ユーザーズガイド YAMAHA 01V96I

[. . . ] Replace Battery ! MIDI port is not selected! [. . . ] Channel xx, yy, … Currently Patched from Direct Out! This Routing is Ineffective! 54 55 99 44. 1 kHz, 48 kHz, 88. 2 kHz, 96 kHz USB audio Normal Rate Double Rate The others fs=48 kHz fs=96 kHz Normal rate: Double rate: 44. 1 kHz ±0. 1% 48 kHz ±0. 1% 88. 2 kHz ±0. 1% 96 kHz ±0. 1% 44. 1 kHz-10% to 48 kHz+6% 88. 2 kHz-10% to 96 kHz+6% Less than 1. 6 ms CH INPUT to STEREO OUT Less than 0. 8 ms CH INPUT to STEREO OUT 100 mm motorized  17 +10 ~ –138, – dB input faders 0 ~ –138, – dB master faders, stereo fader Less than 0. 05% 20 Hz ~ 20 kHz @ +14 dB into 600 Ω Less than 0. 01% 1 kHz @ +24 dB into 600 Ω Less than 0. 05% 20 Hz ~ 40 kHz @ +14 dB into 600 Ω Less than 0. 01% 1 kHz @ +24 dB into 600 Ω 20 Hz~20 kHz, 0. 5, –1. 5 dB @ +4 dB into 600 Ω 20 Hz~40 kHz, 0. 5, –1. 5 dB @ +4 dB into 600 Ω 110 dB typ. AD+DA (to STEREO OUT) @ fs=48 kHz 105 dB typ. AD+DA (to STEREO OUT) @ fs=96 kHz –128 dB Equivalent Input Noise –86 dB residual output noise. STEREO OUT (STEREO OUT off) fs=48 kHz (CH INPUT to STEREO OUT) (Input Gain=Min. ) fs=96 kHz fs=48 kHz (CH INPUT to STEREO OUT) fs=96 kHz (maximum level to noise level) (20 Hz~20 kHz) Rs=150 Ω Input Gain=Max. –86 dB (90 dB S/N) STEREO OUT Input Pad =0 dB (STEREO fader at nominal level and all CH INPUT faders at minimum level) Input Pad =0 dB Input Sensitivity =–60 dB –64 dB (68 dB S/N) STEREO OUT (STEREO fader at nominal level and one CH INPUT fader at nominal level) 74 dB CH INPUT (CH1~12) to STEREO OUT/OMNI (BUS) OUT 40 dB CH INPUT (CH13~16) to STEREO OUT 74 dB CH INPUT (CH1~12) to OMNI (AUX) OUT (via pre input fader) 74 dB CH INPUT (CH1~12) to MONITOR OUT (via STEREO BUS) 80 dB adjacent input channels (CH1~12) (@ 1 kHz) 80 dB adjacent input channels (CH13~16) 80 dB input to output Phantom switch Pad switch Gain control +48 V DC (each 4ch) 0/20 dB attenuation 44 dB (–60 ~ –16), detented LED (red) turns on when post HA level reaches 3 dB below clipping at digital domain LED (green) turns on when post HA level reaches 20 dB below nominal at digital domain 24-bit linear, 128-times oversampling (fs=44. 1, 48 kHz), 64-times oversampling (fs=88. 2, 96 kHz) Input Gain=Min. AD Input (1~12) Peak indicator Signal indicator AD converter 56 Gain control Peak indicator AD Input (13~16) Signal indicator AD converter Input selector Digital Input (2TR IN DIGITAL, ADAT input) Option Input (SLOT) Available cards Input patch Phase Gate-type*3 Optional digital interface cards (MY16, MY8, MY4 series) — Normal/reverse On/off Key in: 12 ch Group (1~12, 13~24, 25~32)/AUX1~8 On/off Comp-type*4 Attenuator EQ Delay On/off Input Channel CH1~32 Fader Aux send Solo Pan Surround pan LFE level Routing Direct out Metering Key in: self /Stereo Link Pre EQ/pre fader/post fader –96. 