ユーザーズガイド YAMAHA D-700

[. . . ] Title Type Parameter Threshold (dB) Ratio ( :1) Attack (ms) Out gain (dB) Width (dB) Release (ms) Threshold (dB) Ratio ( :1) Attack (ms) Out gain (dB) Knee Release (ms) Threshold (dB) Ratio ( :1) Attack (ms) Out gain (dB) Knee Release (ms) Threshold (dB) Ratio ( :1) Attack (ms) Out gain (dB) Knee Release (ms) Threshold (dB) Ratio ( :1) Attack (ms) Out gain (dB) Knee Release (ms) Threshold (dB) Ratio ( :1) Attack (ms) Out gain (dB) Knee Release (ms) Threshold (dB) Ratio ( :1) Attack (ms) Out gain (dB) Knee Release (ms) Threshold (dB) Ratio ( :1) Attack (ms) Out gain (dB) Knee Release (ms) Threshold (dB) Ratio ( :1) Attack (ms) Out gain (dB) Knee Release (ms) Threshold (dB) Ratio ( :1) Attack (ms) Out gain (dB) Knee Release (ms) Value –24 2 38 –3. 5 54 842 –12 2 15 4. 5 2 470 –12 1. 7 6 4. 0 hard 133 –10 3. 5 9 3. 0 hard 250 –9 2. 5 17 1. 0 hard 238 –18 3. 5 7 6. 0 2 174 –8 3. 5 7 2. 5 4 261 –10 2. 5 5 1. 5 2 238 –11 2 33 1. 5 2 749 –12 1. 5 93 1. 5 4 1. 35 S 1 Comp COMP 11 A. OverTop COMPAND-S 2 Expand EXPAND 12 E. Finger COMP 3 Compander (H) COMPAND-H 13 E. Slap COMP 4 Compander (S) COMPAND-S 14 Syn. [. . . ] SN GATE Parameter Threshold (dB) Ratio ( :1) Attack (ms) Out gain (dB) Knee Release (ms) Threshold (dB) Ratio ( :1) Attack (ms) Out gain (dB) Width (dB) Release (ms) Threshold (dB) Ratio ( :1) Attack (ms) Out gain (dB) Width (dB) Release (ms) Threshold (dB) Ratio ( :1) Attack (ms) Out gain (dB) Knee Release (ms) Threshold (dB) Ratio ( :1) Attack (ms) Out gain (dB) Knee Release (ms) Threshold (dB) Ratio ( :1) Attack (ms) Out gain (dB) Knee Release (ms) Threshold (dB) Range (dB) Attack (ms) Hold (ms) Decay (ms) Threshold (dB) Range (dB) Attack (ms) Hold (ms) Decay (ms) Threshold (dB) Range (dB) Attack (ms) Hold (ms) Decay (ms) Threshold (dB) Range (dB) Attack (ms) Hold (ms) Decay (ms) Value –33 2 1 2. 0 2 284 –14 2. 5 1 –2. 5 18 180 –9 3 20 –3. 0 90 3. 91 s 0 ∞ 0 0. 0 hard 319 –18 3. 5 94 2. 5 hard 447 –16 6 11 6. 0 1 180 –26 –56 0 2. 56 331 –19 –22 93 1. 20 S 6. 32 S –11 –53 0 1. 93 400 –8 –23 1 0. 63 238 120 ■ Threshold Ratio (x :1) Out gain Knee Attack –54 dB ~ 0 dB (0. 1 dB step) x=1, 1. 1, 1. 3, 1. 5, 1. 7, 2, 2. 5, 3, 3. 5, 4, 5, 6, 8, 10, 20, ∞ (16 points) 0 dB ~ +18 dB (0. 1 dB step) Hard, 1, 2, 3, 4, 5 (6 points) 0 ms~120 ms (1 ms step) 6 ms~46. 1 s (160 points) @ 44. 1 kHz 5 ms~42. 3 s (160 points) @ 48 kHz 3 ms~23. 0 s (160 points) @ 88. 2 kHz 3 ms~21. 2 s (160 points) @ 96 kHz –54 dB ~ 0 dB (0. 1 dB step) x=1, 1. 1, 1. 3, 1. 5, 1. 7, 2, 2. 5, 3, 3. 