ユーザーズガイド YAMAHA CLP-280/270 戵־

[. . . ] CLP-280/270 ■ ■ ■ (1)B-16 1/4 2 (1)B-16 2/4 3 (1)B-16 3/4 4 (1)B-16 4/4 5 6 • • 7 8 9 10 1. 1-1 1-2 2. A B Grand Piano 1 C NO YES D A B CONTRAST NO YES EXIT C D 12 MIN MAX MASTER VOLUME 13 2 3 4 EXTRA PARTS 6 LEFT RIGHT 9 SONG SELECT ! METRONOME SETTING ON/OFF A # REC SONG KEYBOARD STOP PLAY/PAUSE REPEAT FILE/SONG SETTING DOWN UP MIN MAX NEW SONG SYNC START TEMPO C MASTER VOLUME SONG BALANCE DEMO SONG 5 7 # B 8 ) @ & ( iAFC $ CONTRAST GRAND PIANO 1 GRAND PIANO 2 E. PIANO 1 E. PIANO 2 HARPSICHORD E. CLAVICHORD VIBRAPHONE GUITAR ¡ SETTING VOICE SETTING REVERB CHORUS NO YES CHURCH ORGAN EXIT JAZZ ORGAN STRINGS CHOIR SYNTH. PAD WOOD BASS E. BASS XG SPLIT BRILLIANCE MELLOW BRIGHT FUNCTION D VOICE % ^ * º ™ £ 1 SELECT USB TO DEVICE ∞ ¢ IN OUT THRU USB L/L+R R L R TO DEVICE TO HOST MIDI AUX PEDAL AUX IN AUX OUT £ § ¶ • ª ‚ 14 1 2 3 4 5 ( º ¡ 6 • • 7 8 ™ £ 9 ) ¢ ! ∞ § @ # $ % ¶ • ª ‚ ^ & * 15 GRAND PIANO 1 GRAND PIANO 2 E. PIANO 1 E. PIANO 2 HARPSICHORD E. CLAVICHORD VIBRAPHONE GUITAR CHURCH ORGAN JAZZ ORGAN STRINGS CHOIR SYNTH. PAD WOOD BASS E. BASS XG VOICE A B Grand Piano 1 C NO YES D A B GrandPiano1 Vibraphone C Harpsi. 8' WoodBass NO YES D A B MetronomeVolume 100 C NO YES D 16 A B Save Overwrite?--> M-001:NewSong001. MID C NO YES D EXTRA PARTS LEFT RIGHT SONG SELECT METRONOME SETTING ON/OFF A B CONTRAST GRAND PIANO 1 GRAND PIANO 2 E. PIANO 1 E. PIANO 2 HARPSICHORD E. CLAVICHORD VIBRAPHONE GUITAR VOICE SETTING iAFC REVERB CHORUS SETTING REC SONG KEYBOARD STOP PLAY/PAUSE REPEAT FILE/SONG SETTING NO YES DOWN UP EXIT CHURCH ORGAN JAZZ ORGAN STRINGS CHOIR SYNTH. [. . . ] X=ignored 00001001 09 = Sub-ID #1=General MIDI Message 00000010 02 = Sub-ID #2=General MIDI Off 11110111 F7 = End of Exclusive F0 7E XN 08 08 JJ GG MM SS . . . F7 11110000 F0 = Exclusive status 01111110 7E = Universal Non-Real Time 0xxxnnnn XN = When N is received N=0-F, whichever is received. X=ignored 00001000 08 = Sub-ID #1=MIDI Tuning Standard 00001000 08 = Sub-ID #2=scale/octave tuning 1byte form 0jjjjjjj JJ = Channel/option byte1 bits 0 to 1 = channel 15 to 16 bits 2 to 6 = reserved 0ggggggg GG = Channel byte 2 - bits 0 to 6 = channel 8 to 14 0mmmmmmm MM= Channel byte 2 - bits 0 to 6 = channel 1 to 7 0sssssss SS = 12 byte tuning offset of 12 semitones from C to B 00H means -64cent 40H means 0cent 7FH means +63cent . . . 