0 ~ +12. 0 dB (0. 1 dB step) 4-band PEQ (TYPE1)*5 On/off 0~43400 samples — 100 mm motorized (INPUT/AUX1~8) On/off AUX1~8; pre fader/post fader On/off Pre fader/after pan 127 positions (Left= 1~63, Center, Right= 1~63) 127  127 positions [(Left= 1~63, Center, Right= 1~63)], [(Front= 1~63, Center, Rear= 1~63)] –, –96 dB ~ +10 dB (256 step) STEREO, BUS1~8, DIRECT OUT Pre EQ/pre fader/post fader Displayed on LCD Peak hold on/off Normal/reverse –96. 0 ~ +12. 0 dB (0. 1 dB step) 4band PEQ (TYPE1)*5 — 100 mm motorized INPUT/AUX1~8 send On/off AUX1~8; pre fader/post fader On/off Pre fader/after pan 127 positions (Left= 1~63, Center, Right= 1~63) 127  127 positions ([Left= 1~63, Center, Right= 1~63] x [Front= 1~63, Center, Rear= 1~63]) –, –96 dB ~ +10 dB (256 step) STEREO, BUS1~8, DIRECT OUT Displayed on LCD Peak hold on/off 30 dB (–26 ~ +4), detented LED (red) turns on when post HA level reaches 3 dB below clipping at digital domain LED (green) turns on when post HA level reaches 20 dB below nominal at digital domain 24-bit linear, 128-times oversampling (fs=44. 1, 48 kHz), 64-times oversampling (fs=88. 2, 96 kHz) CH15/16/2TR IN for CH15/16 Input patch (L/R) — Phase (L/R) Attenuator (L/R) Equalizer On/off Fader Aux send Stereo Input Channel CH1-4 Solo Pan (L/R) Surround pan (L/R) LFE level (L/R) Routing Metering 57 Level OSCILLATOR On/off Waveform Routing STEREO OUT MONITOR OUT DA converter DA converter Output patch OMNI OUT 1~4 DA converter Dither 2TR OUT DIGITAL Output patch 0 ~ –96 dB (1 dB step) — Sine 100 Hz, sine 1 kHz, sine 10 kHz, pink noise, burst noise BUS1~8, AUX1~8, STEREO L/R 24-bit linear, 128-times oversampling (@fs=44. 1, 48 kHz), 64-times oversampling (@fs=88. 2, 96 kHz) 24-bit linear, 128-times oversampling (@fs=44. 1, 48 kHz), 64-times oversampling (@fs=88. 2, 96 kHz) STEREO, BUS1~8, AUX1~8, DIRECT OUT 1~32, INSERT OUT (CH1~32, BUS1~8, AUX1~8, STEREO), CASCADE OUT (BUS1~8, AUX 1~8, STEREO, SOLO) 24-bit linear, 128-times oversampling (@fs=44. 1, 48 kHz), 64-times oversampling (@fs=88. 2, 96 kHz) On/off Word length 16, 20, 24-bit STEREO, BUS1~8, AUX 1~8, DIRECT OUT 1~32, INSERT OUT (CH 1~32, BUS 1~8, AUX 1~8, STEREO), CASCADE OUT (BUS 1~8, AUX 1~8, STEREO, SOLO) On/off Word length 16, 20, 24-bit STEREO, BUS1~8, AUX 1~8, DIRECT OUT 1~32, INSERT OUT (CH 1~32, BUS 1~8, AUX 1~8, STEREO), CASCADE OUT (BUS 1~8, AUX 1~8, STEREO, SOLO) Optional digital interface card (MY16, MY8, MY4 series) On/off Word length 16/20/24-bit STEREO, BUS1~8, AUX 1~8, DIRECT OUT 1~32, INSERT OUT (CH 1~32, BUS 1~8, AUX 1~8, STEREO), CASCADE OUT (BUS 1~8, AUX 1~8, STEREO, SOLO) On/off Pre EQ/pre fader/post fader –96. 0 ~ +12. 0 dB (0. 