ユーザーズガイド YAMAHA NTX900FM

[. . . ] Fx3 Lib+1 Recall Fx3 Lib–1 Recall Fx3 LibXXX RCL. Fx4 Lib+1 Recall Fx4 Lib–1 Recall Fx4 LibXXX RCL. Fx1 Bypass Fx2 Bypass Fx3 Bypass Fx4 Bypass CH Lib+1 Recall CH Lib–1 Recall CH LibXXX Recall Gate Lib+1 RCL. EQ Lib+1 Recall EQ Lib–1 Recall EQ LibXXX Recall IN Patch Lib+1 IN Patch Lib–1 IN Patch LibXX Out Patch Lib+1 Out Patch Lib–1 Out Patch LibXX IN Fader Group A IN Fader Group B IN Fader Group C IN Fader Group D IN Fader Group E IN Fader Group F IN Fader Group G IN Fader Group H IN Mute Group I IN Mute Group J 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 Input MUTE Group Enable K Input MUTE Group Enable L Input MUTE Group Enable M Input MUTE Group Enable N Input MUTE Group Enable O Input MUTE Group Enable P Output Fader Group Enable Q Output Fader Group Enable R Output Fader Group Enable S Output Fader Group Enable T Output MUTE Group Enable U Output MUTE Group Enable V Output MUTE Group Enable X PEAK HOLD On/Off OSCILLATOR On/Off SOLO Enable Pan / Surround Link Channel Name ID/Short Channel Copy Channel Paste Display Back Display Forward UDEF KEYS BANK +1 UDEF KEYS BANK –1 UDEF KEYS BANK X MIDI NOTE No. XX MIDI Program change No. XX MIDI Control Change No. XX Machine REC Machine PLAY Machine STOP Machine FF Machine REW Machine SHUTTLE Machine SCRUB Machine LOCATE X Machine Set LOCATE X Machine RTZ Machine Set RTZ Track Arming 1 Track Arming 2 Track Arming 3 Track Arming 4 Track Arming 5 Track Arming 6 Track Arming 7 Track Arming 8 Track Arming 9 IN Mute Group K IN Mute Group L IN Mute Group M IN Mute Group N IN Mute Group O IN Mute Group P OutFader Group Q OutFader Group R OutFader Group S OutFader Group T Out Mute Group U Out Mute Group V Out Mute Group X Peak Hold OSC ON/OFF SOLO ENABLE PAN/SURR LINK CH ID/Short Channel Copy Channel Paste Display Back Display Forward UDEF KEYS BANK+1 UDEF KEYS BANK–1 UDEF KEYS BANK x MIDI NOTE XXX MIDI PGM XXX MIDI CC XXX Machine REC Machine PLAY Machine STOP Machine FF Machine REW Machine SHUTTLE Machine SCRUB Machine LOCATE X Machine Capture X Machine RTZ Machine Set RTZ Track Arming 1 Track Arming 2 Track Arming 3 Track Arming 4 Track Arming 5 Track Arming 6 Track Arming 7 Track Arming 8 Track Arming 9 Output MUTE Group Enable W Out Mute Group W Control Room Monitor MONO C-R MONO 242 98 99 Track Arming 10 Track Arming 11 Track Arming 10 Track Arming 11 Track Arming 12 Track Arming 13 Track Arming 14 Track Arming 15 Track Arming 16 Track Arming 17 Track Arming 18 Track Arming 19 Track Arming 20 Track Arming 21 Track Arming 22 Track Arming 23 Track Arming 24 Track Arming CLR DAW REC DAW PLAY DAW STOP DAW FF DAW REW DAW SHUTTLE DAW SCRUB DAW AUDITION DAW PRE DAW IN DAW OUT DAW POST DAW RTZ DAW END DAW ONLINE DAW LOOP DAW QUICKPUNCH DAW GROUP STATUS DAW AUTO FADER DAW AUTO MUTE DAW AUTO PAN DAW AUTO SEND DAW AUTO PLUGIN DAW AUTO SENDMUTE DAW AUTO READ DAW AUTO TOUCH DAW AUTO LATCH DAW AUTO WRITE DAW AUTO TRIM DAW AUTO OFF DAW AUTO SUSPEND DAW AUTO STATUS DAW MONI STATUS DAW CREATE GROUP DAW SUSPEND GRP 149 DAW WINDOW TRANSPORT 150 DAW WINDOW INSERT 151 DAW WINDOW MIX/EDIT 152 DAW WINDOW MEM-LOC 153 DAW WINDOW STATUS 154 DAW Shortcut UNDO 155 DAW Shortcut SAVE 