 E–192 E–179 E–193 E–196 E–194 E–197 E–212 E–216 E–211 E–217 E–221 E–223 E–225 E–227 E–238 E–206 E–199 E–158 E–097 E–101 IB-181 IB-182 E–152 E–161 E–200 E–180 E–179 E–181 E–222 E–212 E–224 E–215 E–226 E–217 E–226 E–228 E–237 E–228 E–239 IB-102 E–241 IB-119 E–237 IB-103 E–238 IB-122 E–240 IB-106 IB-107 IB-112 IB-108 IB-109 IB-113 IB-113 IB-014 IB-014 IB-114 IB-117 IB-116 E–151 E–160 E–154 E–189 E–180 E–181 E–186 E–170 E–172 E–171 E–173 E–213 E–214 E–211 E–216 E–221 E–223 E–225 E–227 E–238 E–206 E–199 E–158 E–094 E–096 IB-181 IB-182 E–155 E–161 E–201 E–183 E–186 E–182 E–233 E–212 E–233 E–213 E–235 E–217 E–235 E–235 E–237 E–235 E–239 IB-102 E–241 IB-119 E–238 IB-103 E–238 IB-122 E–240 IB-106 IB-107 IB-112 IB-108 IB-109 IB-113 IB-113 IB-014 IB-014 IB-114 IB-117 IB-116 E–152 E–159 E–162 E–168 E–182 E–183 E–186 E–187 E–189 E–188 E–190 E–212 E–216 E–211 E–217 E–232 E–232 E–234 E–234 E–238 E–206 E–199 E–158 E–094 E–100 IB-181 IB-182 Real Dry K1 Comp K3 NaturalStick Verb hrd Sn Warm flm Sn Verb sft Sn LoVerb hrdTm 16 Hat cls 1 LoVerb hrdTm 16 Hat cls 2 HiVerb hrdTm 16 Hat opn 2 HiVerb hrdTm HiVerb hrdTm Long Crash 1 HiVerb hrdTm Long Ride 1 China Cym LngRide Bell Tambourine Long Crash 2 Cowbell 1 Long Crash 2 Vibraslap Long Ride 2 Bongo Hi Bongo Lo Cga Slap Cga Open Hi Cga Open Lo Timbale Timbale Agogo Agogo Cabasa Up Maracas Cabasa Cut Boomer K2 Comp K1 Lo-Fi K Ring rol Sn Verb sft Sn Verb hrd Sn Warm flm Sn DryFat sftSn DryFat rolSn DryFat hrdSn DryFat flmSn 16 Hat cls 1 16 Hat opn 1 16 Hat pdl 16 Hat opn 2 LoVerb sftTm LoVerb sftTm HiVerb sftTm HiVerb sftTm Long Crash 2 18 Hat cls 2 LiteVerb Sn Stomp K AL Slam 66 AL Funk 120 MC500 Beep 1 MC500 Beep 2 Boomer K2 Comp K3 Live Stick RockOn Sn1 Dry flm Sn RockOn Sn2 16 MPL hrdTm 16 Hat cls 1 13 MPL hrdTm 16 Hat hlf 2 12 MPL hrdTm 16 Hat opn 2 12 MPL hrdTm 10 MPL hrdTm Long Crash 1 10 MPL hrdTm Long Ride 1 China Cym LngRide Bell Tambourine Long Crash 1 Cowbell 1 Long Crash 2 Vibraslap Long Ride 2 Bongo Hi Bongo Lo Cga Slap Cga Open Hi Cga Open Lo Timbale Timbale Agogo Agogo Cabasa Up Maracas Cabasa Cut Boomer K1 Comp K2 Deep Dry K DryFat rolSn RockOn Sn1 RockOn Sn2 Warm flm Sn SlamRm sftSn SlamRm rolSn SlamRm hrdSn SlamRm flmSn 16 Hat cls 2 16 Hat hlf 1 16 Hat pdl 16 Hat opn 1 16 MPL sftTm 13 MPL sftTm 12 MPL sftTm 10 MPL sftTm Long Crash 2 18 Hat cls 2 LiteVerb Sn Stomp K AL Slam 66 AL Grunge 84 MC500 Beep 1 MC500 Beep 2 Real Dry K3 Real Dry K2 NaturalStick Funk Sn1 Picc. flm Sn Funk Sn2 16 MPL hrdTm 16 Hat cls 2 16 MPL sftTm 16 Hat hlf 1 13 MPL hrdTm 16 Hat opn 1 12 MPL sftTm 10 MPL hrdTm Long Crash 1 10 MPL sftTm Long Ride 1 China Cym LngRide Bell Tambourine Long Crash 2 Cowbell 1 Long Crash 2 Vibraslap Long Ride 2 Bongo Hi Bongo Lo Cga Slap Cga Open Hi Cga Open Lo Timbale Timbale Agogo Agogo Cabasa Up Maracas Cabasa Cut Deep Dry K Comp K1 Comp K2 Picc. rol Sn Funk Sn1 Funk Sn2 Dry flm Sn Picc. flm Sn 16 Hat cls 1 16 Hat opn 1 16 Hat pdl 16 Hat opn 2 16 MPL sftTm 13 MPL sftTm 12 MPL sftTm 10 MPL sftTm Long Crash 2 18 Hat cls 2 LiteVerb Sn Stomp K BW Swamp 90 AL Shuff. 