1 dB step) 4-band PEQ*5 On/off STEREO On/off Fader Balance Delay Metering — 100 mm motorized 127 positions (Left=1~63, Center, Right=1~63) 0~29100 samples Displayed on LCD Peak hold on/off 12-elements x2 LED meters Comp-type Attenuator EQ On/off BUS1~8 Fader Delay Bus to stereo *4 Dither ADAT Output Output patch Available card Dither Option Output (SLOT) Output patch Comp-type*4 Attenuator EQ On/off Pre EQ/pre fader/post fader –96. 0 ~ +12. 0 dB (0. 1 dB step) 4-band PEQ*5 On/off — 100 mm motorized 0~29100 samples Level (–, –130 dB ~ 0 dB) On/off Pan: 127 positions (Left=1~63, Center, Right=1~63) Displayed on LCD Peak hold on/off Metering 58 On/off Pre EQ/pre fader/post fader –96. 0 ~ +12. 0 dB (0. 1 dB step) 4-band PEQ*5 On/off On/off Fader Delay Metering Number of effects INTERNAL EFFECTS (EFFECT 1~4) Bypass In/out Effect-in from Effect-out to — 100 mm motorized 0~29100 samples Displayed on LCD Peak hold on/off 4@44. 1kHz, 48kHz 2@88. 2kHz, 96kHz On/off 2-in, 2-out AUX1~8/INSERT OUT Input patch 100 V, 50/60 Hz 90 W (H x D x W) 148 x 548 x 436 mm 14 kg 0~35°C –20 ~ 60°C Comp-type*4 Attenuator EQ AUX1~8 59 LOW/HPF 0. 1~10. 0 (41 points) low shelving HPF ±18 dB (0. 1 dB step) HPF: on/off L-MID 0. 1~10. 0 (41 points) H-MID HIGH /LPF 0. 1~10. 0 (41 points) high shelving LPF ±18 dB (0. 1 dB step) LPF: on/off Q F G 21. 2 Hz. 20. 0 kHz (1/12 oct step) ±18 dB (0. 1 dB step) Threshold Range Attack –54 dB ~ 0 dB (0. 1 dB step) –70 dB ~ 0 dB (1 dB step) 0 ms~120 ms (1 ms step) 0. 02 ms~1. 96 s (216 points) @ 48 kHz 0. 02 ms~2. 13 s (216 points) @ 44. 1 kHz 0. 01 ms~981 ms (216 points) @ 96 kHz 0. 01 ms~1. 06 s (216 points) @ 88. 2 kHz 5 ms~42. 3 s (160 points) @ 48 kHz 6 ms~46. 0 s (160 points) @ 44. 1 kHz 3 ms~21. 1 s (160 points) @ 96 kHz 3 ms~23. 0 s (160 points) @ 88. 2 kHz –54 dB ~ 0 dB (0. 1 dB step) –70 dB ~ 0 dB (1 dB step) 0 ms~120 ms (1 ms step) 0. 02 ms~1. 96 s (216 points) @ 48 kHz 0. 02 ms~2. 13 s (216 points) @ 44. 1 kHz 0. 01 ms~981 ms (216 points) @ 96 kHz 0. 01 ms~1. 06 s (216 points) @ 88. 2 kHz 5 ms~42. 3 s (160 points) @ 48 kHz 6 ms~46. 0 s (160 points) @ 44. 1 kHz 3 ms~21. 1 s (160 points) @ 96 kHz 3 ms~23. 0 s (160 points) @ 88. 2 kHz Gate Hold Decay Threshold Range Attack Ducking Hold Decay Threshold Ratio (x :1) Out gain Knee Compressor Attack –54 dB ~ 0 dB (0. 1 dB step) x=1, 1. 1, 1. 3, 1. 5, 1. 7, 2, 2. 5, 3, 3. 5, 4, 5, 6, 8, 10, 20,  (16 points) 0 dB ~ +18 dB (0. 1 dB step) Hard, 1, 2, 3, 4, 5 (6 step) 0 ms~120 ms (1 ms step) 5 ms~42. 3 s (160 points) @ 48 kHz 6 ms~46. 0 s (160 points) @ 44. 1 kHz 3 ms~21. 1 s (160 points) @ 96 kHz 3 ms~23. 0 s (160 points) @ 88. 2 kHz Release 60 Threshold Ratio (x :1) Out gain Knee Expander Attack –54 dB ~ 0 dB (0. 1 dB step) x=1, 1. 1, 1. 3, 1. 5, 1. 7, 2, 2. 5, 3, 3. 5, 4, 5, 6, 8, 10, 20,  (16 points) 0 dB ~ +18 dB (0. 