ユーザーズガイド KYOSHO GP ULTIMA RB RACING SPORTS

[. . . ] Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular MegaVoice MegaVoice MegaVoice MegaVoice MegaVoice MegaVoice MegaVoice S. Articulation2!Regular Saxophone Moonlight BalladSection TenorSax Flute&Woodwind Clarinet BalladClarinet RomanceClarinet IrishPipeAir IrishPipeDance OrchFlute OrchOboe OrchClarinet OrchBassoon GermanClarinet Flute Oboe Clarinet PanFlute ClassicalFlute Flutes&Oboes Clarinet&Flutes Clarinet&Oboe DoubleReeds OrchWoodwind AltoFlutes Piccolo Whistle Recorder Ocarina Shakuhachi Bagpipe FluteEnsemble Organ PipeOrganP PipeOrgFl1 PipeOrgFl2 OrgFlTutti PipeOrgTu WhiterBars AllBarsOut JazzRotary ClassicBars Organ-a-Gogo CurvedBars EvenBars VintageFast RotorOrgan JazzOrgan RockRotary ProgRockOrgan Hold It Fast R&B Tremolo Organ OrganAccomp1 OrganAccomp2 OrganAccomp3 OrganAccomp4 OrganAccomp5 FullTheatre SweetTheatre BallroomOrgan Tibia 16&4 Tibia 8&4 Vox&Tibia Tibia Full Tibia 8 Vox 8 PipeOrgan ChapelOrgan1 ChapelOrgan2 ChapelOrgan3 JazzSlow JazzFast WhiterBarsSlow WhiterBarsFast AllBarsOutSlow AllBarsOutFast AllBarsPhase TwoChannels FullRocker EuroOrgan MellowDraw Trumpet 8 Kinura 8 MSB 0 0 8 8 8 8 8 8 104 104 104 104 104 0 0 0 0 0 104 104 104 104 104 104 0 0 0 0 0 0 0 0 0 0 0 0 8 8 8 8 104 0 0 0 0 0 8 8 0 0 0 0 0 0 0 0 0 0 0 104 104 104 104 104 104 0 0 0 0 0 0 104 104 104 104 104 0 0 0 0 0 0 LSB 115 119 0 65 64 66 64 65 0 0 0 0 2 114 113 114 113 115 2 1 1 2 1 1 112 112 112 112 112 112 116 123 124 125 126 122 32 32 32 34 0 121 111 127 117 117 33 33 111 111 118 108 107 106 105 104 127 126 115 8 9 10 5 6 7 112 113 114 115 126 127 1 0 1 0 2 109 115 118 115 124 123 PRG 72 67 83 93 93 93 109 109 74 69 72 71 72 74 69 72 76 74 74 72 69 69 71 74 73 79 75 80 78 110 74 20 20 20 20 20 30 31 114 30 17 17 17 17 19 17 114 30 18 19 19 18 18 18 18 18 19 19 4 17 17 17 18 18 18 20 20 20 20 18 18 18 18 19 19 19 18 19 17 18 17 17 Regular Regular MegaVoice S. Articulation2!Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Natural!Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Cool! [. . . ] 1 2 3 4 5 6 7 8 9 10 Parameter Type Room Size Diffusion Initial Delay Feedback Level HPF Cutoff LPF Cutoff Display TypeA, TypeB 0. 1 – 20. 0 0 – 10 0. 1mS – 200. 0mS -63 – +63 Thru – 8. 0kHz 1. 0kHz – Thru Value 0–1 0 – 127 0 – 10 0 – 127 1 – 127 0 – 52 34 – 60 See Table table#6 table#5 table#16 table#3 table#3 Control No. Parameter 14 EQ Low Gain 15 EQ High Frequency 16 EQ High Gain TEMPO CROSS 1, 2, 3, 4 No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Parameter Delay Time L>R Delay Time R>L Feedback Level Input Select Feedback High Dump Lag Display -12 – +12dB 500Hz – 16. 0kHz -12 – +12dB Value 52 – 76 28 – 58 52 – 76 See Table Control Dry/Wet D63>W – D=W – D<W63 0 – 10 0–3 0. 1 – 1. 