156 DAW Shortcut EDIT MODE 157 DAW Shortcut EDIT TOOL 158 DAW Shortcut SHIFT/ADD 159 DAW Shortcut OPTION/ALL 160 DAW Shortcut CTRL/CLUCH 161 DAW Shortcut ALT/FINE 162 DAW BANK + 163 DAW BANK – 164 DAW Channel + 165 DAW Channel – 166 DAW REC/RDY X 167 DAW REC/RDY ALL DAW WIN TRANSPORT DAW WIN INSERT DAW WIN MIX/EDIT DAW WIN MEM-LOC DAW WIN STATUS DAW UNDO DAW SAVE DAW EDIT MODE DAW EDIT TOOL DAW SHIFT/ADD DAW OPTION/ALL DAW CTRL/CLUCH DAW ALT/FINE DAW BANK + DAW BANK – DAW Channel + DAW Channel – DAW REC/RDY X DAW REC/RDY ALL 100 Track Arming 12 101 Track Arming 13 102 Track Arming 14 103 Track Arming 15 104 Track Arming 16 105 Track Arming 17 106 Track Arming 18 107 Track Arming 19 108 Track Arming 20 109 Track Arming 21 110 Track Arming 22 111 Track Arming 23 112 Track Arming 24 113 Track Arming All Clear 114 DAW REC 115 DAW PLAY 116 DAW STOP 117 DAW FF 118 DAW REW 119 DAW SHUTTLE 120 DAW SCRUB 121 DAW AUDITION 122 DAW PRE 123 DAW IN 124 DAW OUT 125 DAW POST 126 DAW RTZ 127 DAW END 128 DAW ONLINE 129 DAW LOOP 130 DAW QUICKPUNCH 131 DAW GROUP STATUS 132 DAW AUTO FADER 133 DAW AUTO MUTE 134 DAW AUTO PAN 135 DAW AUTO SEND 136 DAW AUTO PLUGIN 137 DAW AUTO SEND MUTE 138 DAW AUTO READ 139 DAW AUTO TOUCH 140 DAW AUTO LATCH 141 DAW AUTO WRITE 142 DAW AUTO TRIM 143 DAW AUTO OFF 144 DAW AUTO SUSPEND 145 DAW AUTO STATUS 146 DAW MONITOR STATUS 147 DAW CREATE GROUP 148 DAW SUSPEND GROUP 243 BANK A TITLE 1 2 3 4 5 6 7 8 Scene Recall Scene 1 Recall Scene 2 Recall Scene 3 Recall Scene 4 Recall Scene 5 Recall Scene 6 Recall Scene 7 Recall Scene 8 Recall BANK B Group Enable IN Fader Group A IN Mute Group I IN Fader Group B IN Mute Group J IN Fader Group C IN Mute Group K IN Fader Group D IN Mute Group L BANK C DAW 1 BANK D DAW 2 BANK E Machine Control Machine SHUTTLE Machine SCRUB BANK F Program Change BANK G Special Function BANK H No Assign UDEF BANK D UDEF BANK C DAW WIN MIX/EDIT DAW BANK – DAW BANK + DAW SHUTTLE DAW SCRUB DAW STOP DAW PLAY DAW OPTION/ALL DAW AUTO READ DAW AUTO TOUCH DAW AUTO LATCH DAW AUTO WRITE DAW AUTO TRIM DAW AUTO OFF MIDI PGM 1 Display Back No Assign MIDI PGM 2 Display Forward Channel Copy Channel Paste No Assign No Assign No Assign No Assign No Assign No Assign No Assign Machine RTZ MIDI PGM 3 Machine REC MIDI PGM 4 Machine STOP Machine PLAY Machine REW Machine FF MIDI PGM 5 No Assign MIDI PGM 6 No Assign MIDI PGM 7 No Assign MIDI PGM 8 No Assign INPUT INSERT IN EFFECT IN CASCADE – AD1 AD2 AD3 AD4 AD5 AD6 AD7 AD8 AD9 AD10 AD11 AD12 AD13 AD14 AD15 AD16 ADAT1 ADAT2 ADAT3 ADAT4 ADAT5 ADAT6 ADAT7 ADAT8 SL-01 SL-02 SL-03 SL-04 SL-05 SL-06 NONE AD IN 1 AD IN 2 AD IN 3 AD IN 4 AD IN 5 AD IN 6 AD IN 7 AD IN 8 AD IN 9 AD IN 10 AD IN 11 AD IN 12 AD IN 13 AD IN 14 AD IN 15 AD IN 16 ADAT1 IN ADAT2 IN ADAT3 IN ADAT4 IN ADAT5 IN ADAT6 IN ADAT7 IN ADAT8 IN Slot CH1 IN Slot CH2 IN Slot CH3 IN Slot CH4 IN Slot CH5 IN Slot CH6 IN – AD1 AD2 AD3 AD4 AD5 AD6 AD7 AD8 AD9 AD10 AD11 AD12 AD13 AD14 AD15 AD16 ADAT1 ADAT2 ADAT3 ADAT4 ADAT5 ADAT6 ADAT7 ADAT8 SL-01 SL-02 SL-03 SL-04 SL-05 SL-06 NONE AD IN 1 AD IN 2 AD IN 3 AD IN 4 AD IN 5 AD IN 6 AD IN 7 AD IN 8 AD IN 9 AD IN 10 AD IN 11 AD IN 12 AD IN 13 AD IN 14 AD IN 15 AD IN 16 ADAT1 IN ADAT2 IN ADAT3 