ユーザーズガイド YAMAHA RX-V3067

[. . . ] J ☞ a b c d e f g ™ ™ ® 2 Ja ™ 3 Ja 4 Ja 5 Ja 6 Ja ● ● – – – – ● – – – – ● ● ● – – – ● – – – ● ● ● – ● – – – – – – – – – • ● ● – – – • h ☞ • • • J ☞ 7 Ja ● ● – – – – – – – – – ● – – ● – ● – – – – – – – – – ● – – – – ● – ● – – – – – ● – – – ● – – ● – – – – – 8 Ja ● – – – – – – – ● – – – ● – – – – – – – – – – – – – – – ● 9 Ja d ☞ ● a b • • A e f ☞ ☞ ☞ • ☞ ☞ c a b c d e f 10 Ja m g h ☞ ☞ s B B C C D D E E i ☞ n ☞ ☞ ☞ t ☞ o ☞ u v ☞ ☞ j ☞ p D ☞ k E q ☞ w j i ☞ l ☞ r x y jj ii ☞ g h i j k l m n o pq r s t u v w x y 11 Ja g a ☞ ☞ o ☞ p ☞ b h ☞ q ☞ i ☞ c ☞ ☞ r ☞ ☞ d ☞ ☞ j s k ☞ ☞ ☞ e l ☞ t ☞ ☞ ☞ f m ☞ u ☞ n a b c d e f g h i j k l m n o p q r s t u 12 Ja h a ☞ n ☞ i j 3 ● b ☞ ☞ c ☞ k i l ☞ B C D E u J d e f g m AV1 Standard VOLUME ☞ ☞ J a b c d e f STEREO TUNED ENHANCER SLEEP PARTY MUTE VOLUME ADAPTIVE DRC gh J J i j k lk m n 13 Ja a b a SOURCE RECEIVER i A B B C C D D E E c l m b c AV d j F G 1 2 3 4 k 5 6 AUDIO 7 V-AUX d 1 PHONO 2 MULTI 3 USB 4 NET l m g A DOCK TUNER [A] [B] SCENE e 1 2 3 4 f PROGRAM MUTE VOLUME n J n ☞ – e o g h i RETURN TOP MENU POP-UP/MENU o ☞ ☞ ON SCREEN OPTION p q p f B C ☞ ☞ ENTER q r DISPLAY r REC g CLASSICAL g s LIVE CLUB ENTERTAIN ☞ J ☞ j PRESET MOVIE TV STEREO STRAIGHT s h ☞ • • INPUT PURE DIRECT m SOURCE RECEIVER k MUTE TV VOL TV CH m J g ☞ 14 Ja t ☞ ● u SOURCE RECEIVER v AV 1 2 3 4 5 6 AUDIO 7 V-AUX w ☞ 1 PHONO 2 MULTI 3 USB 4 NET x DOCK TUNER [A] [B] SCENE 1 2 3 4 y PROGRAM MUTE VOLUME TOP MENU POP-UP/MENU H I ON SCREEN OPTION z ENTER RETURN DISPLAY t u SUR. DECODE ENHANCER PARTY HDMI OUT w x y 120min. 60min. INFO MEMORY FM AM 1 2 3 TUN. /CH A ☞ 4 5 6 v 7 8 9 SLEEP z A B C B ☞ 10 0 ENT LEVEL C ☞ ZONE SETUP 15 Ja ● d ● h ☞ ● p ☞ 16 Ja ■ ■ ☞ ■ 3 ☞ ■ ☞ ■ ■ ■ J ☞ ■ ☞ J ☞ ☞ 17 Ja ● ■ ● SPEAKERS SURROUND BACK/ BI-AMP FRONT SINGLE DOCK NETWORK 1 ARC HDMI OUT 2 SELECTABLE ARC HDMI AV 1 (1 BD/DVD) AV 2 AV 3 AV 4 AV 5 AV 6 AV 7 RS-232C AV 1 (1 BD/DVD) AV 2 AV 3 AV 4 AV OUT MON. OUT/ZONE OUT COMPONENT VIDEO D4 VIDEO AV 1 Y PB PR Y AV 3 PB C PR MONITOR OUT/ZONE OUT Y PB PR IN TRIGGER OUT 1 PHONO GND A 1 REMOTE OUT 2 OUT IN AV 2 B AV 4 2 D CENTER +12V 0. 1A MAX. AUDIO 1 (2 TV) AUDIO 2 (3 CD) AUDIO 3 AUDIO 4 MULTI CH INPUT ZONE OUT PRE OUT (SINGLE) (FRONT) 1 2 Ԙ COAXIAL ԙ COAXIAL Ԛ OPTICAL ԛ OPTICAL AV OUT/ ZONE 4 Ԝ OPTICAL ԝ COAXIAL FRONT ZONE 2/ ZONE 3/ R. PRESENCE SURROUND SUR. BACK SUBWOOFER ZONE 2 ZONE3/ R. PRESENCE FRONT F. PRESENCE SURROUND SUR. [. . . ] The same holds for its supporting scripts (config. guess, config. sub, ltmain. sh). Another support script, install-sh, is copyright by X Consortium but is also freely distributable. The IJG distribution formerly included code to read and write GIF files. To avoid entanglement with the Unisys LZW patent, GIF reading support has been removed altogether, and the GIF writer has been simplified to produce “uncompressed GIFs”. This technique does not use the LZW algorithm; the resulting GIF files are larger than usual, but are readable by all standard GIF decoders. We are required to state that “The Graphics Interchange Format© is the Copyright