0 1 – 127 0 – 10 0–3 1 – 10 table#15 ● Display 64th/3 – 4thx6 64th/3 – 4thx6 -63 – +63 L, R, L&R 0. 1 – 1. 0 1(-63ms) – 64(0ms) – 127(63ms) Value 0 – 19 0 – 19 1 – 127 0–2 1 – 10 1 – 127 See Table table#14 table#14 table#16 Control 11 Liveness 12 Density 13 High Damp 14 15 16 Dry/Wet D63>W – D=W – D<W=63 1 – 127 table#15 ● WHITE ROOM TUNNEL CANYON BASEMENT No. Parameter 1 Reverb Time 2 Diffusion 3 Initial Delay 4 5 6 7 HPF Cutoff LPF Cutoff Width Height Display 0. 3 – 30. 0s 0 – 10 0. 1mS – 200. 0mS (*1) 0. 1mS – 99. 3mS (*2) Thru – 8. 0kHz 1. 0kHz – Thru 0. 5 – 30. 2m (*1) 0. 5 – 10. 2m (*2) 0. 5 – 30. 2m (*1) 0. 5 – 20. 2m (*2) 0. 5 – 30. 2m 0 – 30 D63>W – D=W – D<W63 0. 1mS – 200. 0mS (*1) 0. 1mS – 99. 3mS (*2) 0–4 E63>R – E=R – E<R63 0. 1 – 1. 0 -63 – +63 Value 0 – 69 0 – 10 0 – 127 0 – 63 0 – 52 34 – 60 0 – 104 0 – 37 0 – 104 0 – 73 0 – 104 0 – 30 1 – 127 0 – 127 0 – 63 0–4 1 – 127 1 – 10 1 – 127 See Table table#4 table#5 table#3 table#3 table#11 table#11 table#11 table#15 table#5 ● Control EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain 32Hz – 2. 0kHz -12 – +12dB 500Hz – 16. 0kHz -12 – +12dB 4 – 40 52 – 76 28 – 58 52 – 76 CHORUS 5, 6, 7, 8, CHORUS FAST, CHORUS LITE, GM CHORUS 1, 2, 3, 4, FB CHORUS CHORUS 1, 2, 3, 4, CELESTE 1, 2, ROTARY SP5 No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Parameter LFO Frequency LFO Depth Feedback Level Delay Offset EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet Display 0. 00Hz – 39. 7Hz 0 – 127 -63 – +63 0. 0mS – 50mS 32Hz – 2. 0kHz -12 – +12dB 500Hz – 16. 0kHz -12 – +12dB D63>W – D=W – D<W63 Value 0 – 127 0 – 127 1 – 127 0 – 127 4 – 40 52 – 76 28 – 58 52 – 76 1 – 127 14 – 54 52 – 76 1 – 120 0–1 See Table table#1 table#19 table#17 table#2 table#3 table#3 table#15 table#3 ● Control 8 Depth 9 Wall Vary 10 Dry/Wet 11 Rev Delay 12 13 14 15 16 Density Er/Rev Balance High Damp Feedback Level EQ Mid Frequency (*4) 100Hz – 10. 0kHz EQ Mid Gain (*4) -12 – +12dB EQ Mid Width (*4) 0. 1 – 12. 0 Input Mode mono/stereo table#16 KARAOKE 1, 2, 3 No. 1 2 3 4 5 6 7 8 9 10 Parameter Delay Time Feedback Level HPF Cutoff LPF Cutoff Display 0. 1mS – 400. 0mS -63 – +63 Thru – 8. 0kHz 1. 0kHz – Thru Value 0 – 127 1 – 127 0 – 52 34 – 60 See Table table#7 table#16 table#3 table#3 Control FLANGER 1, 2, 3, 4, 5, GM FLANGER No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Parameter LFO Frequency LFO Depth Feedback Level Delay Offset EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet EQ Mid Frequency (*4) EQ Mid Gain (*4) EQ Mid Width (*4) LFO Phase Difference Display 0. 00Hz – 39. 7Hz 0 – 127 -63 – +63 0. 0mS – 50mS 32Hz – 2. 0kHz -12 – +12dB 500Hz – 16. 0kHz -12 – +12dB D63>W – D=W – D<W63 100Hz – 10. 0kHz -12 – +12dB 0. 1 – 12. 