126 MC500 Beep 1 MC500 Beep 2 E–156 E–154 E–201 E–177 E–178 E–176 E–221 E–213 E–223 E–214 E–225 E–216 E–225 E–227 E–238 E–227 E–239 IB-102 E–241 IB-119 E–237 IB-103 E–237 IB-122 E–240 IB-106 IB-107 IB-112 IB-108 IB-109 IB-113 IB-113 IB-014 IB-014 IB-114 IB-117 IB-116 E–155 E–160 E–161 E–178 E–176 E–177 E–179 E–170 E–172 E–171 E–173 E–212 E–215 E–211 E–217 E–222 E–224 E–226 E–228 E–238 E–206 E–199 E–158 E–092 E–098 IB-181 IB-182 Real Dry K2 Deep Dry K NaturalStick Dry hrd Sn Dry rol Sn Dry sft Sn 16 MPL sftTm 16 Hat cls 2 13 MPL sftTm 16 Hat hlf 1 12 MPL sftTm 16 Hat opn 1 12 MPL sftTm 10 MPL sftTm Long Crash 2 10 MPL sftTm Long Ride 1 China Cym LngRide Bell Tambourine Long Crash 1 Cowbell 1 Long Crash 1 Vibraslap Long Ride 2 Bongo Hi Bongo Lo Cga Slap Cga Open Hi Cga Open Lo Timbale Timbale Agogo Agogo Cabasa Up Maracas Cabasa Cut Real Dry K1 Comp K2 Comp K3 Dry rol Sn Dry sft Sn Dry hrd Sn Dry flm Sn SlamRm sftSn SlamRm rolSn SlamRm hrdSn SlamRm flmSn 16 Hat cls 1 16 Hat hlf 2 16 Hat pdl 16 Hat opn 2 16 MPL hrdTm 13 MPL hrdTm 12 MPL hrdTm 10 MPL hrdTm Long Crash 2 18 Hat cls 2 LiteVerb Sn Stomp K BW Jz 6/8 52 BW Latin 102 MC500 Beep 1 MC500 Beep 2 E–155 E–154 E–201 E–188 E–190 E–184 E–222 E–206 E–224 E–207 E–226 E–210 E–226 E–228 E–237 E–228 E–239 E–238 E–241 IB-119 E–238 IB-103 E–238 IB-122 E–240 IB-106 IB-107 IB-112 IB-108 IB-109 IB-113 IB-113 IB-014 IB-014 IB-114 IB-117 IB-116 E–151 E–160 E–161 E–189 E–187 E–188 E–190 E–184 E–178 E–185 E–186 E–205 E–208 E–204 E–209 E–221 E–223 E–225 E–227 E–238 E–206 E–199 E–158 E–093 E–094 IB-181 IB-182 Real Dry K1 Deep Dry K NaturalStick DryFat hrdSn DryFat flmSn Warm sft Sn 16 MPL hrdTm 18 Hat cls 2 13 MPL hrdTm 18 Hat hlf 1 12 MPL hrdTm 18 Hat opn 2 12 MPL hrdTm 10 MPL hrdTm Long Crash 1 10 MPL hrdTm Long Ride 1 Long Crash 2 LngRide Bell Tambourine Long Crash 2 Cowbell 1 Long Crash 2 Vibraslap Long Ride 2 Bongo Hi Bongo Lo Cga Slap Cga Open Hi Cga Open Lo Timbale Timbale Agogo Agogo Cabasa Up Maracas Cabasa Cut Boomer K1 Comp K2 Comp K3 DryFat rolSn DryFat sftSn DryFat hrdSn DryFat flmSn Warm sft Sn Dry rol Sn Warm hrd Sn Warm flm Sn 18 Hat cls 1 18 Hat hlf 2 18 Hat pdl 18 Hat opn 1 16 MPL sftTm 13 MPL sftTm 12 MPL sftTm 10 MPL sftTm Long Crash 2 18 Hat cls 2 LiteVerb Sn Stomp K BW Brush 66 AL Slam 66 MC500 Beep 1 MC500 Beep 2 E–154 E–153 E–200 E–170 E–173 E–171 E–232 E–213 E–229 E–214 E–234 E–216 E–230 E–234 E–238 E–231 E–239 IB-102 E–241 IB-119 E–238 IB-103 E–237 IB-122 E–240 IB-106 IB-107 IB-112 IB-108 IB-109 IB-113 IB-113 IB-014 IB-014 IB-114 IB-117 IB-116 E–152 E–151 E–156 E–172 E–170 E–171 E–173 E–174 E–168 E–175 E–169 E–212 E–215 E–211 E–217 E–233 E–229 E–235 E–235 E–238 E–206 E–199 E–158 E–098 E–100 IB-181 IB-182 Deep Dry K Medium K Live Stick SlamRm sftSn SlamRm flmSn SlamRm hrdSn LoVerb sftTm 16 Hat cls 2 Soft Low Tom 16 Hat hlf 1 HiVerb sftTm 16 Hat opn 1 Soft Mid Tom HiVerb sftTm Long Crash 2 Soft Hi Tom Long Ride 1 China Cym LngRide Bell Tambourine Long Crash 2 Cowbell 1 Long Crash 1 Vibraslap Long Ride 2 Bongo Hi Bongo Lo Cga Slap Cga Open Hi Cga Open Lo Timbale Timbale Agogo Agogo Cabasa Up Maracas Cabasa Cut Boomer K2 Boomer K1 Real Dry K2 SlamRm rolSn SlamRm sftSn SlamRm hrdSn SlamRm flmSn SlmDry