ユーザーズガイド ROLAND ARX-03

[. . . ] Owner’s Manual Owner’s Manual Before using this product, carefully read the sections entitled: “USING THE UNIT SAFELY” and “IMPORTANT NOTES” (p. These sections provide important information concerning the proper operation of the product. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new product, Owner’s manual should be read in its entirety. The manual should be saved and kept on hand as a convenient reference. [. . . ] Specifies the amount of pitch change for BendUp This setting is in semitone steps (valid when Bender Mode is ”NORMAL, ” ”LOCK1” or ”LOCK2”). Hold Mode NORMAL, LEGATO, ACCOMP Bend Range Up 0–12 38 Controller assignments for each patch (Control Assign 1 screen) Here you can assign performance controllers for individual patch. . Parameter Staccato Controller Assign Value OFF, CC1–CC95, PITCH BEND, AFTERTOUCH OFF, CC1–CC95, PITCH BEND, AFTERTOUCH OFF, CC1–CC95, PITCH BEND, AFTERTOUCH OFF, CC1–CC95, PITCH BEND, AFTERTOUCH Description Specifies the number of the controller that will turn ”Staccato” on Fall Controller Assign From Main Screen F7>F4 (on the Fantom-G) Specifies the number of the controller that will turn ”Fall” on Doit Controller Assign Specifies the number of the controller that will turn ”Doit” on Specifies the number of the controller that will switch between Unison mode and Stack mode Unison/Stack Controller Assign 39 Controller assignments for individual instruments (Control Assign 2 screen) Here you can assign performance controllers for individual instruments. In this screen you can assign volume and tone, vibrato, and pitch to the desired control change messages. This allows you to produce smooth change by using continuous controllers such as an expression pedal or modulation lever. Parameter Vibrato Control 1 Value OFF, CC1–CC95, PITCH BEND, AFTERTOUCH OFF, CC1–CC95, PITCH BEND, AFTERTOUCH OFF, CC1–CC95, PITCH BEND, AFTERTOUCH OFF, CC1–CC95, PITCH BEND, AFTERTOUCH OFF, CC1–CC95, PITCH BEND, AFTERTOUCH 0–127 Description Specifies the number of the controller 1 that will affect vibrato depth Vibrato Control 2 Specifies the number of the controller 2 that will affect vibrato depth Pitch Control 1 Specifies the number of the controller 1 that will affect pitch Pitch Control 2 From Main Screen F7>F5 (on the Fantom-G) Specifies the number of the controller 2 that will affect pitch Portamento Control Dynamics Control 1Sens Dynamics Control 2Sens Specifies the number of the controller that will turn portamento on/off Specifies the extent to which controller number 1 will change the dynamics (volume/tone) Specifies the extent to which controller number 2 will change the dynamics (volume/tone) Specifies the extent to which controller number 1 will change the vibrato depth Specifies the extent to which controller number 2 will change the vibrato depth Specifies the extent and direction in which controller 1 will change the pitch Specifies the extent and direction in which controller 2 will change the pitch 0–127 0–127 0–127 -64–63 -64–63 Parameter Dynamics Control 1 Value OFF, CC1–CC95, PITCH BEND, AFTERTOUCH OFF, CC1–CC95, PITCH BEND, AFTERTOUCH Description Specifies the number of the controller 1 that will affect dynamics (volume/tone) Vibrato Control 1Sens Vibrato Control 2Sens Pitch Control 1Sens Pitch Control 2Sens Dynamics Control 2 Specifies the number of the controller 2 that will affect dynamics (volume/tone) 40 Initializing a Patch (Utility Screen) In the Utility screen you can initialize patch. This operation lets you return the settings of the current patch to their default values. Patch Init will initialize the settings of the current patch. Saving a Patch (on the Fantom-G) A patch you’ve created is temporary; it will be lost if you select a different patch. If you want to save the patch you’ve edited, proceed as follows. 1. Select the patch that you want to initialize. In the Utility screen, choose Patch Init. When the confirmation screen appears, press the [F7] (OK) button. If you decide to cancel, press the[F8] (EXIT) button. 1. Assign a name to the patch. For details on how to assign a name, refer to the Fantom-G owner’s manual. fig. 01-101. eps 3. When you’ve finished assigning the name, press the [F8] (OK) button. Select a patch number, and press the [F8] (WRITE) button. When the confirmation screen appears, press the [F7] (OK) button to save the patch. * If you’ve installed the ARX-03 in a Fantom-G6/G7/G8, executing a Factory Reset for the Fantom-G6/G7/G8 will reset the expansion boards to their factory-set condition. 41 Multi-Effects List Multi-Effects Types There are 15 types of multi-effect. 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 FILTER (3 types) STEREO EQ ENHANCER AUTO WAH CHORUS (1 types) HEXA-CHORUS DYNAMICS (2 types) COMPRESSOR LIMITER LOFI (4 types) LOFI COMPRESS TELEPHONE PHONOGRAPH TAPE ECHO REVERB (1 type) GATED REVERB DELAY (4 types) STEREO DELAY MODULATION DELAY TRIPLE TAP DELAY REVERSE DELAY p. 46 46 47 48 Multi-Effects Parameters Each multi-effect has “Control Assign” parameters. These indicate the parameters that can be controlled via “Multi-effect control (MFX Control Screen)” (p. 35). For details on the “note” that can be selected for some parameter, refer to “About Note” (p. 53) Parameters marked with a sharp “#” can be controlled using a specified controller. p. 50 51 52 52 42 01: STEREO EQ (Stereo Equalizer) This is a four-band stereo equalizer (low, mid x 2, high). fig. MFX01 02: ENHANCER Controls the overtone structure of the high frequencies, adding sparkle and brightness to the sound. fig. MFX03 L in 4-Band EQ L out L in R in Parameter Low Freq Low Gain # High Freq High Gain # Mid1 Freq Mid1 Q Mid1 Gain Mid2 Freq Mid2 Q Mid2 Gain Level # Enhancer Mix 2-Band EQ 2-Band EQ L out 4-Band EQ Value 200, 400 Hz -15–+15 dB 2000, 4000, 8000 Hz -15–+15 dB 200–8000 Hz 0. 5, 1. 0, 2. 0, 4. 0, 8. 0 -15–+15 dB 200–8000 Hz 0. 5, 1. 0, 2. 0, 4. 0, 8. 0 -15– +15 dB 0–127 R out R in Description Frequency of the low range Gain of the low frequency range Frequency of the high range Gain of the high frequency range Frequency of Middle Range 1 Width of Middle Range 1 Select a higher Q value to narrow Middle Range 1. Gain of Middle Range 1 Frequency of Middle Range 2 Width of Middle Range 2 Select a higher Q value to narrow Middle Range 2. Gain of Middle Range 2 Output level Parameter Sens # Mix # Low Gain High Gain Level Enhancer Mix Value 0–127 0–127 -15– +15 dB -15– +15 dB 0–127 R out Description Sensitivity of the enhancer Level of the overtones generated by the enhancer Gain of the low frequency range of frequencies Gain of the high frequency range of frequencies Output level 43 03: AUTO WAH A filter that turns on and off to create a cyclical change in timbre. fig. MFX08 04: HEXA-CHORUS Uses a six-phase chorus (six layers of chorused sound) to give richness and spaciousness to the sound. fig. MFX17 L in Auto Wah R in Parameter Value L out L in Balance D L out Balance W R out Description Type of filter LPF: The wah effect is applied over a wide frequency range. BPF: The wah effect is applied over a narrow frequency range Frequency of modulation Depth of modulation Adjusts the sensitivity with which the filter is controlled. 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