0 -180 – +180deg (resolution=3deg. ) Value 0 – 127 0 – 127 1 – 127 0 – 127 4 – 40 52 – 76 28 – 58 52 – 76 1 – 127 14 – 54 52 – 76 1 – 120 4 – 124 See Table table#1 table#19 table#17 table#2 table#3 table#3 table#15 table#3 ● Control Dry/Wet D63>W – D=W – D<W63 0–3 1 – 127 0–3 table#15 ● 11 Density 12 13 14 15 16 TEMPO DELAY 1, 2 TEMPO ECHO No. 1 2 3 4 5 6 7 8 9 10 Parameter Delay Time Feedback Level Feedback High Dump L/R Diffusion Lag Display 64th/3 – 4thx6 -63 – +63 0. 1 – 1. 0 1(-63ms) – 64(0ms) – 127(63ms) 1(-63ms) – 64(0ms) – 127(63ms) Value 0 – 19 1 – 127 1 – 10 1 – 127 1 – 127 See Table table#14 table#16 Control Dry/Wet D63>W – D=W – D<W=63 1 – 127 table#15 ● 11 12 13 EQ Low Frequency 32Hz – 2. 0kHz 4 – 40 55 SYMPHONIC 1, 2 No. 1 2 3 4 5 6 7 8 9 10 Parameter LFO Frequency LFO Depth Delay Offset Display 0. 00Hz – 39. 7Hz 0 – 127 0. 0mS – 50mS Value 0 – 127 0 – 127 0 – 127 See Table table#1 table#19 table#2 Control TREMOLO 1, 3, EP TREMOLO, GT TREMOLO 2, ROTARY SP 4 No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 Parameter LFO Frequency AM Depth PM Depth Display 0. 00Hz – 39. 7Hz 0 – 127 0 – 127 Value 0 – 127 0 – 127 0 – 127 See Table table#1 Control ● EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet 32Hz – 2. 0kHz -12 – +12dB 500Hz – 16. 0kHz -12 – +12dB D63>W – D=W – D<W63 4 – 40 52 – 76 28 – 58 52 – 76 1 – 127 14 – 54 52 – 76 1 – 120 table#3 table#3 table#15 table#3 ● EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain 32Hz – 2. 0kHz -12 – +12dB 500Hz – 16. 0kHz -12 – +12dB 4 – 40 52 – 76 28 – 58 52 – 76 table#3 table#3 11 EQ Mid Frequency (*4) 100Hz – 10. 0kHz 12 EQ Mid Gain (*4) -12 – +12dB 13 EQ Mid Width (*4) 0. 1 – 12. 0 14 15 16 EQ Mid Frequency (*4) EQ Mid Gain (*4) EQ Mid Width (*4) LFO Phase Difference 15 Input Mode 16 100Hz – 10. 0kHz -12 – +12dB 0. 1 – 12. 0 -180 – +180deg (resolution=3deg. ) mono/stereo 14 – 54 52 – 76 1 – 120 4 – 124 0–1 table#3 ROTARY SP 1, 6 No. 1 2 3 4 5 6 7 8 9 10 Parameter LFO Frequency LFO Depth Display 0. 00Hz – 39. 7Hz 0 – 127 Value 0 – 127 0 – 127 See Table table#1 table#19 Control ● AUTO PAN 1, 2, EP AUTOPAN, TREMOLO 2, GT TREMOLO 1, ROTARY SP 2, 3, 7 No. 1 2 3 4 5 6 7 8 9 10 Parameter Display Sensitivity 0 – 127 Cutoff Frequency Offset 0 – 127 Resonance 1. 0 – 12. 0 Value 0 – 127 0 – 127 10 – 120 See Table Control ● VCE CANCEL No. 1 2 3 4 5 6 7 8 9 10 Parameter Display Value See Table Control EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet 32Hz – 2. 0kHz -12 – +12dB 500Hz – 16. 0kHz -12 – +12dB D63>W – D=W – D<W63 0 – 127 4 – 40 52 – 76 28 – 58 52 – 76 1 – 127 0 – 127 table#3 table#3 table#15 11 Drive 12 13 14 15 16 11 Low Adjust 12 High Adjust 13 14 15 16 0 – 26 0 – 26 0 – 26 0 – 26 TOUCH WAH 2, 3 TC. WH+DST HD, TC. WH+DST HV, TC. WH+DST LT TC. WH+OD 1, 2, TC. WH+OD HD, TC. WH+OD HV, TC. WH+OD LT CLAVI TC. WAH, EP TC. WAH No. 1 2 3 4 5 6 7 8 9 10 Parameter Display Sensitivity 0 – 127 Cutoff Frequency Offset 0 – 127 Resonance 1. 