property of CompuServe Incorporated. GIF(sm) is a Service Mark property of CompuServe Incorporated. ” REFERENCES We recommend reading one or more of these references before trying to understand the innards of the JPEG software. The best short technical introduction to the JPEG compression algorithm is Wallace, Gregory K. “The JPEG Still Picture Compression Standard”, Communications of the ACM, April 1991 (vol. (Adjacent articles in that issue discuss MPEG motion picture compression, applications of JPEG, and related topics. ) If you don’t have the CACM issue handy, a PostScript file containing a revised version of Wallace’s article is available at http://www. ijg. org/files/wallace. ps. gz. The file (actually a preprint for an article that appeared in IEEE Trans. Consumer Electronics) omits the sample images that appeared in CACM, but it includes corrections and some added material. Note: the Wallace article is copyright ACM and IEEE, and it may not be used for commercial purposes. LEGAL ISSUES In plain English: 1. We don’t promise that this software works. (But if you find any bugs, please let us know!) 2. You can use this software for whatever you want. You may not pretend that you wrote this software. If you use it in a program, you must acknowledge somewhere in your documentation that you’ve used the IJG code. In legalese: The authors make NO WARRANTY or representation, either express or implied, with respect to this software, its quality, accuracy, merchantability, or fitness for a particular purpose. This software is provided “AS IS”, and you, its user, assume the entire risk as to its quality and accuracy. This software is copyright © 1991-2010, Thomas G. All Rights Reserved except as specified below. Permission is hereby granted to use, copy, modify, and distribute this software (or portions thereof) for any purpose, without fee, subject to these conditions: (1) If any part of the source code for this software is distributed, then this README file must be included, with this copyright and nowarranty notice unaltered; and any additions, deletions, or changes to the original files must be clearly indicated in accompanying documentation. 139 Ja A somewhat less technical, more leisurely introduction to JPEG can be found in “The Data Compression Book” by Mark Nelson and Jeanloup Gailly, published by M&T Books (New York), 2nd ed. This book provides good explanations and example C code for a multitude of compression methods including JPEG. [. . . ] Raymond Gilles Vollant 141 Ja ■ About zlib Library Copyright notice: ©1995-2010 Jean-loup Gailly and Mark Adler This software is provided ‘as-is’, without any express or implied warranty. In no event will the authors be held liable for any damages arising from the use of this software. Permission is granted to anyone to use this software for any purpose, including commercial applications, and to alter it and redistribute it freely, subject to the following restrictions: 1. The origin of this software must not be misrepresented; you must not claim that you wrote the original software. [. . . ]