ユーザーズガイド YAMAHA EL-17 ǂKCHUBN

[. . . ] 2. <v(4∂/Display> ‹ ’i-y∫ ”English NOTE 25 2 2 V O I C E S E C T I O N 1 ±⁄rslyh[r1‰f[e6ly1 ⁄ —⁄rslyh[r1∏⁄bysof[r1 26 ±¤rslyh[r1 M. BAL: 0¤ —¤rslyh[r1∏¤bysof[r1 NOTE 2 <v(4∂/Display> ‹ ”i-y∫ ’English 2 1 6. †y1 —Z¤6. †y1 ∂&®6. †y1 3b}∑E6y 27 2 2 6. †y1 —Z¤6. †y1 ∂&®6. †y1 3b}∑E6y 3 4 eid&. T: 8 ±1⁄ 2E}s:¤lpZs 28 NOTE –l*}]:24 Ïy:C ±1¤ lƒ}™:24 NOTE 2 5 6 1. 2. ±⁄rslyh[r1‰f[e6ly1 ⁄ —⁄rslyh[r1∏⁄bysof[r1 3. NOTE ±¤rslyh[r1 M. BAL:+4¤ —¤rslyh[r1∏¤bysof[r1 29 2 3 30 1 2 <rsly˙r> 01:rslyh[r1 ±1‚⁄ 2 <◊3k> 01:◊3k1 ±1⁄‡ NOTE 3 <◊3k> 03:-yg}syh ±1⁄‡ <8}≈}–er> 01:****** ±1¤¤ 31 4 NOTE 2 rsly˙r1 ◊at}s bysoƒr1 ◊at}s«}r -. y1 -. y3 a*}ƒ wEyÏi"}. 6}–51 ƒr}y1 xhc2^y1 c¤okxZhr b}or1 b}or3 6. †y1 —Z¤6. †y1 ◊3k1 5;◊2 √™o2^y jlyƒ b®nZh1 b®nZh3 32 rsly˙r2 dyprsly˙r1 bysoƒr2 3Z¤oes«}r -. y2 n*}s-. y wEyÏi ƒe6ly1 a%" ™or1 ™or3 soy»Zs1 s"y–}y1 2. }s1 lb}œ} hol, Zs1 ƒrhol, Zs s$ZwE1 s$ZwE3 f}mit1 ƒe6ly2 ◊at}sƒe6ly ™or2 dyp™or1 soy»Zs2 n*}ssoy»Zs ◊Zb" -eZr. [. . . ] ∂&®6. †y1 3b}∑E6y 5;◊1 f}¤db}ß ˙"Z'y dypa&e] b®nZh2 b®nZh4 6. †y«}r1 6. †y«}r3 ©q}1 5;g©q}1 5;g«}r1 dyp«}r1 6. †y«}r2 6. †y«}r4 ©q}2 f}¤ 5;g«}r2 dyp«}r2 <8}≈}–er> 01:****** 2 33 2 34 2 35 2 1. 6. †y1 —Z¤6. †y1 ∂&®6. †y1 3b}∑E6y NOTE 2. 6. †y1 —Z¤6. †y1 ∂&®6. †y1 3b}∑E6y 36 3. eid&. T: 8 ±2⁄ 2E}s:¤lpZs 2 –l*}]:24 Ïy:C ±2¤ lƒ}™:24 NOTE NOTE 37 3 VOICE CONTROLS AND EFFECT 3 1. 3. 38 1 3 1 eid&. T: 8 ‰ ⁄ 2E}s:¤lpZs 2 ∏1⁄ 2E}s:¤lpZs 1 NOTE NOTE 2 39 1 2 –l*}]: 0 Ïy:C ‰ ¤ lƒ}™:24 3 3 1 2 3 40 1 52%hs:¤lpZs 1-1 1-2 1-3 1-4 1-5 1-6 1-7 ‰ ‹ ¤lpZs 62 s;m" dy2^iZh ∑E;e 2oy∂&} ∑Ers}d(y 3 NOTE 1 q 1 1 -1 1 -2 1 -3 1 -4 1 -5 1 -6 1 -7 41 1 -1 √™o}s:¤lpZs ‰ › 3 1 1 -3 √™o}s:8}≈} ∑¤r: 0‰ › ∑E;e: 0 rv=}ß: 0 1 -2 1 -4 1 -1 NOTE NOTE 1 -2 1 -3 1 -4 42 1 a*}y: 0 roeß:62 