0 – 12. 0 Value 0 – 127 0 – 127 10 – 120 See Table Control ● 2WAY ROT SP No. 1 2 3 4 5 6 7 8 9 10 Parameter Rotor Speed Drive Low Drive High Low/High EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Display 0. 0Hz – 39. 7Hz 0 – 127 0 – 127 L63>H – L=H – L<H63 32Hz – 2. 0kHz -12 – +12dB 500Hz – 16. 0kHz -12 – +12dB Value 0 – 127 0 – 127 0 – 127 1 – 127 4 – 40 52 – 76 28 – 58 52 – 76 See Table table#1 Control ● table#3 table#3 EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet 32Hz – 2. 0kHz -12 – +12dB 500Hz – 16. 0kHz -12 – +12dB D63>W – D=W – D<W63 0 – 127 -12 – +12dB -12 – +12dB 1. 0kHz – thru 0 – 127 10 – 680mS 4 – 40 52 – 76 28 – 58 52 – 76 1 – 127 0 – 127 52 – 76 52 – 76 34 – 60 0 – 127 52 – 67 table#3 table#3 table#15 11 Crossover Frequency 12 Mic L-R Angle 13 14 15 16 11 Drive 12 EQ Low Gain (distortion) 13 EQ Mid Gain (distortion) 14 LPF Cutoff 15 Output Level 16 Release 100Hz – 10. 0kHz 0deg – 180deg (resolution=3deg. ) 14 – 54 0 – 60 table#3 table#3 table#18 table#12 COMPRESSOR, COMP MED, COMP HEAVY No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Parameter Attack Release Threshold Ratio Output Level Display 1 – 40ms 10 – 680ms -48 – -6dB 1. 0 – 20. 0 0 – 127 Value 0 – 19 0 – 15 79 – 121 0–7 0 – 127 See Table table#8 table#9 table#10 table#18 Control 59 DST+2ROT SP OD+2ROT SP No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Parameter Rotor Speed Drive Low Drive High Low/High Balance EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Display 0. 0 – 39. 7Hz 0 – 127 0 – 127 L63>H – L=H – L<H=63 32Hz – 2. 0kHz -12 – +12dB 500Hz – 16. 0kHz -12 – +12dB Value 0 – 127 0 – 127 0 – 127 1 – 127 4 – 40 52 – 76 28 – 58 52 – 76 See Table table#1 Control ● TALKING MOD No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Parameter Vowel Move speed Drive Output Level Display a, i, u, e, o 1 – 62 0 – 127 0 – 127 Value 0–4 1 – 62 0 – 127 0 – 127 See Table Control ● table#18 table#3 table#3 Crossover Frequency Mic L-R Angle Drive LPF Cutoff Output Level 100Hz – 10. 0kHz 0 – 180deg 0 – 127 1kHz – Thru 0 – 127 14 – 54 0 – 60 0 – 127 34 – 60 0 – 127 table#3 table#18 LO-FI, LOOP FX 1, 2, LO-FI DRUM 1, 2 AMP+2ROT SP No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Parameter Rotor Speed Drive Low Drive High Low/High Balance EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Display 0. 0 – 39. 7Hz 0 – 127 0 – 127 L63>H – L=H – L<H=63 32Hz – 2. 0kHz -12 – +12dB 500Hz – 16. 0kHz -12 – +12dB Value 0 – 127 0 – 127 0 – 127 1 – 127 4 – 40 52 – 76 28 – 58 52 – 76 See Table table#1 Control ● No. 1 2 3 4 5 6 7 8 9 10 Parameter Sampling Freq Control Word Length Output Gain LPF Cutoff Filter Type LPF Resonance Bit Assign Emphasis Dry/Wet table#3 table#3 Display 44. 1kHz – 345Hz 1 – 127 -6 – +36dB 63Hz – Thru Thru, PowerBass, Radio, Tel, Clean, Low 1. 0 – 12. 