11110111 F7 = End of Exclusive Ø Main Layer Left Left-layer ˛ Panel REC Panel Keyboard ˛ Ø (Voice Setting, Reverb Type, Chorus Type) Song Ø MIDI ˛ PLAY REW Ø ˛ Ø ˛ GM2 System On [GM2] Ø ˛ ˛ ˛ ˛ Ø ˛ Ø ˛ ˛ General MIDI System Off [GM1] [GM2] Ø ˛ ˛ Ø (Voice Setting, Reverb Type, Chorus Type) ˛ Ø ˛ Ø ˛ ˛ Scale/Octave Tuning [GM2] Ø ˛ ˛ ˛ ˛ Ø ˛ Ø ˛ ˛ 130 System Exclusive Messages (2) MIDI Event Song F0 43 1n 4C hh mm ll dd . . . F7 11110000 F0 = Exclusive status 01000011 43 = YAMAHA ID 0001nnnn 1n = Device Number n=always 0 (when transmit), n=0-F (when recieve) 01001100 4C = Model ID 0hhhhhhh hh = Address High 0mmmmmmm mm= Address Mid 0lllllll ll = Address Low 0ddddddd dd = Data . . . 11110111 F7 = End of Exclusive F0 43 0n 4C aa bb hh mm ll dd . . . dd cc F7 11110000 F0 = Exclusive status 01000011 43 = YAMAHA ID 0001nnnn 1n = Device Number n=always 0 (when transmit), n=0-F (when recieve) 01001100 4C = Model ID 0aaaaaaa aa = Byte Count MSB 0bbbbbbb bb = Byte Count LSB 0hhhhhhh hh = Address High 0mmmmmmm mm= Address Mid 0lllllll ll = Address Low 0ddddddd dd = Data : : 0ddddddd dd = Data 0ccccccc cc = Checksum 11110111 F7 = End of Exclusive F0 43 3n 4C hh mm ll F7 11110000 F0 = Exclusive status 01000011 43 = YAMAHA ID 0011nnnn 3n = Device Number n=always 0 (when transmit), n=0-F (when recieve) 01001100 4C = Model ID 0hhhhhhh hh = Address High 0mmmmmmm mm= Address Mid 0lllllll ll = Address Low 11110111 F7 = End of Exclusive F0 43 2n 4C hh mm ll F7 11110000 F0 = Exclusive status 01000011 43 = YAMAHA ID 0010nnnn 2n = Device Number n=always 0 (when transmit), n=0-F (when recieve) 01001100 4C = Model ID 0hhhhhhh hh = Address High 0mmmmmmm mm= Address Mid 0lllllll ll = Address Low 11110111 F7 = End of Exclusive Main Layer Left Left-layer Ø Keyboard – Panel Song Ø Ø – Ø Ø – ˛ Ø – ˛ MIDI Event Song F0 43 1n 27 30 11110000 01000011 0001nnnn 00100111 00110000 00000000 00000000 0000mmmm 0000llll 0ccccccc 11110111 00 00 0m 0l cc F7 F0 = Exclusive status 43 = YAMAHA ID 1n n= always 0 (when transmit), n=0-F (when receive) 27 = Model ID of TG100 30 = Address High 00 = Address Mid 00 = Address Low 0m = Master Tune MSB 0l = Master Tune LSB cc = don't care F7 = End of Exclusive IMIDI Master Tuning Main Layer Left Left-layer Ø Keyboard Ø (Function) Panel Song ˛ ˛ 131 MIDI Event Song 11 0n 02 dd F7 F0 = Exclusive status 43 = YAMAHA ID 73 = Clavinova ID 01 = Model ID (Clavinova common ID) 51 = SubID 11 = SubID 0n = Channel (00-0F) 02 = SubID (String Resonance Depth) dd = Depth (00-48) F7 = End of Exclusive 11 0n 03 dd F7 F0 = Exclusive status 43 = YAMAHA ID 73 = Clavinova ID 01 = Model ID (Clavinova common ID) 51 = SubID 11 = SubID 0n = Channel (00-0F) 03 = SubID (Sustain Sample Depth) dd = Depth (00-48) F7 = End of Exclusive 11 0n 04 dd F7 F0 = Exclusive status 43 = YAMAHA ID 73 = Clavinova ID 01 = Model ID (Clavinova common ID) 51 = SubID 11 = SubID 0n = Channel (00-0F) 04 = SubID (Key Off Sampling Depth) dd = Depth (00-50) F7 = End of Exclusive 11 0n 05 dd F7 F0 = Exclusive status 43 = YAMAHA ID 73 = Clavinova ID 01 = Model ID (Clavinova common ID) 51 = SubID 11 = SubID 0n = Channel (00-0F) 04 = SubID (Soft Pedal Depth) dd = Depth (00-7F) F7 = End of Exclusive Ø String Resonance Depth F0 43 73 01 50 11110000 01000011 01110011 00000001 01010000 00010001 0000nnnn 00000010 0ddddddd 11110111 Sustain Sample Depth F0 43 73 01 50 11110000 01000011 01110011 00000001 01010000 00010001 0000nnnn 00000011 0ddddddd 11110111 F0 43 73 01 50 11110000 01000011 01110011 00000001 01010000 00010001 0000nnnn 00000100 0ddddddd 11110111 F0 43 73 01 50 11110000 01000011 01110011 00000001 01010000 00010001 0000nnnn 00000101 0ddddddd 11110111 Main Layer Left Left-layer Ø Keyboard ˛ Ø (Function) Panel Song Ø Ø (Function) Ø Ø ˛ Ø (Function) Ø (Function) Ø Key Off Sampling Depth Ø Ø ˛ Ø (Function) Ø (Function) Ø Soft Pedal Depth Ø Ø ˛ Ø (Function) Ø (Function) Ø 132 YAMAHA [ Clavinova ] Model CLP-270/280 Date : 21-Sep-2004 Version : 1. 00 1 1 16 16 1 1 16 16 3 3 ˛ ************** 0 127 ************** Ø 9nH, v=1 ˛ 9nH, v=0 ˛ ˛ Ø 0, 32 1, 5 7, 10, 11 6, 38 64, 66, 67 65 71, 74 72, 73 84, 94 91, 93 96 – 97 98 – 99 100 – 101 Ø ˛ Ø Ø Ø ˛ Ø ˛ ˛ Ø ˛ ˛ Ø 127 ˛ ˛ 0 0 127 127 127 8nH Ø 9nH, v=1 ˛ 9nH, v=0 Ø Ø Ø0 Ø Ø Ø Ø Ø Ø Ø Ø Ø Ø Ø Ø Ø 24 Ø0 127 ************** Ø ˛ ˛ ˛ Ø Ø ˛ ˛ ˛ ˛ Ø ˛ Ø 0 127 Ø ˛ ˛ ˛ ˛ Ø Ø (120, 126, 127) Ø (121) Ø (122) Ø (123 125) Ø ˛ Ø ˛ 133 134 A B C D E F 1. 1-2 2. 2-1 1-1 1-1 1-2 135 2-2 2-3 2-4 2-3 3-2 3-3 2-4 2-5 3. 3-1 3-4 3-5 136 4. 4-1 6. 6-1 6-2 6-3 6-1 4-2 4-3 6-2 4-2 6-3 7. 4-3 7-1 7-2 7-2 5. 5-1 5-2 7-1 7-3 137 7-3 8. • • • • • 9. • 10. • • 138 n n n 139 1. 3. 4. 2. 140 20 12 41 67 41 66 13 67 12 63 69 75 20 78 41 65 74 24 70 74 50 39 21 26 39 22 50 63 28 39 27 39 141 55 39 48 50 39 39 18 39 44 31 142 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21, 31, 35 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ] 141 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ]