ユーザーズガイド YAMAHA PH-100

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Mode d'emploi YAMAHA PH-100
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   YAMAHA PH-100 戵־ (摜F[^) (143 ko)

マニュアル抽象的: マニュアル YAMAHA PH-100

詳しい操作方法はユーザーガイドに記載されています。

[. . . ] [. . . ] 2 3 16 A B PAD 20dB PEAK SIGNAL 1 2 3 4 1 W -16 GAIN 80 -60 5 +15 -15 2 W 4 HIGH 250 5k MID FREQ 6 + -15 MID +15 3 -15 LOW +15 7 0 10 MONITOR A 0 10 EFFECT 1 8 A 0 10 EFFECT 2 9 L PAN ON R 0 4 W 3 0 3 A 5 10 15 20 30 40 50 60 5 A 16 + 4 6 8 A ` ` 9 A 0 + - 7 A A a OFF (PHANTOM) A INPUT BALANCED 1-12 B 1-16 ON (+48V) PEAK SIGNAL LR MONITOR PHANTOM 12 A B OFF ON PAD HA HPF 80 GAIN 3 BAND PEQ ON MID MID FREQ HIGH LOW PAN EFFECT 1 EFFECT 2 PAD 20dB CH INSERT I/O 0dB MONITOR EFFECT 5 B L ST R VOCAL VOCAL ECHO 1 VOCAL ECHO 2 DLY (ms) DLY (ms) REV (s) REV (s) DLY (ms) DLY (ms) HALL/ROOM LARGE HALL SMALL HALL CHURCH ROOM REV (s) REV (s) REV (s) SIZE INSTRUMENT SHARE GATE SHARE REVERB DELAY L, R SHORT DELAY PITCH CHORUS DLY (ms) REV (s) DLY (ms) DLY (ms) DETUNE D C E F G VOCAL REVERB 1 VOCAL REVERB 2 REVERB & ECHO 1 REVERB & ECHO 2 PEAK ON PRESET PARAMETER PROGRAM RESET H I J DIGITAL EFFECT (EFFECT 2) EQ +12 9 6 3 0 3 6 9 -12 +12 9 6 3 0 3 6 9 -12 K 63 125 250 500 1k 2k 4k 8k 16k STEREO GRAPHIC EQUALIZER POWERED MIXER P N 0 10 MONITOR 0 10 MONITOR 0 10 MONITOR A Q RS PHANTOM ON OFF T 0 10 REC OUT U 0 10 LEVEL 0 LEVEL 10 M 0 10 MONITOR B 0 CD IN A B 10 0 10 TAPE IN 0 10 PHONES EFFECT RETURN 1 EFFECT RETURN 2 0 0 0 0 5 10 15 20 30 40 50 60 5 10 15 20 30 40 50 60 5 10 15 20 30 40 50 60 5 10 15 20 30 40 50 60 V PHONES 1—EFFECT SEND—2 L ST R L O 6 B c I J C + G ` \ D ` \ K + D E C F G G H J 7 L O c 8 ` P 8 ` a E Q Y M R \ O Z C \ - S [ C + T N W \ L C \ O P C + 8 U V V c MONITOR EFFECT LINE INSERT I/O +4dB PRE GEQ L LINE INSERT I/O +4dB POST GEQ L LR 12 L A R CD IN -6dB L B R A B CD IN SUM INV ST L 9 BAND STEREO GEQ PA SPEAKER 1 L SPEAKER 2 L 1k 500 2k 4k 8k 16k LINE INSERT I/O +4dB POST GEQ R LINE INSERT I/O +4dB PRE GEQ R 63 125 250 EQ SUM INV ST R 9 BAND STEREO GEQ PA SPEAKER 1 R L TAPE IN -10dBV R TAPE IN REC OUT PAD 1L/ MONO 1R EFFECT RETURN +4dB 2L/ MONO LEVEL 2R ON MONITOR SUM EFFECT SEND 2 MONITOR MONITOR B SUM EFFECT SEND 1 BA BA PAD L REC OUT -10dBV R PHONES SPEAKER 2 R [Phones] LEVEL SUM MONITOR A BA A MONITOR OUT +4dB B BA 1 EFFECT SEND +4dB 2 DIGITAL EFFECT Pre-Emphasis LPF AD Keys CPU DSP Display DA De-Emphasis LPF (DIGITAL EFFECT) (EFFECT RETURN 2) 9 W Y \ ` A L CD IN -6dB B L EFFECT RETURN +4dB 1L/ MONO 2L/ MONO EFFECT SEND +4dB 1 R R TAPE IN -10dBV 1R 2R 2 MONITOR OUT +4dB A A BALANCED B CH INSERT I/O 0dB REC OUT -10dBV LINE INSERT I/O +4dB L L L L R R R PRE GEQ R POST GEQ B 14 15 16 INSERT OUT IN X W 4 2 Z X [ ] a 4 6 T Y GND + S R T GND (PHANTOM) + Z O A B PAD HA 10 [ ] K K X \ ` C ` L a P b b c + B G D POWER SPEAKER 1 R L SPEAKER 2 R L c 11 INPUT R R TAPE IN -10dBV A B I/O 1 2 3 4 5 6 7 8 9 10 11 12 1 A B PAD 20dB PEAK SIGNAL 2 A B PAD 20dB PEAK SIGNAL 3 A B PAD 20dB PEAK SIGNAL 4 A B PAD 20dB PEAK SIGNAL 5 A B PAD 20dB PEAK SIGNAL 6 A B PAD 20dB PEAK SIGNAL 7 A B PAD 20dB PEAK SIGNAL 8 A B PAD 20dB PEAK SIGNAL -16 GAIN 80 -60 -16 GAIN 80 -60 -16 GAIN 80 -60 -16 GAIN 80 -60 -16 GAIN 80 -60 -16 GAIN 80 -60 -16 GAIN 80 -60 -16 GAIN 80 -60 -15 HIGH +15 -15 HIGH +15 -15 HIGH +15 -15 HIGH +15 -15 HIGH +15 -15 HIGH +15 -15 HIGH +15 -15 HIGH +15 250 5k MID FREQ 250 5k MID FREQ 250 5k MID FREQ 250 5k MID FREQ 250 5k MID FREQ 250 5k MID FREQ 250 5k MID FREQ 250 5k MID FREQ -15 MID +15 -15 MID +15 -15 MID +15 -15 MID +15 -15 MID +15 -15 MID +15 -15 MID +15 -15 MID +15 -15 LOW +15 -15 LOW +15 -15 LOW +15 -15 LOW +15 -15 LOW +15 -15 LOW +15 -15 LOW +15 -15 LOW +15 0 10 MONITOR 0 10 MONITOR 0 10 MONITOR 0 10 MONITOR 0 10 MONITOR 0 10 MONITOR 0 10 MONITOR 0 10 MONITOR 0 10 EFFECT 1 0 10 EFFECT 1 0 10 EFFECT 1 0 10 EFFECT 1 0 10 EFFECT 1 0 10 EFFECT 1 0 10 EFFECT 1 0 10 EFFECT 1 0 10 EFFECT 2 0 10 EFFECT 2 0 10 EFFECT 2 0 10 EFFECT 2 0 10 EFFECT 2 0 10 EFFECT 2 0 10 EFFECT 2 0 10 EFFECT 2 L PAN ON R L PAN ON R L PAN ON R L PAN ON R L PAN ON R L PAN ON R L PAN ON R L PAN ON R 0 0 0 0 0 0 0 0 5 10 15 20 30 40 50 60 5 10 15 20 30 40 50 60 5 10 15 20 30 40 50 60 5 10 15 20 30 40 50 60 5 10 15 20 30 40 50 60 5 10 15 20 30 40 50 60 5 10 15 20 30 40 50 60 5 10 15 20 30 40 50 60 1 2 3 4 5 6 7 8 12 SPEAKER 1 SPEAKER 2 9 A B PAD 20dB PEAK SIGNAL -16 GAIN 80 -60 -15 HIGH +15 250 5k MID FREQ -15 MID +15 -15 LOW +15 0 10 MONITOR 0 10 EFFECT 1 0 10 EFFECT 2 L PAN ON R 9 R R A L CD IN -6dB L L B L EFFECT RETURN +4dB 1L/ MONO 2L/ MONO EFFECT SEND +4dB 1 1R 2R 2 MONITOR OUT +4dB A A BALANCED B CH INSERT I/O 0dB INSERT OUT IN REC OUT -10dBV LINE INSERT I/O +4dB L L L L R R R PRE GEQ R POST GEQ B L ST R 10 A B PAD 20dB PEAK SIGNAL 11 A B PAD 20dB PEAK SIGNAL 12 A B PAD 20dB PEAK SIGNAL VOCAL VOCAL ECHO 1 VOCAL ECHO 2 VOCAL REVERB 1 VOCAL REVERB 2 REVERB & ECHO 1 REVERB & ECHO 2 DLY (ms) DLY (ms) REV (s) REV (s) DLY (ms) DLY (ms) HALL/ROOM LARGE HALL SMALL HALL CHURCH ROOM REV (s) REV (s) REV (s) SIZE INSTRUMENT SHARE GATE SHARE REVERB DELAY L, R SHORT DELAY PITCH CHORUS DLY (ms) REV (s) DLY (ms) DLY (ms) DETUNE -16 GAIN 80 -60 -16 GAIN 80 -60 -16 GAIN 80 -60 ON PEAK PRESET PARAMETER PROGRAM RESET DIGITAL EFFECT (EFFECT 2) -15 HIGH +15 -15 HIGH +15 -15 HIGH +15 +12 9 6 3 0 3 6 9 -12 +12 9 6 3 0 3 6 9 -12 250 5k MID FREQ 250 5k MID FREQ 250 5k MID FREQ EQ -15 MID +15 -15 MID +15 -15 MID +15 63 125 250 500 1k 2k 4k 8k 16k STEREO GRAPHIC EQUALIZER -15 LOW +15 -15 LOW +15 -15 LOW +15 POWERED MIXER 0 10 MONITOR 0 10 MONITOR 0 10 MONITOR PHANTOM 0 10 EFFECT 1 0 10 EFFECT 1 0 10 EFFECT 1 ON OFF 0 10 EFFECT 2 0 10 EFFECT 2 0 10 EFFECT 2 0 10 MONITOR 0 10 MONITOR 0 10 MONITOR A 0 10 REC OUT L PAN ON R L PAN ON R L PAN ON R 0 LEVEL 10 0 LEVEL 10 0 10 MONITOR B 0 CD IN A B 10 0 10 TAPE IN 0 10 PHONES EFFECT RETURN 1 EFFECT RETURN 2 0 0 0 0 0 0 0 0 5 10 15 20 30 40 50 60 5 10 15 20 30 40 50 60 5 10 15 20 30 40 50 60 5 10 15 20 30 40 50 60 5 10 15 20 30 40 50 60 5 10 15 20 30 40 50 60 5 10 15 20 30 40 50 60 5 10 15 20 30 40 50 60 10 11 12 1—EFFECT SEND—2 L ST R PHONES A B I/O 1 + 1 A B PAD 20dB PEAK SIGNAL -16 GAIN 80 -60 -15 HIGH +15 250 5k MID FREQ -15 MID +15 + -15 LOW +15 0 10 MONITOR 0 10 EFFECT 1 0 10 EFFECT 2 L PAN ON R 0 5 10 15 20 30 40 50 60 1 13 LINE OUT L R 0 10 REC OUT 0 CD IN A B 10 0 10 TAPE IN A L CD IN -6dB B L R REC OUT -10dBV R TAPE IN -10dBV L L R R REC IN LINE OUT L L R R 14 + + VOCAL VOCAL ECHO 1 VOCAL ECHO 2 VOCAL REVERB 1 VOCAL REVERB 2 REVERB & ECHO 1 REVERB & ECHO 2 DLY (ms) DLY (ms) REV (s) REV (s) DLY (ms) DLY (ms) HALL/ROOM LARGE HALL SMALL HALL CHURCH ROOM REV (s) REV (s) REV (s) SIZE INSTRUMENT SHARE GATE SHARE REVERB DELAY L, R SHORT DELAY PITCH CHORUS DLY (ms) REV (s) DLY (ms) DLY (ms) DETUNE PEAK ON PRESET PARAMETER PROGRAM RESET + DIGITAL EFFECT (EFFECT 2) + EQ +12 9 6 3 0 3 6 9 -12 +12 9 6 3 0 3 6 9 -12 63 125 250 500 1k 2k 4k 8k 16k STEREO GRAPHIC EQUALIZER POWERED MIXER PHANTOM ON OFF 0 10 MONITOR 0 10 MONITOR 0 10 MONITOR A 0 10 REC OUT 0 LEVEL 10 0 LEVEL 10 0 10 MONITOR B 0 CD IN A B 10 0 10 TAPE IN 0 10 PHONES EFFECT RETURN 1 EFFECT RETURN 2 0 0 0 0 5 10 15 20 30 40 50 60 5 10 15 20 30 40 50 60 5 10 15 20 30 40 50 60 5 10 15 20 30 40 50 60 1—EFFECT SEND—2 L ST R PHONES 15 + + 15 A B PAD 20dB PEAK SIGNAL 16 A B PAD 20dB PEAK SIGNAL VOCAL VOCAL ECHO 1 VOCAL ECHO 2 VOCAL REVERB 1 VOCAL REVERB 2 REVERB & ECHO 1 REVERB & ECHO 2 DLY (ms) DLY (ms) REV (s) REV (s) DLY (ms) DLY (ms) HALL/ROOM LARGE HALL SMALL HALL CHURCH ROOM REV (s) REV (s) REV (s) SIZE INSTRUMENT SHARE GATE SHARE REVERB DELAY L, R SHORT DELAY PITCH CHORUS DLY (ms) REV (s) DLY (ms) DLY (ms) DETUNE -16 GAIN 80 -60 -16 GAIN 80 -60 ON PEAK + -15 PRESET PARAMETER PROGRAM RESET DIGITAL EFFECT (EFFECT 2) HIGH +15 -15 HIGH +15 +12 9 6 3 0 3 6 9 -12 +12 9 6 3 0 3 6 9 -12 250 5k MID FREQ 250 5k MID FREQ EQ -15 MID +15 -15 MID +15 63 125 250 500 1k 2k 4k 8k 16k STEREO GRAPHIC EQUALIZER -15 LOW +15 -15 LOW +15 POWERED MIXER 0 10 MONITOR 0 10 MONITOR PHANTOM 0 10 EFFECT 1 0 10 EFFECT 1 ON OFF 0 10 EFFECT 2 0 10 EFFECT 2 0 10 MONITOR 0 10 MONITOR 0 10 MONITOR A 0 10 REC OUT L PAN ON R L PAN ON R 0 LEVEL 10 0 LEVEL 10 0 10 MONITOR B 0 CD IN A B 10 0 10 TAPE IN 0 10 PHONES EFFECT RETURN 1 EFFECT RETURN 2 0 0 0 0 0 0 5 10 15 20 30 40 50 60 5 10 15 20 30 40 50 60 5 10 15 20 30 40 50 60 5 10 15 20 30 40 50 60 5 10 15 20 30 40 50 60 5 10 15 20 30 40 50 60 15 16 1—EFFECT SEND—2 L ST R PHONES 16 + - 17 18 19 537/12ch, 669/16ch W: 684/12ch, 816/16ch H: 240 220 156 39 20 200 373 90 20 D: 628 PHANTOM PEAK SIGNAL 3 BAND PEQ ON 80 ST L EFFECT 1 EFFECT 2 63 125 500 2k 8k EQ 250 1k 4k 16k MONITOR A B CD IN SUM ST R 9 BAND STEREO GEQ SPEAKER 2 R INV SPEAKER 1 R PA LINE INSERT I/O +4dB PRE GEQ R LINE INSERT I/O +4dB POST GEQ R 9 BAND STEREO GEQ SPEAKER 2 L LOW MID MID FREQ HIGH PAN SUM INV PA LR 12 EFFECT (+48V) LINE INSERT I/O +4dB PRE GEQ L LINE INSERT I/O +4dB POST GEQ L OFF A PAD HA HPF MONITOR (PHANTOM) ON SPEAKER 1 L A INPUT BALANCED 1-12 B 1-16 B PAD 20dB GAIN CH INSERT I/O 0dB L A R CD IN -6dB L B PHONES PAD L TAPE IN PAD REC OUT REC OUT -10dBV R [Phones] R L TAPE IN -10dBV R 1L/ MONO BA LEVEL SUM BA MONITOR B MONITOR SUM BA EFFECT SEND 1 LEVEL SUM EFFECT SEND 2 ON MONITOR (DIGITAL EFFECT) (EFFECT RETURN 2) DIGITAL EFFECT BA 1 MONITOR A A Pre-Emphasis LPF MONITOR OUT +4dB AD 1R B Keys CPU DSP EFFECT RETURN +4dB 2L/ MONO Display EFFECT SEND +4dB 2 DA De-Emphasis LPF DIGITAL EFFECT 2R SPEAKER OUT +40 +30 +20 +10 0 +10 EFFECT RETURN MONITOR CD IN TAPE IN L, R PAD:ON MONITOR OUT EFFECT SEND LINE INSERT I/O POST GEQ LINE INSERT I/O POST GEQ 0 REC OUT EFFECT 1, 2 -10 -20 -30 -40 -50 -60 -70 Phones 3mW @40ohms -10 GAIN:Min -20 -30 -40 PAD:ON -50 -60 GAIN:Max -70 21 † † † † † † † † † † † † † † † † † † † † 22 23 [. . . ] [. . . ]

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