0 0–6 Off/On D63>W – D=W – D<W63 Value 0 – 127 1 – 127 0 – 42 10 – 60 0–5 10 – 120 0–6 0–1 1 – 127 See Table table#13 Control table#3 table#15 ● Crossover Frequency Mic L-R Angle AMP Type Drive LPF Cutoff Output Level 100Hz – 10. 0kHz 0 – 180deg Off, Stack, Combo, Tube 0 – 127 1kHz – Thru 0 – 127 14 – 54 0 – 60 0–3 0 – 127 34 – 60 0 – 127 table#3 table#18 11 12 13 14 15 Input Mode 16 mono/stereo ENS DETUNE 1, 2 No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Parameter Detune Lch Init Delay Rch Init Delay Display -50 – +50cent 0. 0mS – 50mS 0. 0mS – 50mS Value 14 – 114 0 – 127 0 – 127 See Table table#2 table#2 Control DST+DELAY 1, 2, OD+DELAY 1, 2 No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Parameter Lch Delay Time Rch Delay Time Delay Feedback Time Delay Feedback Level Delay Mix Dist Drive Dist Output Level Dist EQ Low Gain Dist EQ Mid Gain Dry/Wet Display 0. 1 – 1638. 3ms 0. 1 – 1638. 3ms 0. 1 – 1638. 3ms -63 – +63 0 – 127 0 – 127 0 – 127 -12 – +12dB -12 – +12dB D63>W – D=W – D<W63 Value 1 – 16383 1 – 16383 1 – 16383 1 – 127 0 – 127 0 – 127 0 – 127 52 – 76 52 – 76 1 – 127 See Table Control table#16 table#18 Dry/Wet EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain D63>W – D=W – D<W63 32Hz – 2. 0kHz -12 – +12dB 500Hz – 16. 0kHz -12 – +12dB 1 – 127 4 – 40 52 – 76 28 – 58 52 – 76 table#15 table#3 table#3 ● table#15 ● AMBIENCE No. [. . . ] F7 11110000 F0 = Exclusive status 01111111 7F = Universal Real Time 0xxxnnnn XN = When N is received N=0-F, whichever is received. X=ignored 00001010 0A = Sub-ID #1=Key-Based Instrument Control 00000001 01 = Sub-ID #2=Controller 0000mmmm 0M= MIDI Channel (00-0F) 0kkkkkkk KK = Key Number 0ccccccc CC= Controller Number 0vvvvvvv VV = Value . . . 11110111 F7 = End of Exclusive Controlled Number Value O (Drum X ) O X X X O X O X X Control Number (CC) Value (VV) Description -----------------------------------------------------------------------------------------------------CC=07H Volume 00H~7FH -100. . . 0. . . +100% 40H CC=0AH Pan 00H~7FH L63. . . C. . . R63 (Preset value) (absolute) CC=5BH Reverb Send Level 00H~7FH 0. . . Max (Preset value) (absolute) CC=5DH Chorus Send Level 00H~7FH 0. . . Max (Preset value) (absolute) MIDI Event Regular/Drum/ Mic/ Natural/Organ Vocal Voice Harmony GM1 System On F0 7E XN 09 01 F7 [GM1] 11110000 F0 = Exclusive status [GM2] 01111110 7E = Universal Non-Real Time 0xxxnnnn XN = When N is received N = 0-F, whichever is received. X = ignored 00001001 09 = Sub-ID #1 = General MIDI Message 00000001 01 = Sub-ID #2 = General MIDI On 11110111 F7 = End of Exclusive GM2 System On F0 7E XN 09 [GM2] 11110000 01111110 0xxxnnnn 00001001 00000011 11110111 General MIDI System Off [GM1] [GM2] 03 F7 F0 = Exclusive status 7E = Universal Non-Real Time XN = When N is received N = 0-F, whichever is received. [. . . ]