1 dB step) Hard, 1, 2, 3, 4, 5 (6 points) 0 ms~120 ms (1 ms step) 5 ms~42. 3 s (160 points) @ 48 kHz Release 6 ms~46. 0 s (160 points) @ 44. 1 kHz 3 ms~21. 1 s (160 points) @ 96 kHz 3 ms~23. 0 s (160 points) @ 88. 2 kHz Threshold Ratio (x :1) Out gain Width Compander H Attack –54 dB ~ 0 dB (0. 1 dB step) x=1, 1. 1, 1. 3, 1. 5, 1. 7, 2, 2. 5, 3, 3. 5, 4, 5, 6, 8, 10, 20 (15 points) –18 dB ~ 0 dB (0. 1 dB step) 1 dB~90 dB (1 dB step) 0 ms~120 ms (1 ms step) 5 ms~42. 3 s (160 points) @ 48 kHz Release 6 ms~46. 0 s (160 points) @ 44. 1 kHz 3 ms~21. 1 s (160 points) @ 96 kHz 3 ms~23. 0 s (160 points) @ 88. 2 kHz Threshold Ratio (x :1) Out gain Width Compander S Attack –54 dB ~ 0 dB (0. 1 dB step) x=1, 1. 1, 1. 3, 1. 5, 1. 7, 2, 2. 5, 3, 3. 5, 4, 5, 6, 8, 10, 20 (15 points) –18 dB ~ 0 dB (0. 1 dB step) 1 dB~90 dB (1 dB step) 0 ms~120 ms (1 ms step) 5 ms~42. 3 s (160 points) @ 48 kHz Release 6 ms~46. 0 s (160 points) @ 44. 1 kHz 3 ms~21. 1 s (160 points) @ 96 kHz 3 ms~23. 0 s (160 points) @ 88. 2 kHz Effect library Compressor library Gate library EQ library Channel library Input patch library Output patch library Presets User memories Presets User memories Presets User memories Presets User memories Presets User memories Presets User memories Presets User memories 56 72 36 92 4 124 40 160 2 127 1 32 1 32 61 Input PAD GAIN Actual Load Impedance For Use With Nominal Sensitivity*1 –70 dB (0. 245 mV) –26 dB (38. 8 mV) –6 dB (388 mV) –36 dB (1. 23 mV) –6 dB (388 mV) –12 dB (195 mV) –10 dB (316 mV) Input level Nominal –60 dB (0. 775 mV) –16 dB (123 mV) +4 dB (1. 23 V) –26 dB (38. 8 mV) +4 dB (1. 23 V) –2 dB (616 mV) –10 dBV (316 mV) Max. before clip –40 dB (7. 75 mV) +4 dB (1. 23 V) +24 dB (12. 28 V) –6 dB (388 mV) +24 dB (12. 28 V) +18 dB (6. 16 V) +10 dBV (3. 16 V) Connector –60 dB INPUT A/B 1~12 0 3 kΩ –16 dB 20 –26 dB INPUT 13~16 — +4 dB CH INSERT IN 1~12 2TR IN [L, R] — — 10 kΩ 10 kΩ 600 Ω Lines 600 Ω Lines 10 kΩ 600 Ω Lines 50~600 Ω Mics & 600 Ω Lines A: XLR-3-31 type (Balanced)*2 B: Phone jack (TRS) (Balanced)*3 Phone jack (TRS) (Balanced)*3 Phone jack (TRS) (Unbalanced)*4 RCA pin jack (Unbalanced) Output Actual Source Impedance 75 Ω 150 Ω 150 Ω 600 Ω 600 Ω 100 Ω For Use With Nominal 600 Ω Lines 10 kΩ Lines 10 kΩ Lines 10 kΩ Lines 10 kΩ Lines 8 Ω Phones 40 Ω Phones Output level Nominal +4 dB (1. 23 V) +4 dB (1. 23 V) +4 dB (1. 23 V) –2 dB (616 mV) –10 dBV (316 mV) 4 mW 12 mW Max. [. . . ] Input [-40dBu] -40 -50 Nominal [-60dBu] Input GAIN MAX. , PAD OFF -60 -70 -80 -90 -100 -110 -120 -130 -140 -150 -160 DSP Noise Floor -170 -180 -190 [0dBu = 0. 775Vrms] [0dBFS = Full Scale] http://www. yamaha. co. jp/manual/japan/ C. S. G. , Pro Audio Division © 2011 Yamaha Corporation 110IPTO-A0 Printed in Japan WZ74190 [. . . ]