2 -1 1 ‰ fi roeßqe]: 0 2 -2 3 2 2 -1 2 -2 2 43 52%hs:¤lpZs ¤lpZs 62 s;m" dy2^iZh ∑E;e 2oy∂&} ∑Ers}d(y ±1 3 1 —1 ‰ 1 1 1 2 3 4 5 2 —2 2 2 NOTE 52%hs:dy2^iZh ”dy2^iZh ’p;rw 2 -1 2 -1 2 -2 ±1 2 -2 44 3 3 52%hs:∑E;e ±1 ÚÆqe]-----242mSec 3 -1 3-2 3-3 3-4 3-5 qe] 2E}߃Zh ƒoyr m}ß 3 -1 3 -2 52%hs:∑E;e ±1 ÚÆqe]-----242mSec 3 -3 52%hs:∑E;e ÚÆ2E}߃Zh-28. 5% ±1 45 3 -4 52%hs:∑E;e Úƃoyr----60. 6% ±1 3 3 -5 52%hs:∑E;e ÚÆm}ß-----mko. ±1 46 4 3 52%hs:2oy∂7} ÚÆr◊}ß---- 4. 5Hz 4 -1 4 -1 4-2 4-3 4-4 ±1 r◊}ß 2E}߃Zh ∑¤r 4 -2 52%hs:2oy∂7} ÚÆr◊}ß---- 4. 5Hz ±1 4 -3 52%hs:2oy∂7} ÚÆ2E}߃Zh-35. 2% ±1 4 -4 52%hs:2oy∂7} ÚÆ∑¤r-----52. 3% ±1 47 5 3 52%hs:∑Ers}d(y ÚÆ;«. -----16. 4dB 5 -1 5 -1 5-2 5-3 ±1 ;«. feÏr 5 -2 52%hs:∑Ers}d(y ÚÆ;«. -----16. 4dB ±1 5 -3 52%hs:∑Ers}d(y ÚÆfeÏr---- 476Hz ±1 48 3 3 1 <lƒ}™> ;y˙r:3 2 1 qe¤:-}. ∑¤r:16 3 2 3 NOTE 49 3 <xrwey> "0}:10 3ZÏ}:10 »œ. : 6 NOTE NOTE 50 1 3 2 3 51 3 1 2 52%hs:¤lpZs ‰ ‹ 3 52%hs:s;m" ‰ ‹ 52 3 <s;m"> <b}or> r◊}ß:6. 82 m}ß:r"} 1 2 1 2 53 4 RHYTHM AND ACCOMPANIMENT 1 4 1 NOTE 8◊}s1 œyr—Z¤1 8◊}s2 œyr—Z¤2 2 8◊}s1 œyr—Z¤1 8◊}s2 œyr—Z¤2 NOTE 54 3 3 2 1 1 2 4 3 NOTE 1 2 NOTE 4 NOTE 55 5 2 1 3 1 NOTE 4 2 NOTE 3 1 2 NOTE NOTE 56 2 4 1 2 –l*}]: 0 BAL. : 0 ⁄ lƒ}™:12 ’6}sƒl5}d(y 3 1 4 2 NOTE 3 4 NOTE 57 3tyÏi/ys: 0 ”6y’62 ¤ ACC. lƒ}™:24 qe¤:1 4 3 1 <j}a> 01:j}a1 ‚⁄ 2 <rey˙> 01:rey˙1 ‚‹ 58 3 <rey˙> 07:∂&®ƒo}ß ‚‹ 4 1 <8}≈}l®]> 01:8}≈}1-A ⁄⁄ 2 <8}≈}l®]> 04:8}≈}1-D ⁄⁄ 59 4 NOTE j}a1 tysl}1 r4Ey˙1 ∂&®ƒo}ß r"}"Zh1 r"}"Zh3 a&a& √©y 8√}s1 œyr—Z¤1 —. t1 ™"}ß4%e r4Ey˙2 ∑Egd}oyß1 r"}"Zh2 0. z1 ∂&®0. z1 ƒ4yr1 ;æ51 qy∫1 qy∫3 xyƒ1 –xkƒ1 16√}s1 2#yh1 0. z2 –;" ƒ4yr2 ;æ52 qy∫2 4 . yƒ jy– 8√}s2 œyr—Z¤2 xyƒ2 –xkƒ2 16√}s2 2#yh2 <8}≈}l®]> 01:8}≈}1-A 60 5 4 1 2 <ABC> 62 1-1 1-2 1-3 1-4 </ml}> ⁄ ’"0} ’»œ. 2 2 -1 -2 62 dy˙. 