ユーザーズガイド YAMAHA PSS-140 戵־ (摜F[^)
Lastmanualsはユーザー主導型のハードウエア及びソフトウエアのマニュアル(ユーザーガイド・マニュアル・クイックスタート・技術情報など)を共有・保存・検索サービスを提供します。 製品を購入する前に必ずユーザーガイドを読みましょう!!!
もしこの書類があなたがお探しの取扱説明書・マニュアル・機能説明・回路図の場合は、今すぐダウンロード。Lastmanualsでは手軽に早くYAMAHA PSS-140のユーザマニュアルを入手できます。 YAMAHA PSS-140のユーザーガイドがあなたのお役に立てばと思っています。
YAMAHA PSS-140のユーザーガイドをLastmanualsがお手伝いします。
この製品に関連したマニュアルもダウンロードできます。
YAMAHA PSS-140 (3237 ko)
マニュアル抽象的: マニュアル YAMAHA PSS-140戵־ (摜F[^)
詳しい操作方法はユーザーガイドに記載されています。
[. . . ] REGIST
121
CONTENT CUSTOM STYLE
CONTENT CUSTOM VOICE
EXECUTE
C
C
INDIVIDUAL
122
CONTENT
CUSTOM STYLE
EXECUTE
C
INIDIVIDUAL
STYLE PRE-LOAD LISTEN
PRE-LOAD LISTEN
123
Z
SAVE TO DISK
X
FILE NEW *** PROGRAM ***
124
PROGRAM SETUP STYLE REVOICE MULTI PAD ON
â
SONG SETUP
SONG LIST
C
EXECUTE
YES
<>
A Z 0 9
125
C
EXECUTE
YES
NO
Z
RENAME FILE/SONG
X
FILE
SONG
126
SONG
LISTEN
LISTEN
C
EXECUTE <>
A Z a z 0 9
YES NO
127
Z
DELETE FILE/SONG
X
FILE
SONG SONG
LISTEN
LISTEN
C
EXECUTE YES NO
128
Z
X
SONG PLAY CUSTOM VOICE EDIT FUNCTION SONG CUSTOM RECORD ACCOMP. REC DISK
C
FORMAT FD
EXECUTE
YES NO
129
Z
SONG COPY
X
SONG
LISTEN
LISTEN
C
DESTINATION DIR
130
V
EXECUTE
<>
A Z a z 0 9
YES
YES
NO
131
SONG PLAY
CUSTOM VOICE EDIT
FUNCTION
SONG CUSTOM RECORD ACCOMP. REC
DISK
F1 F8
EXIT
132
SCALE
NOTE
â64 63
133
134
TYPE
M. PAD ACMP LEFT R1 R2 LEAD
TYPE
135
136
LEFT RIGHT 1 RIGHT 2 LEAD
LEFT RIGHT 1 RIGHT 2 LEAD
137
RHY1 RHY2 BASS CHD1 CHD2 PAD PHR1 PHR2 â50 +50
RECALL PRESET DATA
GROUP
RHY1
GROUP
RHY2
GROUP
BASS RHY1
GROUP CHD1
RHY2
BASS
CHD1
RECALL PRESET DATA
138
RHY1 RHY2 BASS CHD1 CHD2 PAD PHR1 PHR2 0 100
RECALL PRESET DATA
RHY1 RHY2 BASS CHD1 CHD2 PAD PHR1 PHR2 0 100
RECALL PRESET DATA
139
140
MEMORY BACK UP
MIDI BANK SEL. CHANGE
TIME LIST 5
MESSAGE 1
141
SELECT
EXECUTE
YES NO
142
IN
MIDI OUT
THRU
M. PAD ACMP LEFT R1 R2 LEAD
143
CLOCK
TRANSPOSE TRANSMIT RECEIVE
START/STOP TRANSMIT RECEIVE
EXCLUSIVE TRANSMIT RECEIVE
144
â
CH
PART
â
CH
MODE
145
OCT â2 +8
NOTE C B
TYPE SELECT
SUB1/2
146
147
q RIGHT
148
q LEFT
149
150
q LEAD
151
<ââ
# #
# # #
# #
# # #
<ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ
<ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ
<ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ
<ââ <ââ
# #
<ââ <ââ
<ââ <ââ
# # #
<ââ <ââ <ââ
<ââ <ââ <ââ
# #
<ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ
<ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ
<ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ
# # #
# #
# # #
# #
# # #
<ââ <ââ <ââ <ââ <ââ
152
# #
# # #
# #
<ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ
# # # <ââ <ââ
<ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ
<ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ
<ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ
# # <ââ
<ââ <ââ <ââ <ââ <ââ <ââ <ââ
# # #
<ââ <ââ <ââ
# # <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ
<ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ
<ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ
# # #
<ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ
# #
# # #
# #
<ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ <ââ
# # # <ââ <ââ <ââ <ââ <ââ
153
154
O X
PANEL O O O O X O O O O O O O O O O O X X X O X X X O X X O O O O O O X O O X X X X X X X MIXER O O O O O O O O O O O O O O O O X O O O O O X X O O O O O O O O X X O O O O O O O O O O O O O O O O O X X X X X X X X X X X X X X X X X â â â O O O O X O O O O O O O O O O O X X X X X X X X X X O O O O O O X X O X X X X X X X X X X O O O O O O O O O O O O O O O O X X O O X X X O X X O O O O O O X O O X X X X X X X â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â
