ユーザーズガイド KYOSHO FAIRWIND 900

[. . . ] @ # $ ^ 3 4 & NOTE * % 12 9 5 6 NOTE ) 7 8 ! NOTE @ NOTE 13 # NOTE $ 5 NOTE % ^ & NOTE * 14 1 2 2 3 3 4 5 6 NOTE 4 7 5 1 NOTE 6 7 15 34 56 56 7 1 2 7 8 3 8 ) 9 9 ) @ ! 1 2 9 ) 3 ! [. . . ] @ # $ ^ 3 4 & NOTE * % 12 9 5 6 NOTE ) 7 8 ! NOTE @ NOTE 13 # NOTE $ 5 NOTE % ^ & NOTE * 14 1 2 2 3 3 4 5 6 NOTE 4 7 5 1 NOTE 6 7 15 34 56 56 7 1 2 7 8 3 8 ) 9 9 ) @ ! 1 2 9 ) 3 !4 NOTE 5 6 ! 7 @ 8 16 1 3 4 6 5 2 3 7 4 6 8 5 1 NOTE 4 NOTE 3 5 2 6 7 NOTE 8 4 3 NOTE 17 1 2 3 6 7 4 5 1 2 3 6 7 4 5 4 NOTE 1 5 6 NOTE 7 2 3 3 NOTE 2 18 9 8 ) 4 3 1 !@ 9 7 8 6 ) 5 4 3 1 2 !@ 1 6 5 3 2 NOTE 2 NOTE 4 NOTE 19 5 NOTE ) 6 ! 7 @ 8 9 20 NOTE 21 22 INPUT CHANNEL INPUT METER DI INPUT A INPUT B PAD HA PRE PAN GAIN DAW IN CHANNEL FADER NOTE STEREO BUS L STEREO BUS R 23 STEREO BUS L STEREO BUS R ST OUT STEREO FADER STEREO CONTROL ROOM LEVEL C-R SPEAKER SELECT C-R SOURCE SELECT C-R OUT(A) AUX NOTE C-R OUT B SOLO C-R OUT C DAW C-R PHONES C-R PHONES CONTROL ROOM NOTE 24 STEREO BUS L STEREO BUS R CHANNEL FADER AUX BUS L AUX BUS R ST OUT AUX AUX PHONES AUX PHONES AUX LEVEL AUX OUT INPUT CHANNEL 25 INPUT CHANNEL INPUT METER INPUT METER INPUT A INPUT B PRE CHANNEL FADER POST PAN 26 STEREO BUS L STEREO BUS R A A/B=50% A=100% B B/C=50% B=100% C C/D=50% C=100% D E D/E=50% D=100% E=100% NOTE Sweet Spot C Sweet Spot B Sweet Spot D Sweet Spot A Sweet Spot E 27 28 INPUT CHANNEL(MONO) INPUT A PAN INPUT B INPUT CHANNEL(STEREO) BALANCE L R NOTE STEREO BUS L STEREO BUS R STEREO BUS L STEREO BUS R 29 30 NOTE INPUT CHANNEL INPUT B PAN REVERB STEREO BUS L STEREO BUS R REVERB BUS L REVERB BUS R INPUT A NOTE INPUT A CHANNEL FADER SOLO BUS INPUT CHANNEL STEREO BUS ST OUT INPUT B C-R OUT SOLO ON PFL OFF NOTE INPUT A SOLO ON ST OUT INPUT B C-R OUT CHANNEL FADER SOLO BUS INPUT CHANNEL STEREO BUS CONTROL ROOM 31 NOTE n8/n12 n8/n12 INPUT CHANNEL INPUT CHANNEL INPUT CHANNEL INPUT CHANNEL Cubase AUDIO TRACK AUDIO TRACK AUDIO TRACK AUDIO TRACK INPUT CHANNEL AUDIO TRACK Cubase n8/n12 INPUT CHANNEL INPUT CHANNEL INPUT CHANNEL INPUT CHANNEL REC BUS Cubase AUDIO TRACK Cubase AUDIO TRACK AUDIO TRACK AUDIO TRACK AUDIO TRACK n8/n12 INPUT CHANNEL INPUT CHANNEL INPUT CHANNEL INPUT CHANNEL 32 NOTE NOTE NOTE NOTE 33 NOTE 34 Cubase AUDIO TRACK AUDIO TRACK AUDIO TRACK AUDIO TRACK MIX n8/n12 STEREO BUS L R INPUT CHANNEL DAW TO ST NOTE CONTROL ROOM MONITOR C-R OUT ST OUT 35 Cubase AUDIO TRACK AUDIO TRACK AUDIO TRACK AUDIO TRACK n8/n12 INPUT CHANNEL INPUT CHANNEL INPUT CHANNEL INPUT CHANNEL C-R OUT ST OUT Cubase AUDIO TRACK AUDIO TRACK AUDIO TRACK AUDIO TRACK MIX n8/n12 NOTE INPUT CHANNEL AUX BUS L R DAW TO AUX AUX AUX PHONE