sftSn Ring rol Sn SlmDry hrdSn Ring flm Sn 16 Hat cls 1 16 Hat hlf 2 16 Hat pdl 16 Hat opn 2 LoVerb hrdTm Soft Low Tom HiVerb hrdTm HiVerb hrdTm Long Crash 2 18 Hat cls 2 LiteVerb Sn Stomp K BW Latin 102 AL Funk 120 MC500 Beep 1 MC500 Beep 2 Boomer K1 Boomer K2 Live Stick Ring hrd Sn Ring rol Sn Ring flm Sn 16 MPL hrdTm 18 Hat cls 1 13 MPL hrdTm 18 Hat cls 2 12 MPL hrdTm 18 Hat opn 2 12 MPL hrdTm 10 MPL hrdTm Long Crash 1 10 MPL hrdTm Long Ride 1 China Cym LngRide Bell Tambourine Long Crash 2 Cowbell 1 Long Crash 2 Vibraslap Long Ride 2 Bongo Hi Bongo Lo Cga Slap Cga Open Hi Cga Open Lo Timbale Timbale Agogo Agogo Cabasa Up Maracas Cabasa Cut Deep Dry K Real Dry K1 Comp K1 Ring rol Sn Ring sft Sn Ring hrd Sn Ring flm Sn SlamRm sftSn SlamRm rolSn SlamRm hrdSn SlamRm flmSn 18 Hat hlf 1 18 Hat hlf 2 18 Hat pdl 18 Hat opn 1 16 MPL sftTm 13 MPL sftTm 12 MPL sftTm 10 MPL sftTm Long Crash 2 18 Hat cls 2 LiteVerb Sn Stomp K BW Jz 6/8 52 BW Fusion112 MC500 Beep 1 MC500 Beep 2 E–161 E–158 E–201 E–199 IB-095 E–198 E–229 E–218 E–229 E–219 E–230 E–219 E–230 E–231 E–238 E–230 E–239 IB-102 E–241 IB-119 E–238 IB-103 E–237 IB-055 E–240 IB-110 IB-111 IB-112 IB-108 IB-109 IB-113 IB-113 IB-014 IB-014 IB-114 IB-117 IB-116 E–067 IB-084 E–094 IB-096 IB-072 IB-048 IB-063 IB-122 IB-061 IB-121 IB-064 IB-093 IB-094 IB-094 IB-094 IB-087 IB-087 IB-087 IB-087 E–237 E–206 E–077 E–083 E–094 E–095 IB-181 IB-182 Comp K3 Stomp K NaturalStick LiteVerb Sn 808 Claps Choke Sn Soft Low Tom CR78 Hat cls Soft Low Tom CR78 Hat opn Soft Mid Tom CR78 Hat opn Soft Mid Tom Soft Hi Tom Long Crash 2 Soft Mid Tom Long Ride 1 China Cym LngRide Bell Tambourine Long Crash 2 Cowbell 1 Long Crash 1 Rattles Long Ride 2 Cga Mute Hi Cga Mute Lo Cga Slap Cga Open Hi Cga Open Lo Timbale Timbale Agogo Agogo Cabasa Up Maracas Cabasa Cut A. Bs Nz MENU 808 Kick AL Slam 66 Hand Claps 808 SN White Noise Philly Hit Vibraslap Tekno Hit Cuica Scratch 1 606 HiHat Cl 606 HiHat Op 606 HiHat Op 606 HiHat Op Dry Tom Hi Dry Tom Hi Dry Tom Hi Dry Tom Hi Long Crash 1 18 Hat cls 2 AL Nz 4 JP Frls Nz 1 AL Slam 66 AL Whack 76 MC500 Beep 1 MC500 Beep 2 In order to play Rhythm Sets on the JV-90/1000, you need to select the Rhythm Set for the Rhythm Part in the Performance mode, then use the buttons for the Rhythm mode to play the sounds. " and On the JV-90, you will also find the W-EXP A and W-EXP B Rhythm Sets at W-EXP C and W-EXP D (" " , " respectively, in the display). Profile Marcus Miller Marcus Miller is a musician’s musician. Few players garner the sincere respect that comes when his name is mentioned. To have accomplished so much great work in such a short period of time is nothing short of remarkable. Born in Brooklyn, New York into a musical family, Marcus became proficient on piano, organ, clarinet, voice and bass by the time he was 14. While his aptitude on clarinet gained him entry into New York’s prestigious High School of Music & Art (the FAME school), it was his attitude on the bass guitar that landed him the gig in the legendary Saturday Night Live house band (at 17!) which ultimately began his professional career. There he met saxophonist