ユーザーズガイド YAMAHA N8

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Mode d'emploi YAMAHA N8
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マニュアル抽象的: マニュアル YAMAHA N8

詳しい操作方法はユーザーガイドに記載されています。

[. . . ] [. . . ] IN ON COMP STEREO L ON OFF ON OFF COMP (Gain Reduction) n8:DIRECT OUT [1-4] INPUT SELECT HPF 3Band EQ DIRECT OUT [9-12] STEREO STEREO R MORPH DRIVE LOW GAIN MID FREQ. MID GAIN HIGH GAIN INPUT METER OVER n12 PRE -14 POST -48 n8 Fixed Attenuation -12dB -3 DIRECT OUT [1-8] CH Fader ON 4 SOLO L SOLO R LOW GAIN MID FREQ. MID GAIN R A. IN n12 80 3Band EQ PFL SOLO DAW DAW IN [4] / [6] INPUT METER OVER [+4dBu] SUM HA A/D HPF HIGH GAIN -14 POST -48 n8 Fixed to pre-fader ATT. DAW L DAW R DAW AUX L DAW AUX R 2TR (2TR L, 2TR R) ATT. DAW IN [3] (n12 : To INPUT CH[9] n8 : To INPUT CH[5]) DAW IN [4] (n12 : To INPUT CH[10] n8 : To INPUT CH[6]) DAW IN [5] (n12 : To INPUT CH[11] n8 : To INPUT CH[7]) DAW IN [6] (n12 : To INPUT CH[12] n8 : To INPUT CH[8]) n12 (DAW L, DAW R) C - R SPEAKER SELECT DAW IN [1] DAW IN [2] 5. 1 (L) ATT ATT ATT ATT ATT : -3dB 5. 1 (L) 5. 1 (R) DAW DOWNMIX (DAW DOWNMIX L, DAW DOWNMIX R) C - R SOURCE SELECT 62 DAW OUT [1-16] (To DAW I/O) MASTER LEVEL METER n8:DAW OUT [1-12] ANALOG INPUT 16 +48V (each 4ch) MONO INPUT n12 : CH[1-8] n8 : CH[1-4] INPUT A DIRECT OUT [1-8] n12 n8 METER SELECT [+10dBu~-60dBu] n12 :CH8 only n8 :CH4 only [-60dBu~-16dBu] [-34dBu~+10dBu] METER 8 Hi-Z PAD HA DIRECT DIRECT DIRECT DIRECT DIRECT DIRECT DIRECT DIRECT DAW DAW DAW DAW DAW DAW DAW DAW OUT OUT OUT OUT OUT OUT OUT OUT [1] [2] [3] [4] [5] [6] [7] [8] OUT OUT OUT OUT OUT OUT OUT OUT [1] [2] [3] [4] [5] [6] [7] [8] INSERT I/O PAN STEREO FADER DIRECT OUT [9] DIRECT OUT [10] DIRECT OUT [11] DIRECT OUT [12] DAW DAW DAW DAW OUT OUT OUT OUT n12 A/D DAW REV SOLO LEVEL PFL SOLO STEREO L STEREO R REC R SOLO L SOLO R REC L AD IN [1-8] REC REC L REC R [+0dBu] [9] [10] [11] [12] DAW OUT [13] n8:DAW OUT [9] DAW IN [7-14] n8:DAW IN [7-10] AUX L AUX R DAW OUT [14] n8:DAW OUT [10] DAW OUT [15] n8:DAW OUT [11] AUX DAW OUT [16] n8:DAW OUT [12] n8 Fixed to pre-fader PAN INPUT SELECT n8:DIRECT OUT [5-8] ST OUT L STEREO L D/A ATT [+4dBu (BAL)] STEREO INPUT n12 : CH9 / 10 & CH11 / 12 n8 : CH5 / 6 & CH7 / 8 DIRECT OUT [9-12] CH Fader BAL REC STEREO R A. IN ON 3Band EQ DAW IN [3] / [5] REV TALKBACK DAW STEREO L (MONO) 80 [-10dBV (UNBAL)] [+4dBu] SUM HA A/D HPF ST OUT R D/A ATT [+4dBu (BAL)] [-10dBV] GAIN ON OFF [-26dBu~+4dBu] [-40dBV~-10dBV] [-10dBV (UNBAL)] [-10dBV] AUX LEVEL AUX L D/A AUX OUT L [+4dBu (BAL)] AUX n12 PRE -3 AUX OUT R 2TR L 2TR R LEVEL 2TR TO STEREO DIMMER D/A D/A AUX R D/A [+4dBu (BAL)] 2TR IN L A/D LEVEL AUX PHONES [4mW 8ohms] [12mW 40ohms] [-10dBV] R TO REC A/D C-R OUT n12 n12 TALKBACK LEVEL TO AUX TO STEREO TALKBACK CONTROL ROOM MUTE LEVEL 2 STEREO (STEREO L, STEREO R) A - L/ [5. 