2Ey†} 2Ey†}ßb}ß trq]ABC 1 q 1 1 -1 1 -2 1 -3 1 -4 61 2 2 -1 2 -2 4 NOTE G F G A A B B D C D E NOTE E C NOTE Cm C7 Cm7 62 C Cm C7 Cm7 Cmaj7 Cm maj7 C+5 C7+5 Cdim C7sus4 Cm7-5 C-5 C7-5 C6 Cm6 4 6 1 –l*}]: 0 BAL. : 0 ⁄ lƒ}™:12 ’6}sƒl5}d(y 63 2 3tyÏi/ys: 0 ”6y’62 ¤ ACC. lƒ}™:24 qe¤:1 1 2 4 1 3tyÏi/ys: 0 ”6y’62 ¤ ACC. lƒ}™:24 qe¤:1 3 4 2 3 4 3 NOTE NOTE 64 7 1 2 4 <KBP1> ”LK¤lpZs ’8}≈}1 3 4 NOTE 65 4 NOTE 66 1 <KBP1> ”LK¤lpZs ’8}≈}1 4 <KBP2> ”PK¤lpZs ’8}≈}1 2 <KBP1> ’LK¤lpZs [b◊}] ”8}≈}1 ⁄ NOTE 67 3 1 3 ‚⁄dyƒ. [pZs] ¤ 01:hoZd*dyƒ. 1[hl3] 2 1 4 4 2 3 4 NOTE 68 4 69 4 ‚flƒrßo] [pZs] ¤ 02:ƒrßo] \√} [hl3] 4 5 1. ≥ r«wk3xey)'djrt?2. 3. 4. 5. 6. 90 4 1 2 3 MUSIC DISK RECORDER 6 . 1 2 3 12 MUSIC DISK RECORDER MUSIC DISK RECORDER 91 5 1 2 6 1 2 3 6 NOTE 92 7 1 MUSIC DISK RECORDER NOTE <cy˙, }]> 03:SONG 3 ⁄ 2 MUSIC DISK RECORDER 3 MUSIC DISK RECORDER 6 NOTE 1 2 MUSIC DISK RECORDER 93 3 4 1 MUSIC DISK RECORDER 6 2 MUSIC DISK RECORDER 3 1. MUSIC DISK RECORDER 2. MUSIC DISK RECORDER 94 NOTE 1. NOTE 2 NOTE <cy˙, }]> [Ï}s] ˛˝ 01:AMBIENT. MID 1 1 2 6 2. 2 3 3 3 -2 3 -1 4 3 -1 3 -2 4 5 Ï}s: ALL [, }]]˛˝ ’c" ’n*}s –l*}]: 24 5 6 7 3 6 7 5 6 7 95 1. NOTE 2. 3. 6 4. ≥\yty∫k∑}q)thiydjr ≥ ≥ [thiy] [a*4d] ≥ MUSIC DISK RECORDER NOTE ≥XGSONG01i\ytydjrt?≥ ≥ [\yty] [a*4d] ≥ 5. NOTE <cy˙, }]> [Ï}s] ˛˝ 01:XGSONG01. MID NOTE NOTE 96 8 MUSIC DISK RECORDER NOTE 6 MUSIC DISK RECORDER NOTE MUSIC DISK RECORDER NOTE qq 11 NOTE 97 MUSIC DISK RECORDER NOTE 6 MUSIC DISK RECORDER NOTE 98 NOTE 1 2 3 MUSIC DISK RECORDER NOTE 6 MUSIC DISK RECORDER NOTE NOTE 4 5 MUSIC DISK RECORDER 99 1 2 MUSIC DISK RECORDER 3 4 6 NOTE MUSIC DISK RECORDER 5 6 7 8 9 NOTE MUSIC DISK RECORDER NOTE * 100 1 2 MUSIC DISK RECORDER NOTE NOTE 3 6 1 2 MUSIC DISK RECORDER 101 3 MUSIC DISK RECORDER 4 MUSIC DISK RECORDER 