IN ADAT4 IN ADAT5 IN ADAT6 IN ADAT7 IN ADAT8 IN Slot CH1 IN Slot CH2 IN Slot CH3 IN Slot CH4 IN Slot CH5 IN Slot CH6 IN – AUX1 AUX2 AUX3 AUX4 AUX5 AUX6 AUX7 AUX8 INS CH1 INS CH2 INS CH3 INS CH4 INS CH5 INS CH6 INS CH7 INS CH8 INS CH9 NONE AUX1 AUX2 AUX3 AUX4 AUX5 AUX6 AUX7 AUX8 InsertOut-CH1 InsertOut-CH2 InsertOut-CH3 InsertOut-CH4 InsertOut-CH5 InsertOut-CH6 InsertOut-CH7 InsertOut-CH8 InsertOut-CH9 – ADAT1 ADAT2 ADAT3 ADAT4 ADAT5 ADAT6 ADAT7 ADAT8 SL-01 SL-02 SL-03 SL-04 SL-05 SL-06 SL-07 SL-08 SL-09 SL-10 SL-11 SL-12 SL-13 SL-14 SL-15 SL-16 AD1 AD2 AD3 AD4 AD5 AD6 NONE ADAT1 IN ADAT2 IN ADAT3 IN ADAT4 IN ADAT5 IN ADAT6 IN ADAT7 IN ADAT8 IN Slot CH1 IN Slot CH2 IN Slot CH3 IN Slot CH4 IN Slot CH5 IN Slot CH6 IN Slot CH7 IN Slot CH8 IN Slot CH9 IN Slot CH10 IN Slot CH11 IN Slot CH12 IN Slot CH13 IN Slot CH14 IN Slot CH15 IN Slot CH16 IN AD IN 1 AD IN 2 AD IN 3 AD IN 4 AD IN 5 AD IN 6 INS CH10 InsertOut-CH10 INS CH11 InsertOut-CH11 INS CH12 InsertOut-CH12 INS CH13 InsertOut-CH13 INS CH14 InsertOut-CH14 INS CH15 InsertOut-CH15 INS CH16 InsertOut-CH16 INS CH17 InsertOut-CH17 INS CH18 InsertOut-CH18 INS CH19 InsertOut-CH19 INS CH20 InsertOut-CH20 INS CH21 InsertOut-CH21 INS CH22 InsertOut-CH22 244 INPUT INSERT IN EFFECT IN CASCADE SL-07 SL-08 SL-09 SL-10 SL-11 SL-12 SL-13 SL-14 SL-15 SL-16 FX1-1 FX1-2 FX2-1 FX2-2 FX3-1 FX3-2 FX4-1 FX4-2 2TD-L 2TD-R Slot CH7 IN Slot CH8 IN Slot CH9 IN Slot CH10 IN Slot CH11 IN Slot CH12 IN Slot CH13 IN Slot CH14 IN Slot CH15 IN Slot CH16 IN Effect1 OUT 1 Effect1 OUT 2 Effect2 OUT 1 Effect2 OUT 2 Effect3 OUT 1 Effect3 OUT 2 Effect4 OUT 1 Effect4 OUT 2 2TR IN Dig. [. . . ] AD+DA (to STEREO OUT) @ fs=96 kHz –128 dB Equivalent Input Noise –86 dB residual output noise. STEREO OUT (STEREO OUT off) Signal Delay Fader Fader Resolution Total Harmonic Distortion*1 (CH INPUT to STEREO OUT) (Input Gain=Min. ) Frequency Response (CH INPUT to STEREO OUT) Dynamic Range (maximum level to noise level) Hum & Noise*2 (20 Hz~20 kHz) Input Gain=Max. –86 dB (90 dB S/N) STEREO OUT Input Pad =0 dB (STEREO fader at nominal level and all CH INPUT faders at minimum level) Input Pad =0 dB Input Sensitivity =–60 dB –64 dB (68 dB S/N) STEREO OUT (STEREO fader at nominal level and one CH INPUT fader at nominal level) 74 dB CH INPUT (CH1~12) to STEREO OUT/OMNI (BUS) OUT Rs=150 Ω Maximum Voltage Gain 40 dB CH INPUT (CH13~16) to STEREO OUT 74 dB CH INPUT (CH1~12) to OMNI (AUX) OUT (via pre input fader) 74 dB CH INPUT (CH1~12) to MONITOR OUT (via STEREO BUS) 80 dB adjacent input channels (CH1~12) 80 dB adjacent input channels (CH13~16) 80 dB input to output Phantom switch Pad switch Gain control +48 V DC (each 4ch) 0/20 dB attenuation 44 dB (–60 ~ –16), detented LED (red) turns on when post HA level reaches 3 dB below clipping at digital domain LED (green) turns on when post HA level reaches 20 dB below nominal at digital domain 24-bit linear, 128-times oversampling (fs=44. 1, 48 kHz), 64-times oversampling (fs=88. 2, 96 kHz) 30 dB (–26 ~ +4), detented LED (red) turns on when post HA level reaches 3 dB below clipping at digital domain LED (green) turns on when post HA level reaches 20 dB below nominal at digital domain 24-bit linear, 128-times oversampling (fs=44. 