1] L D/A n8:C-R OUT L [+4dBu (BAL)] TALKBACK REVERB TIME DIMMER CONTROL DIMMER LEVEL DAW TO STEREO DIMMER ON OFF LEVEL DIGITAL EFFECT (REVERB) ECM A/D +40dB AUX (AUX L, AUX R) 2 A - L/ [5. 1] R D/A 2 SOLO (SOLO L, SOLO R) n8:C-R OUT R [+4dBu (BAL)] DAW L DAW R DAW TO AUX LEVEL B - L/ [5. 1] C D/A 2 2 DAW [+4dBu (BAL)] B - R/ [5. 1] SW D/A [+4dBu (BAL)] C - L/ [5. 1] Ls n12 DOWN MIX D/A 2 [+4dBu (BAL)] C - R/ [5. 1] Rs DAW 5. 1 (DAW 5. 1 L, DAW 5. 1 R, DAW 5. 1 C, DAW 5. 1 SW, DAW 5. 1 Ls, DAW 5. 1 Rs) DAW IN [3] DAW IN [4] DAW IN [5] DAW IN [6] 5. 1 (C) 5. 1 (LFE) 5. 1 (Ls) 5. 1 (Rs) DAW DOWNMIX L DAW DOWNMIX R 6 D/A [+4dBu (BAL)] LEVEL D/A D/A C-R PHONES [4mW 8ohms] [12mW 40ohms] n12 *IF " C-R SOURSE SELECT " is selected " 5. 1 " , then C-R PHONES outputs DAW DOWNMIX L&R . n12 5. 1 (R) 5. 1 (C) 5. 1 (LFE) 5. 1 (Ls) 5. 1 (Rs) 4 DAW IN [7-10] (To INPUT CH[1-4]) BASS MANAGEMENT HPF HPF HPF LPF HPF HPF LPF AMP DAW IN [7] DAW IN [8] DAW IN [9] DAW IN [10] DAW IN [11] DAW IN [12] DAW IN [13] DAW IN [14] n12 : DAW IN [11] (To INPUT CH[5]) n8 : DAW AUX L n12 : DAW IN [12] (To INPUT CH[6]) n8 : DAW AUX R n12 : DAW IN [13] (To INPUT CH[7]) n12 : DAW IN [14] (To INPUT CH[8]) DAW 5. 1 L DAW IN [15] DAW IN [16] DAW AUX L DAW AUX R n12 DAW 5. 1 R DAW 5. 1 C DAW 5. 1 SW DAW 5. 1 Ls DAW 5. 1 Rs DAW I/O n12 n8 HPF : 100Hz, -12dB/0ct LPF : 100Hz, -12dB/0ct AMP : +10dB 16 DAW IN [1-16] IEEE1394 n8 : DAW IN [1-12] 2-REC , 2-REVERB , 2-AUX , 1-EFFECT , 16-IEEE1394 IN/OUT 2-REC , 2-REVERB , 2-AUX , 1-EFFECT , 12-IEEE1394 IN/OUT 16 DAW OUT [1-16] n8 : DAW OUT [1-12] YAMAHA [ DIGITAL MIXING STUDIO ] Model n8/12 MIDI Implementation Chart Date :5-Oct-2006 Version :1. 0 Function. . . Transmitted Recognized Remarks Basic Channel Mode Default Changed Default Messages Altered x x x x ************** x *1 x x x x x x *1 x x x x x x x Note Number Velocity : True voice Note ON Note OFF Key's Ch's ************** x x x x x After Touch Pitch Bend Control Change 0-121 x Prog Change : True # x ************** x *1 x x x x x x x x x x x x x x *1 x x x x x x x x x x x System Exclusive Common : Song Pos. [. . . ] [. . . ]

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