David Sanborn, who took him in as a collaborator. From there he has carved an identity as a sought-after producer and songwriter working with such greats as Luther Vandross, Natalie Cole, Roberta Flack, David Sanborn, Al Jarreau, Chaka Khan, Boz Scaggs and Wayne Shorter. Simultaneously he has sustained a reputation as one of the world’s premiere session bassists playing on scores of dates with some of the best known artists in jazz, rock, and R&B including: Aretha Franklin, Scritti Pollitti, Grover Washington Jr. , Donald Fagen, Bryan Ferry, Elton John, Bob James, Kazumi Watanabe, Dave Gruisin, and many others. When Miles Davis called Marcus in 1981, a musical partnership was born that created some of the most important jazz of the decade including the seminal "Tutu" album. In addition to making records with his band, The Jamaica Boys, Marcus has released four solo albums including the Grammy nominated, "Tales" on P. R. A. When Marcus is asked how it has come to pass that he has been involved in so many great projects, he replies, “Well, it all comes from being committed to your instrument. . . practicing, continuing to learn and grow. When you do that, the good projects come to you. ” Marcus Miller David Sanborn Vandross Natalie Cole Roberta Flack David Sanborn Al Jarreau Chaka Khan Boz Scaggs Grover Washington Jr. Donald Fagen Luther Wayne Shorter Bryan Ferry Aretha Franklin Scritti Pollitti Elton John Bob James Dave Gruisin The Jamaica Boys Abraham Laboriel Sr. Larry Carlton once said, ”There are alot of great bass players in this world, but there is one, and only one Abraham Laboriel. ” This tribute best describes the unique artistry of the Mexico City born virtuoso of the Bass Guitar. To witness Abe play one immediately understands that music is essentially about passion and he is truly one of the most gifted interpreters. Originally a classically trained guitarist, Abraham infused his flamenco style on the bass guitar when he made the transition to four strings at the Berklee School of Music. Since the day that the late Henry Mancini encouraged him to come to Los Angeles, Abe has played on over 3000(!) recordings and soundtracks, prompting Guitar Player to succinctly peg him as “. . . the most widely used session bassist of our time. ” You have undoubtedly heard the diversity of his contributions to recordings by music’s creme de la creme including: Stevie Wonder, Robbie Robertson, Joe Zawinul, George Benson, Barbara Streisand, Al Jarreau, Dave & Don Gruisin, Elton John, Joe Sample, Dori Caymmi, Quincy Jones and Michael Jackson to name a few. He was also a founding member of the internationally acclaimed fusion groups Friendship and Koinonia. [. . . ] In the case of the symbol at left, it means that the unit must never be disassembled. The q symbol alerts the user to things that must be carried out. The specific thing that must be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the powercord plug must be unplugged from the outlet. CAUTION ALWAYS OBSERVE THE FOLLOWING WARNING • Before using this unit, make sure to read the instructions below, and the Owner's Manual. [. . . ]