1, 48 kHz), 64-times oversampling (fs=88. 2, 96 kHz) CH15/16/2TR IN for CH15/16 Crosstalk (@ 1 kHz) Input Gain=Min. AD Input (1~12) Peak indicator Signal indicator AD converter Gain control Peak indicator AD Input (13~16) Signal indicator AD converter Input selector 284 Digital Input (2TR IN DIGITAL, ADAT input) Option Input (SLOT) Available cards Input patch Phase Gate-type*3 Optional digital interface cards (MY16, MY8, MY4 series) — Normal/reverse On/off Key in: 12 ch Group (1~12, 13~24, 25~32)/AUX1~8 On/off Comp-type*4 Attenuator EQ Delay On/off Input Channel CH1~32 Fader Aux send Solo Pan Surround pan LFE level Routing Direct out Metering Key in: self /Stereo Link Pre EQ/pre fader/post fader –96. 0 ~ +12. 0 dB (0. 1 dB step) 4-band PEQ (TYPE1)*5 On/off 0~43400 samples — 100 mm motorized (INPUT/AUX1~8) On/off AUX1~8; pre fader/post fader On/off Pre fader/after pan 127 positions (Left= 1~63, Center, Right= 1~63) 127 × 127 positions [(Left= 1~63, Center, Right= 1~63)], [(Front= 1~63, Center, Rear= 1~63)] –∞, –96 dB ~ +10 dB (256 step) STEREO, BUS1~8, DIRECT OUT Pre EQ/pre fader/post fader Displayed on LCD Peak hold on/off Input patch (L/R) — Phase (L/R) Attenuator (L/R) Equalizer On/off Fader Aux send Stereo Input Channel CH1-4 Solo Pan (L/R) Surround pan (L/R) LFE level (L/R) Routing Metering Level OSCILLATOR On/off Waveform Routing STEREO OUT DA converter Normal/reverse –96. 0 ~ +12. 0 dB (0. 1 dB step) 4band PEQ (TYPE1)*5 — 100 mm motorized INPUT/AUX1~8 send On/off AUX1~8; pre fader/post fader On/off Pre fader/after pan 127 positions (Left= 1~63, Center, Right= 1~63) 127 × 127 positions ([Left= 1~63, Center, Right= 1~63] x [Front= 1~63, Center, Rear= 1~63]) –∞, –96 dB ~ +10 dB (256 step) STEREO, BUS1~8, DIRECT OUT Displayed on LCD Peak hold on/off 0 ~ –96 dB (1 dB step) — Sine 100 Hz, sine 1 kHz, sine 10 kHz, pink noise, burst noise BUS1~8, AUX1~8, STEREO L/R 24-bit linear, 128-times oversampling (@fs=44. 1, 48 kHz), 64-times oversampling (@fs=88. 2, 96 kHz) 285 24-bit linear, 128-times oversampling (@fs=44. 1, 48 kHz), 64-times oversampling (@fs=88. 2, 96 kHz) STEREO, BUS1~8, AUX1~8, DIRECT OUT 1~32, INSERT OUT (CH1~32, BUS1~8, AUX1~8, STEREO), CASCADE OUT (BUS1~8, AUX 1~8, STEREO, SOLO) 24-bit linear, 128-times oversampling (@fs=44. 1, 48 kHz), 64-times oversampling (@fs=88. 2, 96 kHz) On/off Word length 16, 20, 24-bit STEREO, BUS1~8, AUX 1~8, DIRECT OUT 1~32, INSERT OUT (CH 1~32, BUS 1~8, AUX 1~8, STEREO), CASCADE OUT (BUS 1~8, AUX 1~8, STEREO, SOLO) On/off Word length 16, 20, 24-bit STEREO, BUS1~8, AUX 1~8, DIRECT OUT 1~32, INSERT OUT (CH 1~32, BUS 1~8, AUX 1~8, STEREO), CASCADE OUT (BUS 1~8, AUX 1~8, STEREO, SOLO) Optional digital interface card (MY16, MY8, MY4 series) On/off Word length 16/20/24-bit STEREO, BUS1~8, AUX 1~8, DIRECT OUT 1~32, INSERT OUT (CH 1~32, BUS 1~8, AUX 1~8, STEREO), CASCADE OUT (BUS 1~8, AUX 1~8, STEREO, SOLO) On/off Pre EQ/pre fader/post fader –96. 0 ~ +12. 0 dB (0. 1 dB step) 4-band PEQ*5 On/off STEREO On/off Fader Balance Delay Metering — 100 mm motorized 127 positions (Left=1~63, Center, Right=1~63) 0~29100 samples Displayed on LCD Peak hold on/off 12-elements x2 LED meters Comp-type*4 Attenuator EQ On/off BUS1~8 Fader Delay Bus to stereo On/off Pre EQ/pre fader/post fader –96. 