NOTE 36 STEREO BUS L STEREO BUS R n8/n12 REC BUS L REC BUS R Cubase AUDIO TRACK AUDIO TRACK AUDIO TRACK INPUT CHANNEL INPUT CHANNEL NOTE NOTE 37 38 n8/n12 INPUT CHANNEL STEREO REC BUS BUS L R L R INPUT CHANNEL INPUT A Cubase AUDIO TRACK AUDIO TRACK COMP INPUT B EQ INPUT CHANNEL n8/n12 Cubase DAW TO ST C-R OUT NOTE NOTE 39 NOTE 40 NOTE 41 Cubase AUDIO TRACK AUDIO TRACK INPUT CHANNEL PAN INPUT A/D COMP EQ STEREO BUS NOTE INPUT CHANNEL n8/n12 42 Cubase AUDIO TRACK AUDIO TRACK n8/n12 AUDIO TRACK INPUT CHANNEL INPUT CHANNEL Cubase AUDIO TRACK AUDIO TRACK n8/n12 INPUT CHANNEL INPUT CHANNEL AUDIO TRACK INPUT CHANNEL INPUT CHANNEL AUDIO TRACK DAW TO ST STEREO BUS Cubase n8/n12 43 Cubase AUDIO TRACK AUDIO TRACK AUDIO TRACK AUDIO TRACK n8/n12 INPUT CHANNEL INPUT CHANNEL INPUT CHANNEL INPUT CHANNEL AUDIO TRACK AUDIO TRACK AUDIO TRACK AUDIO TRACK INPUT CHANNEL INPUT CHANNEL INPUT CHANNEL INPUT CHANNEL Cubase n8/n12 AUDIO TRACK AUDIO TRACK 44 NOTE C L SW R 30˚ 30˚ 100–120˚ 100–120˚ LS RS SW (SUBWOOFER) L (LEFT) C (CENTER) R (RIGHT) LS (LEFT SURROUND) RS (RIGHT SURROUND) 45 NOTE L (DAW IN 1) R (DAW IN 2) C (DAW IN 3) LFE (DAW IN 4) LS (DAW IN 5) R C LFE LS RS HPF HPF HPF LPF HPF HPF LPF AMP L R C SW LS RS Cubase 4 AUDIO TRACK AUDIO TRACK SURROUND PAN n12 C-R SOURCE =5. 1 RS (DAW IN 6) L HPF=100Hz, -12dB/Oct LPF=100Hz, -12dB/Oct AMP=+10dB C-R SOURCE SELECT 5. 1 C-RSPEAKER SELECT BASS MANAGEMENT A B C WORK MODE =5. 1 MIX L (DAW IN 1) R (DAW IN 2) C (DAW IN 3) LFE (DAW IN 4) LS (DAW IN 5) RS (DAW IN 6) ATT ATT ATT=-3dB ATT ATT DOWNMIX L DOWNMIX R NOTE 46 NOTE NOTE NOTE NOTE 47 NOTE NOTE NOTE NOTE NOTE 48 NOTE NOTE 49 NOTE 50 NOTE NOTE 51 52 n8/n12 n8/n12 :IEEE 1394 53 54 55 56 57 58 59 60 [n12] 515. 0 145. 8 [n8] 560. 8 368 145. 31 517. 14 61 REC L REC R STEREO L STEREO R REVERB L REVERB R AUX L AUX R INPUT A BUS C-R n12 :CH1-7 only n8 :CH1-3 only ON OFF 0 26 GAIN 80 A. : Tune : Clock : Commands : : : : : : All Sound Off Reset All Cntrls Local ON/OFF All Notes OFF Active Sense Reset System Real Time Aux Messages Notes: *1 Used only for the communication with DAW. The MIDI Port is used as an extended port for DAW. Mode 1 : OMNI ON, POLY Mode 3 : OMNI OFF, POLY Mode 2 : OMNI ON, MONO Mode 4 : OMNI OFF, MONO o : Yes x : No 63 64 65 66 67 U. R. G. , Pro Audio & Digital Musical Instrument Division, Yamaha Corporation © 2007-2009 Yamaha Corporation WM93510 709APZC?. ?-03C0 Printed in Indonesia [. . . ] : Tune : Clock : Commands : : : : : : All Sound Off Reset All Cntrls Local ON/OFF All Notes OFF Active Sense Reset System Real Time Aux Messages Notes: *1 Used only for the communication with DAW. [. . . ]