ユーザーズガイド JAMO SUB 800

[. . . ] 6. 7. NOTE LINE/AMP S/P DIF OUT JAMO BUS OUTPUT L/MONO AC9V R PHONES ToneLab INPUT 10 HINT HINT Tape Send OUTPUT L/MONO R LINE/AMP LINE LINE IN 1 PAN L MIC1 MIC2 MIC3 BAL OR UNBAL BAL OR UNBAL Tape Retuen LINE IN 2 PAN R MIC4 MIC5 MIC6 STEREO AUX RETURNS AUX SEND 1 1 L TAPE INPUT TAPE OUTPUT MAIN OUTS L MICRO SERIES 1402-VLZ 14-CHANNEL MIC/LINE MIXER R 2 2 R LEFT(1/MONO) BAL OR UNBAL BAL OR UNBAL BAL OR UNBAL BAL OR UNBAL RIGHT MONO ALL BAL/UNBAL BAL/UNBAL MONO MONO MONO L LINE IN 1 LOW CUT 75Hz 18dB/OCT L BAL OR UNBAL L BAL OR UNBAL L BAL OR UNBAL LINE IN 2 LOW CUT 75Hz 18dB/OCT LINE IN 3 LOW CUT 75Hz 18dB/OCT LINE IN 4 LOW CUT 75Hz 18dB/OCT LINE IN 5 LOW CUT 75Hz 18dB/OCT LINE IN 6 LOW CUT 75Hz 18dB/OCT BAL OR UNBAL BV -10d C GAIN MI U 10 60 U BV -10d C GAIN MI U 10 60 BV -1 0 d C GAIN MI U 10 60 BV -1 0 d C GAIN MI U 10 60 BV -10d C GAIN MI U 10 60 BV -10d C GAIN MI R LEVEL +4 -10 R LEVEL +4 -10 R LEVEL +4 -10 R LEVEL +4 -10 +10dB -40dB +10dB -40dB +10dB -40dB +10dB -40dB +10dB -40dB +10dB -40dB 10 60 PHONES TRIM TRIM TRIM TRIM TRIM TRIM LINE IN 7-8 LINE IN 9-10 LINE IN 11-12 LINE IN 13-14 U AUX 1 MON/ EFX +15 U AUX 1 MON/ EFX +15 U AUX 1 MON/ EFX +15 U AUX 1 MON/ EFX +15 U AUX 1 MON/ EFX +15 U AUX 1 MON/ EFX +15 U AUX 1 MON/ EFX +15 U AUX 1 MON/ EFX +15 U AUX 1 MON/ EFX +15 U AUX 1 MON/ EFX +15 U U 1 +10 +20 U EFX +15 U U U U EFX +15 +15 U U EFX +15 +15 U U EFX +15 +15 U AUX 1 MASTER EFX +15 U NORMALLED 2 EFX +15 +15 2 EFX 2 2 EFX 2 2 EFX 2 2 EFX 2 2 PRE POST AUX 1 SELECT EFXTO MONITOR +20 2 AUX RETURNS U EQ HI 12kHz U EQ HI 12kHz U EQ HI 12kHz U EQ HI 12kHz U EQ HI 12kHz U EQ HI 12kHz U EQ HI 12kHz U EQ HI 12kHz U EQ HI 12kHz U EQ HI 12kHz SOURCE MAIN MIX LEFT +28 +10 +7 RIGHT CLIP -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 U MID 2. 5kHz -12 +12 -12 U MID 2. 5kHz +12 -12 U MID 2. 5kHz +12 -12 U MID 2. 5kHz +12 -12 U MID 2. 5kHz +12 -12 U MID 2. 5kHz +12 -12 U MID 2. 5kHz +12 -12 U MID 2. 5kHz +12 -12 U MID 2. 5kHz +12 -12 U MID 2. 