0 ~ +12. 0 dB (0. 1 dB step) 4-band PEQ*5 On/off — 100 mm motorized 0~29100 samples Level (–∞, –130 dB ~ 0 dB) On/off Pan: 127 positions (Left=1~63, Center, Right=1~63) Metering Displayed on LCD Peak hold on/off MONITOR OUT DA converter Output patch OMNI OUT 1~4 DA converter Dither 2TR OUT DIGITAL Output patch Dither ADAT Output Output patch Available card Dither Option Output (SLOT) Output patch Comp-type*4 Attenuator EQ 286 On/off Pre EQ/pre fader/post fader –96. 0 ~ +12. 0 dB (0. 1 dB step) 4-band PEQ*5 On/off On/off Fader Delay Metering Number of effects INTERNAL EFFECTS (EFFECT 1~4) Bypass In/out Effect-in from Effect-out to Power Requirements Dimensions Net weight Operating free-air temperature range Storage temperature range (H x D x W) — 100 mm motorized 0~29100 samples Displayed on LCD Peak hold on/off 4@44. 1kHz, 48kHz 2@88. 2kHz, 96kHz On/off 2-in, 2-out AUX1~8/INSERT OUT Input patch 100 V, 50/60 Hz 90 W 150 x 548 x 436 mm 15 kg 10~35°C –20 ~ 60°C AC Cable (3P/2P AC plug adapter) CD-ROM (Studio Manager) Owner’s Manual Studio Manager Installation Guide Warranty card Digital interface card (MY16, MY8, MY4 series) RACK MOUNT KIT: RK1 Comp-type*4 Attenuator EQ AUX1~8 Supplied Accessories Options *1. Total harmonic distortion is measured with a 6 dB/octave filter @ 80 kHz. Hum & Noise are measured with a 6 dB/octave filter @ 12. 7 kHz; equivalent to a 20 kHz filter with infinite dB/octave attenuation. LOW/HPF 0. 1~10. 0 (41 points) low shelving HPF ±18 dB (0. 1 dB step) HPF: on/off L-MID 0. 1~10. 0 (41 points) H-MID HIGH /LPF 0. 1~10. 0 (41 points) high shelving LPF ±18 dB (0. 1 dB step) LPF: on/off Q F G 21. 2 Hz. 20. 0 kHz (1/12 oct step) ±18 dB (0. 1 dB step) 287 Threshold Range Attack –54 dB ~ 0 dB (0. 1 dB step) –70 dB ~ 0 dB (1 dB step) 0 ms~120 ms (1 ms step) 0. 02 ms~1. 96 s (216 points) @ 48 kHz 0. 02 ms~2. 13 s (216 points) @ 44. 1 kHz 0. 01 ms~981 ms (216 points) @ 96 kHz 0. 01 ms~1. 06 s (216 points) @ 88. 2 kHz 5 ms~42. 3 s (160 points) @ 48 kHz 6 ms~46. 0 s (160 points) @ 44. 1 kHz 3 ms~21. 1 s (160 points) @ 96 kHz 3 ms~23. 0 s (160 points) @ 88. 2 kHz –54 dB ~ 0 dB (0. 1 dB step) –70 dB ~ 0 dB (1 dB step) 0 ms~120 ms (1 ms step) 0. 02 ms~1. 96 s (216 points) @ 48 kHz 0. 02 ms~2. 13 s (216 points) @ 44. 1 kHz 0. 01 ms~981 ms (216 points) @ 96 kHz 0. 01 ms~1. 06 s (216 points) @ 88. 2 kHz 5 ms~42. 3 s (160 points) @ 48 kHz 6 ms~46. 0 s (160 points) @ 44. 1 kHz 3 ms~21. 1 s (160 points) @ 96 kHz 3 ms~23. 0 s (160 points) @ 88. 2 kHz Gate Hold Decay Threshold Range Attack Ducking Hold Decay Threshold Ratio (x :1) Out gain Knee Compressor Attack –54 dB ~ 0 dB (0. 1 dB step) x=1, 1. 1, 1. 3, 1. 5, 1. 7, 2, 2. 5, 3, 3. 5, 4, 5, 6, 8, 10, 20, ∞ (16 points) 0 dB ~ +18 dB (0. 1 dB step) Hard, 1, 2, 3, 4, 5 (6 step) 0 ms~120 ms (1 ms step) 5 ms~42. 3 s (160 points) @ 48 kHz 6 ms~46. 0 s (160 points) @ 44. 1 kHz 3 ms~21. 1 s (160 points) @ 96 kHz 3 ms~23. 0 s (160 points) @ 88. 2 kHz –54 dB ~ 0 dB (0. 1 dB step) x=1, 1. 1, 1. 3, 1. 5, 1. 7, 2, 2. 5, 3, 3. 5, 4, 5, 6, 8, 10, 20, ∞ (16 points) 0 dB ~ +18 dB (0. 1 dB step) Hard, 1, 2, 3, 4, 5 (6 points) 0 ms~120 ms (1 ms step) 5 ms~42. 3 s (160 points) @ 48 kHz 6 ms~46. 0 s (160 points) @ 44. 1 kHz 3 ms~21. 1 s (160 points) @ 96 kHz 3 ms~23. 0 s (160 points) @ 88. 2 kHz Release Threshold Ratio (x :1) Out gain Knee Expander Attack Release 288 Threshold Ratio (x :1) Out gain Width Compander H Attack –54 dB ~ 0 dB (0. 1 dB step) x=1, 1. 1, 1. 3, 1. 5, 1. 7, 2, 2. 5, 3, 3. 5, 4, 5, 6, 8, 10, 20 (15 points) –18 dB ~ 0 dB (0. 1 dB step) 1 dB~90 dB (1 dB step) 0 ms~120 ms (1 ms step) 5 ms~42. 3 s (160 points) @ 48 kHz Release 6 ms~46. 0 s (160 points) @ 44. 1 kHz 3 ms~21. 1 s (160 points) @ 96 kHz 3 ms~23. 0 s (160 points) @ 88. 2 kHz Threshold Ratio (x :1) Out gain Width Compander S Attack –54 dB ~ 0 dB (0. 1 dB step) x=1, 1. 1, 1. 3, 1. 5, 1. 7, 2, 2. 5, 3, 3. 5, 4, 5, 6, 8, 10, 20 (15 points) –18 dB ~ 0 dB (0. 1 dB step) 1 dB~90 dB (1 dB step) 0 ms~120 ms (1 ms step) 5 ms~42. 3 s (160 points) @ 48 kHz Release 6 ms~46. 0 s (160 points) @ 44. 1 kHz 3 ms~21. 1 s (160 points) @ 96 kHz 3 ms~23. 0 s (160 points) @ 88. 2 kHz Effect library (EFFECT 1~4) Compressor library Gate library EQ library Channel library Input patch library Output patch library Presets User memories Presets User memories Presets User memories Presets User memories Presets User memories Presets User memories Presets User memories 44 84 36 92 4 124 40 160 2 127 1 32 1 32 289 Input level Input PAD GAIN Actual Load Impedance For Use With Nominal Sensitivity *1 Nominal –60 dB (0. 775 mV) –16 dB (123 mV) +4 dB (1. 23 V) –26 dB (38. 8 mV) +4 dB (1. 23 V) –2 dB (616 mV) –10 dBV (316 mV) Max. before clip –40 dB (7. 75 mV) +4 dB (1. 23 V) +24 dB (12. 28 V) –6 dB (388 mV) +24 dB (12. 28 V) +18 dB (6. 16 V) +10 dBV (3. 16 V) Connector –60 dB INPUT A/B 1~12 0 3k Ω –16 dB 20 –26 dB INPUT 13~16 — +4 dB CH INSERT IN 1~12 2TR IN [L, R] — — 10k Ω 10k Ω 600 Ω Lines 600 Ω Lines 10k Ω 600 Ω Lines 50~600 Ω Mics & 600 Ω Lines –70 dB (0. 245 mV) –26 dB (38. 8 mV) –6 dB (338 mV) –36 dB (1. 23 mV) –6 dB (388 mV) –12 dB (195 mV) –10 dB (316 mV) A: XLR-3-31 type (Balanced)*2 B: Phone jack (TRS) (Balanced)*3 Phone jack (TRS) (Balanced)*3 Phone jack (TRS) (Unbalanced)*4 RCA pin jack (Unbalanced) *1. Sensitivity is the lowest level that will produce an output of +4 dB (1. 23 V) or the nominal output level when the unit is set to maximum gain. (All faders and level controls are maximum position. ) *2. XLR-3-31 type connectors are balanced (1=GND, 2=HOT, 3=COLD). Phone jacks are balanced (Tip=HOT, Ring=COLD, Sleeve=GND). CH INSERT IN/OUT phone jacks are unbalanced. 0ttttttt 0bbbbbbb DATA 0ddddddd : 0ddddddd CHECK SUM 0eeeeeee EOX 11110111 tt bb ds : de ee F7 total block number(minimum number is 0) current block number(0-total block number) Scene data of block[bb] DATA NAME ee=(Invert(‘L’+…+de)+1)&0x7F End of exclusive EOX 11110000 01000011 0010nnnn 01111110 01001100 01001101 00100000 00100000 00111000 01000011 00111001 00110011 01010011 00000010 00000000 11110111 F0 43 2n 7E 4C 4D 20 20 38 43 39 33 53 02 00 F7 System exclusive message Manufacture’s ID number (YAMAHA) n=0-15 (Device number=MIDI Channel) Universal bulk dump ‘L’ ‘M’ ‘’ ‘’ ‘8’ ‘C’ ‘9’ ‘3’ ‘S’ No. 256 = Current End of exclusive STATUS