5 6 MUSIC DISK RECORDER MUSIC DISK RECORDER NOTE 102 (LEAD) (K. PERC. ) (LEAD) (K. PERC. ) REM. MEM. 1 2 <Ïq}y∑Erh> 01:Pop. R-1 [-çy] 6 NOTE 3 103 4 ≥ ÚÆ8}≈}1-Ai-çydjr ≥ ≥ [-çy] [a*4d] ≥ 5 6 6 PrXX XX NOTE NOTE 104 6 oooo _XX* 105 7 FOOTSWITCH AND EXPRESSION PEDAL 1 7 <2ZsreZa>m}ß:62 1 2 3 4 62 l®] ˙oeß s;m" 1 106 2 <2ZsreZa>m}ß:l®] ”rsZ¤ ’5y∑Ey˙ ’2E. ey 2 -1 2 -1 2 -2 2 -3 2 -2 2 -3 3 7 <2ZsreZa>m}ß:˙oeß ”3ZÏ}1 ”3ZÏ}2 3 -1 3 -1 ⁄ <2ZsreZa>m}ß:˙oeß ’"0}1 ’"0}2 3 -1 3 -1 ¤ <2ZsreZa>m}ß:˙oeß ”l}ß qe]:2 3 -1 3 -2 ‹ 107 3 -1 NOTE 3 -2 4 <2ZsreZa>m}ß:s;m" 7 108 2 1 2 <MIDI IN> LEAD:INT. ‹ SYNC:INT. EXP. :AUTO 7 <MIDI IN> LEAD:INT. ‹ SYNC:INT. EXT. 109 8 T R A N S P O S E A N D P I T C H 1 <soyr—}®> <◊Za> ⁄ 0 A=440. 0Hz 1 1 2 2 NOTE 8 NOTE NOTE 110 9 M I D I C O N T R O L S 1 2 2 <MIDI OUT>"0}: 2 3ZÏ}: 1 »œ. : 3 1 3 ¤ 9 1 2 3 111 1 -1 <MIDI IN> LEAD:INT. ‹ SYNC:INT. EXP. :AUTO 1 -2 1 1 -1 1 -2 NOTE 9 NOTE 112 OUT IN MIDI PC-2 MIDI PC-1 Mac HEADPHONES R AUX. [. . . ] L OUT HOST SELECT TO HOST 10 5 4 3 2 1 CONNECTORS 1 2 4 NOTE 3 5 113 1 0 11 APPENDIX NOTE NOTE HOST SELECT PC-2 MIDI PC-1 Mac NOTE 11 HOST SELECT PC-2 MIDI PC-1 Mac NOTE NOTE 114 MIDI OUT HOST SELECT PC-2 MIDI PC-1 Mac MIDI IN HOST SELECT PC-2 MIDI PC-1 Mac MIDI IN MIDI OUT HOST SELECT PC-2 MIDI PC-1 Mac MIDI IN MIDI OUT MIDI OUT MIDI IN MU80 1 2 NOTE 11 115 NOTE NOTE 11 116 NOTE 1 2 3 NOTE 11 117 1 2 3 11 118 NOTE 1 NOTE NOTE 11 119 1. 1. 1 11 120 1. 2 11 121 2. 3. 3. 1 11 122 11 123 11 124 11 125 11 126 11 127 11 128 YAMAHA [Electone-EL mode] / Model: EL-17 Date:15. 2001 Version: 1. 00 ˛ ˛ ˛ Ø Ø ˛ ˛ ˛ ˛ ˛ ˛ ˛ Ø ˛ ˛ ˛ ˛ ˛ ˛ Ø Ø ˛ Ø Ø Ø Ø Ø Ø Ø Ø Ø Ø Ø Ø Ø Ø Ø Ø ˛ ˛ ˛ Ø Ø ˛ ˛ Ø ˛ Ø ˛ ˛ ˛ Ø Ø ˛ Ø Ø ˛ 11 Ø ˛ 129 YAMAHA [Electone-XG mode] / Model: EL-17 Date:15. [. . . ]