5, 4, 5, 6, 8, 10, 20, ∞ (16 points) 0 dB ~ +18 dB (0. 1 dB step) Hard, 1, 2, 3, 4, 5 (6 points) 0 ms~120 ms (1 ms step) 6 ms~46. 1 s (160 points) @ 44. 1 kHz 5 ms~42. 3 s (160 points) @ 48 kHz 3 ms~23. 0 s (160 points) @ 88. 2 kHz 3 ms~21. 2 s (160 points) @ 96 kHz –54 dB ~ 0 dB (0. 1 dB step) x=1, 1. 1, 1. 3, 1. 5, 1. 7, 2, 2. 5, 3, 3. 5, 4, 5, 6, 8, 10, 20 (15 points) –18 dB ~ 0 dB (0. 1 dB step) 1 dB~90 dB (1 dB step) 0 ms~120 ms (1 ms step) 6 ms~46. 1 s (160 points) @ 44. 1 kHz 5 ms~42. 3 s (160 points) @ 48 kHz 3 ms~23. 0 s (160 points) @ 88. 2 kHz 3 ms~21. 2 s (160 points) @ 96 kHz –54 dB ~ 0 dB (0. 1 dB step) x=1, 1. 1, 1. 3, 1. 5, 1. 7, 2, 2. 5, 3, 3. 5, 4, 5, 6, 8, 10, 20 (15 points) –18 dB ~ 0 dB (0. 1 dB step) 1 dB~90 dB (1 dB step) 0 ms~120 ms (1 ms step) 6 ms~46. 1 s (160 points) @ 44. 1 kHz 5 ms~42. 3 s (160 points) @ 48 kHz 3 ms~23. 0 s (160 points) @ 88. 2 kHz 3 ms~21. 2 s (160 points) @ 96 kHz –54 dB ~ 0 dB (0. 1 dB step) –70 dB ~ 0 dB (1 dB step) 0 ms~120 ms (1 ms step) 0. 02 ms~2. 13 s (216 points) @ 44. 1 kHz 0. 02 ms~1. 96 s (216 points) @ 48 kHz 0. 01 ms~1. 07 s (216 points) @ 88. 2 kHz 0. 01 ms~980 ms (216 points) @ 96 kHz 6 ms~46. 1 s (160 points) @ 44. 1 kHz 5 ms~42. 3 s (160 points) @ 48 kHz 3 ms~23. 0 s (160 points) @ 88. 2 kHz 3 ms~21. 2 s (160 points) @ 96 kHz –54 dB ~ 0 dB (0. 1 dB step) –70 dB ~ 0 dB (1 dB step) 0 ms~120 ms (1 ms step) 0. 02 ms~2. 13 s (216 points) @ 44. 1 kHz 0. 02 ms~1. 96 s (216 points) @ 48 kHz 0. 01 ms~1. 07 s (216 points) @ 88. 2 kHz 0. 01 ms~980 ms (216 points) @ 96 kHz 6 ms~46. 1 s (160 points) @ 44. 1 kHz 5 ms~42. 3 s (160 points) @ 48 kHz 3 ms~23. 0 s (160 points) @ 88. 2 kHz 3 ms~21. 2 s (160 points) @ 96 kHz Compressor Release Expander Threshold Ratio (x :1) Out gain Knee Attack Release Compander H Threshold Ratio (x :1) Out gain Width Attack Release Compander S Threshold Ratio (x :1) Out gain Width Attack Release Threshold Range Attack Ducking Hold Decay Threshold Range Attack Gate Hold Decay 121 dB +20 +10 0 Output Level -10 -20 -30 -40 -50 -60 -70 -70 -60 -50 -40 -30 -20 -10 0 +10 +20 Input Level dB Compression ratio = 2:1 Threshold = -20dB Knee = hard dB +20 +10 0 Output Level -10 -20 -30 -40 -50 -60 -70 -70 -60 -50 -40 -30 -20 -10 0 +10 +20 Input Level dB +20 dB Expansion ratio = 2:1 Knee = hard Output Level +10 0 -10 -20 -30 -40 -50 -60 -70 Expansion ratio = 2:1 Knee = knee5 Threshold = -10dB Threshold = -20dB dB -70 -60 -50 -40 -30 -20 -10 0 +10 +20 Input Level 122 dB +20 +10 0 Output Level -10 -20 -30 -40 -50 -60 -70 -70 -60 -50 -40 -30 -20 -10 0 +10 +20 Input Level dB