5kHz +12 ALT 3-4 +4 +2 U LOW 80Hz -15 +15 -15 U LOW 80Hz +15 -15 U LOW 80Hz +15 -15 U LOW 80Hz +15 -15 U LOW 80Hz +15 -15 U LOW 80Hz +15 -15 U LOW 80Hz +15 -15 U LOW 80Hz +15 -15 U LOW 80Hz +15 -15 U LOW 80Hz +15 TAPE 0 -2 -4 -7 PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN ASSIGN TO MAIN MIX NORMAL(AFL) LEVEL SET(PFL) -10 -20 -30 0dB=0dBu L R L R L R L R L R L R L R L R L R L R SOLO MODE 1 MUTE A LT 3 – 4 2 MUTE A LT 3 – 4 3 MUTE A LT 3 – 4 4 MUTE A LT 3 – 4 5 MUTE A LT 3 – 4 6 MUTE A LT 3 – 4 7–8 MUTE A LT 3 – 4 9–10 MUTE A LT 3 – 4 11–12 MUTE A LT 3 – 4 13–14 MUTE A LT 3 – 4 PHANTOM CONTROL ROOM / POWER RUDE SOLO LIGHT PHONES dB MAIN MIX 10 5 U 5 10 20 30 40 50 60 30 40 50 60 dB dB dB dB dB dB dB dB dB dB dB 10 5 U 5 10 20 30 40 50 60 SOLO 10 5 U 5 10 20 30 40 50 60 SOLO 10 5 U 5 10 20 30 40 50 60 SOLO 10 5 U 5 10 20 30 40 50 60 SOLO 10 5 U 5 10 20 30 40 50 60 SOLO 10 5 U 5 10 20 30 40 50 60 SOLO 10 5 U 5 10 20 30 40 50 60 SOLO 10 5 U 5 10 20 30 40 50 60 SOLO 10 5 U 5 10 20 30 40 50 60 SOLO 10 5 U 5 10 20 30 40 50 60 SOLO 10 5 U 5 10 20 30 40 50 60 ToneLab INPUT PHONES NOTE S/P DIF OUT S/P DIF IN ToneLab PHONES INPUT 11 HINT HINT OUTPUT L/MONO R LINE/AMP AMP INPUT INPUT ToneLab INPUT MIDI HINT 12 1. 2. 3. HINT PEDAL 13 NOTE 14 HINT (a) (b) 1. HINT 2. 3. 4. HINT 15 5. HINT 6. HINT 7. 8. NOTE HINT 9. 10. HINT 11. NOTE HINT 16 (UTILITY “NR SENS”) NOTE NOTE 1. [. . . ] ✳ ✳ 2. 3. NOTE NOTE NOTE HINT 18 A. AMP 19 MODULATION PEDAL CABINET TYPE AMP TYPE REVERB DELAY [GAIN] [VR GAIN] [CH VOLUME] 20 1. AC15 *1: 21 MODULATION PEDAL CABINET TYPE AMP TYPE REVERB DELAY 2. UK BLUES 23 MODULATION PEDAL CABINET TYPE AMP TYPE REVERB DELAY 6. BOUTIQUE OD (BTQ OD) MODULATION 25 REVERB 13. BOUTIQUE CL (BTQ CL) DELAY PEDAL CABINET TYPE 14. REVERB (EX): REVERB LO DAMP: MIX: HI DAMP: 1. 2. C C# D D# E F F# G G# A A# B 3. 4. PEDAL NOTE 37 NOTE NOTE NOTE HINT (UTILITY “EXP ***” — “EXP INIT” ) NOTE 1. 8. NOTE NOTE 9. 39 MIDI NOTE NOTE NOTE MIDI NOTE MIDI OUT MIDI IN MIDI OUT MIDI IN ToneLab 40 MIDI (GLOBAL “MIDI CH” ) 1. 4. (GLOBAL “PCHG OUT” ) NOTE NOTE 1. 2. 3. (GLOBAL “CCHG I/O” ) 41 1. [. . . ] 2. 3. NOTE 4. 5. (GLOBAL “SYEX OUT” ) 1. 42 2. 3. NOTE (GLOBAL “DUMP CUR” , “DUMP ALL” ) NOTE 1. 4. 43 5. NOTE 6. NOTE 1. [. . . ]