ID No. SUB STATUS FORMAT No. DATA NAME 11110000 01000011 0010nnnn 01111110 01001100 01001101 00100000 00100000 00111000 01000011 00111001 00110011 01101101 0mmmmmmm F0 43 2n 7E 4C 4D 20 20 38 43 39 33 6D mh System exclusive message Manufacture’s ID number (YAMAHA) n=0-15 (Device number=MIDI Channel) Universal bulk dump ‘L’ ‘M’ ‘’ ‘’ ‘8’ ‘C’ ‘9’ ‘3’ ‘m’ m=0-99, 256, 8192(Scene0-99, EDIT BUFFER, UNDO) STATUS ID No. COUNT HIGH COUNT LOW EOX 0mmmmmmm ml 11110111 F7 End of exclusive STATUS ID No. COUNT HIGH COUNT LOW DATA NAME 11110000 01000011 0000nnnn 01111110 0ccccccc 0ccccccc 01001100 01001101 00100000 00100000 00111000 01000011 00111001 00110011 01010011 F0 43 0n 7E ch cl 4C 4D 20 20 38 43 39 33 53 System exclusive message Manufacture’s ID number (YAMAHA) n=0-15 (Device number=MIDI Channel) Universal bulk dump data count = ch * 128 + cl ‘L’ ‘M’ ‘’ ‘’ ‘8’ ‘C’ ‘9’ ‘3’ ‘S’ 11110000 01000011 0000nnnn 01111110 0ccccccc 0ccccccc 01001100 01001101 00100000 00100000 00111000 01000011 00111001 00110011 DATA NAME 01001100 00000000 0bbbbbbb BLOCK INFO. 0ttttttt 0bbbbbbb DATA 0ddddddd : 0ddddddd CHECK SUM 0eeeeeee EOX 11110111 F0 43 0n 7E ch cl 4C 4D 20 20 38 43 39 33 4C 00 bb tt bb ds : de ee F7 System exclusive message Manufacture’s ID number (YAMAHA) n=0-15 (Device number=MIDI Channel) Universal bulk dump data count = ch * 128 + cl ‘L’ ‘M’ ‘’ ‘’ ‘8’ ‘C’ ‘9’ ‘3’ ‘L’ b=0-3(bank no. 1-4) total block number(minimum number is 0) current block number(0-total block number) User define layer data of block[bb] ee=(Invert(‘L’+…+de)+1)&0x7F End of exclusive STATUS ID No. SUB STATUS FORMAT No. 11110000 01000011 0010nnnn 01111110 01001100 01001101 00100000 00100000 00111000 F0 43 2n 7E 4C 4D 20 20 38 System exclusive message Manufacture’s ID number (YAMAHA) n=0-15 (Device number=MIDI Channel) Universal bulk dump ‘L’ ‘M’ ‘’ ‘’ ‘8’ 312 01000011 00111001 00110011 01001100 00000000 0bbbbbbb 11110111 43 39 33 4C 00 bb F7 ‘C’ ‘9’ ‘3’ ‘L’ b=0-3(bank no. 1-4) End of exclusive DATA NAME EOX STATUS ID No. COUNT HIGH COUNT LOW 11110000 01000011 0000nnnn 01111110 0ccccccc 0ccccccc 01001100 01001101 00100000 00100000 00111000 01000011 00111001 00110011 DATA NAME 01010110 00000000 0bbbbbbb BLOCK INFO. 0ttttttt 0bbbbbbb DATA 0ddddddd : 0ddddddd CHECK SUM 0eeeeeee EOX 11110111 F0 43 0n 7E ch cl 4C 4D 20 20 38 43 39 33 56 00 bb tt bb ds : de ee F7 System exclusive message Manufacture’s ID number (YAMAHA) n=0-15 (Device number=MIDI Channel) Universal bulk dump data count = ch * 128 + cl ‘L’ ‘M’ ‘’ ‘’ ‘8’ ‘C’ ‘9’ ‘3’ ‘V’ b=0-7(bank no. A-H) total block number(minimum number is 0) current block number(0-total block number) User define key data of block[bb] 00100000 00111000 01000011 00111001 00110011 DATA NAME 01010101 00000000 0bbbbbbb BLOCK INFO. 0ttttttt 0bbbbbbb DATA 0ddddddd : 0ddddddd CHECK SUM 0eeeeeee EOX 11110111 20 38 43 39 33 55 00 bb tt bb ds : de ee F7 ‘’ ‘8’ ‘C’ ‘9’ ‘3’ ‘U’ b=0-3(bank no. 1-4) total block number(minimum number is 0) current block number(0-total block number) User assignable layer data of block[bb] ee=(Invert(‘L’+…+de)+1)&0x7F End of exclusive STATUS ID No. SUB STATUS FORMAT No. DATA NAME ee=(Invert(‘L’+…+de)+1)&0x7F End of exclusive EOX 11110000 