Width Threshold 123 dB +20 +10 0 Output Level -10 -20 -30 -40 -50 -60 -70 +20 +10 dB Threshold = -10dB Output Level 0 -10 -20 -30 -40 -50 Threshold = -20dB Range = -30dB Range = -70dB dB -70 -60 -50 -40 -30 -20 -10 0 +10 +20 Input Level -60 -70 Range = -30dB dB -70 -60 -50 -40 -30 -20 -10 0 +10 +20 Input Level 124 ■ 125 ■ ● REVERB HALL, REVERB ROOM, REVERB STAGE, REVERB PLATE Parameter REV TIME INI. HPF LPF GATE LVL ATTACK HOLD DECAY Range 0. 3–99. 0 s 0. 0–500. 0 ms 0. 1–1. 0 0. 1–2. 4 0–10 0–100% 0. 0–100. 0 ms 0–100% THRU, 21. 2 Hz–8. 00 kHz 50. 0 Hz–16. 0 kHz, THRU OFF, –60 to 0 dB 0–120 ms *1 *2 Description *1. 0. 02ms – 2. 13s (fs=44. 1kHz), 0. 02 ms – 1. 96s (fs=48kHz), 0. 01ms – 1. 06s (fs=88. 2kHz), 0. 01ms – 981ms (fs=96kHz) *2. 6ms – 46. 0s (fs=44. 1kHz), 5ms – 42. 3s (fs=48kHz), 3ms – 23. 0s (fs=88. 2kHz), 3ms – 21. 1s (fs=96kHz) ● EARLY REF. Parameter TYPE ROOMSIZE LIVENESS INI. RATIO HPF LPF Range S-Hall, L-Hall, Random, Revers, Plate, Spring 0. 1–20. 0 0–10 0. 0–500. 0 ms 0–10 0–100% 1–19 –99 to +99% 0. 1–1. 0 THRU, 21. 2 Hz–8. 00 kHz 50. 0 Hz–16. 0 kHz, THRU Description ● GATE REVERB, REVERSE GATE Parameter TYPE ROOMSIZE LIVENESS INI. RATIO HPF LPF Range Type-A, Type-B 0. 1–20. 0 0–10 0. 0–500. 0 ms 0–10 0–100% 1–19 –99 to +99% 0. 1–1. 0 THRU, 21. 2 Hz–8. 00 kHz 50. 0 Hz–16. 0 kHz, THRU Description 126 ● MONO DELAY Parameter DELAY FB. RATIO HPF LPF Range 0. 0–2730. 0 ms –99 to +99% 0. 1–1. 0 THRU, 21. 2 Hz–8. 00 kHz 50. 0 Hz–16. 0 kHz, THRU Description ● STEREO DELAY Parameter DELAY L DELAY R FB. RATIO HPF LPF Range 0. 0–1350. 0 ms 0. 0–1350. 0 ms –99 to +99% –99 to +99% 0. 1–1. 0 THRU, 21. 2 Hz–8. 00 kHz 50. 0 Hz–16. 0 kHz, THRU Description ● MOD. DEPTH WAVE HPF LPF Range 0. 0–2725. 0 ms –99 to +99% 0. 1–1. 0 0. 05–40. 00 Hz 0–100% Sine, Tri THRU, 21. 2 Hz–8. 00 kHz 50. 0 Hz–16. 0 kHz, THRU Description ● DELAY LCR Parameter DELAY L DELAY C DELAY R FB. RATIO HPF LPF Range 0. 0–2730. 0 ms 0. 0–2730. 0 ms 0. 0–2730. 0 ms 0. 0–2730. 0 ms –100 to +100% –100 to +100% –100 to +100% –99 to +99% 0. 1–1. 0 THRU, 21. 2 Hz–8. 00 kHz 50. 0 Hz–16. 0 kHz, THRU Description 127 ● ECHO Parameter DELAY L DELAY R FB. DLY L FB. DLY R FB. RATIO HPF LPF Range 0. 0–1350. 0 ms 0. 0–1350. 0 ms 0. 0–1350. 0 ms 0. 0–1350. 0 ms –99 to +99% –99 to +99% –99 to +99% –99 to +99% 0. 1–1. 0 THRU, 21. 2 Hz–8. 00 kHz 50. 0 Hz–16. 0 kHz, THRU Description ● CHORUS Parameter FREQ. GAIN WAVE Range 0. 3–99. 0 s 0. 0–500. 0 ms 0. 1–1. 0 0–10 0–100% THRU, 21. 2 Hz–8. 00 kHz 50. 0 Hz–16. 0 kHz, THRU 0–100% 0. 05–40. 00 Hz 0–100% 0. 0–500. 