01000011 0010nnnn 01111110 01001100 01001101 00100000 00100000 00111000 01000011 00111001 00110011 01010101 00000000 0bbbbbbb 11110111 F0 43 2n 7E 4C 4D 20 20 38 43 39 33 55 00 bb F7 System exclusive message Manufacture’s ID number (YAMAHA) n=0-15 (Device number=MIDI Channel) Universal bulk dump ‘L’ ‘M’ ‘’ ‘’ ‘8’ ‘C’ ‘9’ ‘3’ ‘U’ b=0-3(bank no. 1-4) End of exclusive STATUS ID No. SUB STATUS FORMAT No. DATA NAME EOX 11110000 01000011 0010nnnn 01111110 01001100 01001101 00100000 00100000 00111000 01000011 00111001 00110011 01010110 00000000 0bbbbbbb 11110111 F0 43 2n 7E 4C 4D 20 20 38 43 39 33 56 00 bb F7 System exclusive message Manufacture’s ID number (YAMAHA) n=0-15 (Device number=MIDI Channel) Universal bulk dump ‘L’ ‘M’ ‘’ ‘’ ‘8’ ‘C’ ‘9’ ‘3’ ‘V’ b=0-7(bank no. A-H) End of exclusive STATUS ID No. [. . . ] SUB STATUS GROUP ID MODEL ID ADDRESS DATA EOX 11110000 01000011 0001nnnn 00111110 01111111 01010000 0110ffff 0mmmmmmm 0mmmmmmm 0eeeeeee 0eeeeeee 0eeeeeee 0eeeeeee 11110111 F0 43 1n 3E 7F 50 6f mh ml ee ee ee ee F7 System exclusive message Manufacture’s ID number (YAMAHA) n=0-15 (Device number=MIDI Channel) MODEL ID (digital mixer) Universal Function call clear function number High number Low result HH result HL result LH result LL End of exclusive STATUS ID No. SUB STATUS GROUP ID MODEL ID ADDRESS DATA EOX 11110000 01000011 0001nnnn 00111110 01111111 01010000 0100ffff 0mmmmmmm 0mmmmmmm 0eeeeeee 0eeeeeee 0eeeeeee 0eeeeeee 11110111 F0 43 1n 3E 7F 50 4f mh ml ee ee ee ee F7 System exclusive message Manufacture’s ID number (YAMAHA) n=0-15 (Device number=MIDI Channel) MODEL ID (digital mixer) Universal Function call title number High number Low result HH result HL result LH result LL End of exclusive STATUS ID No. SUB STATUS GROUP ID MODEL ID ADDRESS DATA EOX 11110000 01000011 0001nnnn 00111110 01111111 00010100 0000ffff 0mmmmmmm 0mmmmmmm 0ttttttt 0ttttttt 11110111 F0 43 1n 3E 7F 14 0f mh ml tt tt F7 System exclusive message Manufacture’s ID number (YAMAHA) n=0-15 (Device number=MIDI Channel) MODEL ID (digital mixer) Universal Function call attribute number High number Low attribute(protect:0x2000, normal:0x0000) End of exclusive STATUS ID No. SUB STATUS GROUP ID MODEL ID ADDRESS EOX 11110000 01000011 0001nnnn 00111110 01111111 00010000 0110ffff 0mmmmmmm 0mmmmmmm 11110111 F0 43 1n 3E 7F 10 6f mh ml F7 System exclusive message Manufacture’s ID number (YAMAHA) n=0-15 (Device number=MIDI Channel) MODEL ID (digital mixer) Universal Function call clear function number High number Low End of exclusive function SCENE LIB ATTRIBUTE EQ LIB ATTRIBUTE GATE LIB ATTRIBUTE COMP LIB ATTRIBUTE EFF LIB ATTRIBUTE CHANNEL LIB ATTRIBUTE INPATCH LIB ATTRIBUTE OUTPATCH LIB ATTRIBUTE 0x00 0x01 0x02 0x03 0x04 0x06 0x07 0x08 number 0-99(0:response only) 1-128(1-40:response only) 1-128(1-4:response only) 1-128(1-36:response only) 1-128(1-52:response only) 0-128(0:response only) 0-32(0:response only) 0-32(0:response only) function SCENE LIB CLEAR EQ LIB CLEAR GATE LIB CLEAR COMP LIB CLEAR EFF LIB CLEAR CHANNEL LIB CLEAR INPATCH LIB CLEAR OUTPATCH LIB CLEAR number 0x60 0x61 0x62 0x63 0x64 0x66 0x67 0x68 1-99 41-128 5-128 37-128 53-128 1-128 1-32 1-32 STATUS ID No. [. . . ]