0 ms –99 to +99% Sine, Tri Description ● REV->FLANGE Parameter REV TIME INI. GAIN WAVE Range 0. 3–99. 0 s 0. 0–500. 0 ms 0. 1–1. 0 0–10 0–100% THRU, 21. 2 Hz–8. 00 kHz 50. 0 Hz–16. 0 kHz, THRU 0–100% 0. 05–40. 00 Hz 0–100% 0. 0–500. 0 ms –99 to +99% Sine, Tri Description 133 ● REV+SYMPHO. Parameter REV TIME INI. DLY WAVE Range 0. 3–99. 0 s 0. 0–500. 0 ms 0. 1–1. 0 0–10 0–100% THRU, 21. 2 Hz–8. 00 kHz 50. 0 Hz–16. 0 kHz, THRU 0–100% 0. 05–40. 00 Hz 0–100% 0. 0–500. 0 ms Sine, Tri Description ● REV->SYMPHO. Parameter REV TIME INI. DLY WAVE Range 0. 3–99. 0 s 0. 0–500. 0 ms 0. 1–1. 0 0–10 0–100% THRU, 21. 2 Hz–8. 00 kHz 50. 0 Hz–16. 0 kHz, THRU 0–100% 0. 05–40. 00 Hz 0–100% 0. 0–500. 0 ms Sine, Tri Description ● REV->PAN Parameter REV TIME INI. WAVE Range 0. 3–99. 0 s 0. 0–500. 0 ms 0. 1–1. 0 0–10 0–100% THRU, 21. 2 Hz–8. 00 kHz 50. 0 Hz–16. 0 kHz, THRU 0–100% 0. 05–40. 00 Hz 0–100% *1 Description Sine, Tri, Square *1. L<->R, L—>R, L<—R, Turn L, Turn R 134 ● DELAY+ER. Parameter DELAY L DELAY R FB. RATIO HPF LPF DLY/ER TYPE ROOMSIZE LIVENESS INI. Range 0. 0–1000. 0 ms 0. 0–1000. 0 ms 0. 0–1000. 0 ms –99 to +99% 0. 1–1. 0 THRU, 21. 2 Hz–8. 00 kHz 50. 0 Hz–16. 0 kHz, THRU 0–100% S-Hall, L-Hall, Random, Revers, Plate, Spring 0. 1–20. 0 0–10 0. 0–500. 0 ms 0–10 0–100% 1–19 Description ● DELAY->ER. Parameter DELAY L DELAY R FB. RATIO HPF LPF DLY. BAL TYPE ROOMSIZE LIVENESS INI. Range 0. 0–1000. 0 ms 0. 0–1000. 0 ms 0. 0–1000. 0 ms –99 to +99% 0. 1–1. 0 THRU, 21. 2 Hz–8. 00 kHz 50. 0 Hz–16. 0 kHz, THRU 0–100% S-Hall, L-Hall, Random, Revers, Plate, Spring 0. 1–20. 0 0–10 0. 0–500. 0 ms 0–10 0–100% 1–19 Description ● DELAY+REV Parameter DELAY L DELAY R FB. GAIN DELAY HI HPF LPF DLY/REV REV TIME INI. [. . . ] 3 Range HPF, LPF, BPF HPF, LPF, BPF HPF, LPF, BPF 28. 0 Hz–16. 0 kHz 28. 0 Hz–16. 0 kHz 28. 0 Hz–16. 0 kHz 0–100 0–100 0–100 0–20 0–20 0–20 Description 136 ● ST REVERB Parameter REV TIME REV TYPE INI. HPF LPF Range 0. 3–99. 0 s Hall, Room, Stage, Plate 0. 0–100. 0 ms 0. 1–1. 0 0. 1–2. 4 0–10 0–100% 0–100% THRU, 21. 2 Hz–8. 00 kHz 50. 0 Hz–16. 0 kHz, THRU Description ● M. BAND DYNA. Parameter LOW GAIN MID GAIN HI. BYP L-M XOVR M-H XOVR SLOPE CEILING EXP. KNEE SOLO LOW SOLO MID SOLO HIGH Range –96. 0 to +12. 0 dB –96. 0 to +12. 0 dB –96. 0 to +12. 0 dB –10 to +10 –24. 0 to 0. 0 dB 1:1 to 20:1 0–120 ms *1 Description 0–5 0. 0–100. 0 ms OFF, ON 21. 2 Hz–8. 00 kHz 21. 2 Hz–8. 00 kHz –6 to –12 dB –6. 0 to 0. 0 dB, OFF –54. 0 to –24. 0 dB 1:1 to ∞:1 *1 OFF, ON –12. 0 to 0. 0 dB 0–120 ms *1 OFF, ON 0–5 OFF, ON OFF, ON OFF, ON *1. [. . . ]