â
X
â â â â â
X X X X X
â
X
â
â â â â â â â
X X X X X X X
â
155
O. T. S. [. . . ] Parameter CHORUS CELESTE 1 2 3 4 6 7 8 9 1 0 1 1 1 2 1 3 1 4 1 5 1 2 3 4 6 7 8 9 1 0 1 1 1 2 1 3 1 4 1 2 3 6 7 8 9 1 0 1 1 1 2 1 3 1 2 6 7 8 9 1 0 1 1 1 2 1 3 1 2 3 6 7 8 9 1 1 1 2 1 3 1 4 1 5 LFO Frequency LFOPMDepth Feedback Level Delay Offset EQLowFrequency EQLowGain EQHighFrequency EQHighGain Dry/W et EQMidFrequency EQMidGain EQMidWidth LFOAMDepth InputMode LFO Frequency LFO Depth Feedback Level Delay Offset EQLowFrequency EQLowGain EQHighFrequency EQHighGain Dry/W et EQMidFrequency EQMidGain EQMidWidth LFOPhaseDifference LFO Frequency LFO Depth Delay Offset EQLowFrequency EQLowGain EQHighFrequency EQHighGain Dry/W et EQMidFrequency EQMidGain EQMidWidth LFO Frequency LFO Depth EQLowFrequency EQLowGain EQHighFrequency EQHighGain Dry/W et EQMidFrequency EQMidGain EQMidWidth LFO Frequency AMDepth PMDepth EQLowFrequency EQLowGain EQHighFrequency EQHighGain EQMidFrequency EQMidGain EQMidWidth LFOPhaseDifference InputMode
Display* 0. 00~39. 7Hz 0 ~ 1 2 7 -63~+63 0 ~ 1 2 7 50Hz~2. 0kHz -12~+12dB 500Hz~16. 0kHz -12~+12dB D63>W~D=W~D<W63 100Hz~10. 0kHz -12~+12dB 1. 0~12. 0 0 ~ 1 2 7 mono/stereo 0. 00~39. 7Hz 0 ~ 1 2 7 -63~+63 0 ~ 6 3 50Hz~2. 0kHz -12~+12dB 500Hz~16. 0kHz -12~+12dB D63>W~D=W~D<W63 100Hz~10. 0kHz -12~+12dB 1. 0~12. 0 -180~+180deg 0. 00~39. 7Hz 0 ~ 1 2 7 0 ~ 1 2 7 50Hz~2. 0kHz -12~+12dB 500Hz~16. 0kHz -12~+12dB D63>W~D=W~D<W63 100Hz~10. 0kHz -12~+12dB 1. 0~12. 0 0. 00~39. 7Hz 0 ~ 1 2 7 50Hz~2. 0kHz -12~+12dB 500Hz~16. 0kHz -12~+12dB D63>W~D=W~D<W63 100Hz~10. 0kHz -12~+12dB 1. 0~12. 0 0. 00~39. 7Hz 0 ~ 1 2 7 0 ~ 1 2 7 50Hz~2. 0kHz -12~+12dB 500Hz~16. 0kHz -12~+12dB 100Hz~10. 0kHz -12~+12dB 1. 0~12. 0 -180~+180deg mono/stereo
Value 0-127 0-63 1-127 0-127 8-40 52-76 28-58 52-76 1-127 14-54 52-76 10-120 0-127 0-1 0-127 0-127 1-127 0-63 8-40 52-76 28-58 52-76 1-127 14-54 52-76 10-120 4-124 0-127 0-127 0-127 8-40 52-76 28-58 52-76 1-127 14-54 52-76 10-120 0-127 0-127 8-40 52-76 28-58 52-76 1-127 14-54 52-76 10-120 0-127 0-127 0-127 8-40 52-76 28-58 52-76 14-54 52-76 10-120 4-124 0-1
BASIC TYPE No. Parameter AUTOP AN 1 2 3 4 6 7 8 9 1 1 1 2 1 3 PHASER LFO Frequency L/R Depth F/R Depth PANDir ection EQLowFrequency EQLowGain EQHighFrequency EQHighGain EQMidFrequency EQMidGain EQMidWidth
Display* 0. 00~39. 7Hz 0 ~ 1 2 7 0 ~ 1 2 7 L<->R, L->R, L<-R, Lturn, Rturn, L/R 50Hz~2. 0kHz -12~+12dB 500Hz~16. 0kHz -12~+12dB 100Hz~10. 0kHz -12~+12dB 1. 0~12. 0 0. 00~39. 7Hz 0 ~ 1 2 7 0 ~ 1 2 7 -63~+63 50Hz~2. 0kHz -12~+12dB 500Hz~16. 0kHz -12~+12dB D63>W~D=W~D<W63 3 ~ 1 0 Mono/Stereo -180~+180deg. 0 ~ 1 2 7 50Hz~2. 0kHz -12~+12dB 1. 0k~Thru 0 ~ 1 2 7 500Hz~10. 0kHz -12~+12dB 1. 0~12. 0 D63>W~D=W~D<W63 0 ~ 1 2 7 0 ~ 1 2 7 Of f, Stack, Combo, T ube 1. 0k~Thru 0 ~ 1 2 7 D63>W~D=W~D<W63 0 ~ 1 2 7 -12~+12dB 500Hz~10. 0kHz -12~+12dB 1. 0~12. 0 -12~+12dB 50Hz~2. 0kHz 500Hz~16. 0kHz 50Hz~2. 0kHz -12~+12dB 500Hz~16. 0kHz -12~+12dB 100Hz~10. 0kHz -12~+12dB 1. 0~12. 0
Value 0-127 0-127 0-127 0-5 8-40 52-76 28-58 52-76 14-54 52-76 10-120 0-127 0-127 0-127 1-127 8-40 52-76 28-58 52-76 1-127 3-10 0-1 4-124 0-127 8-40 52-76 34-60 0-127 28-54 52-76 10-120 1-127 0-127 0-127 0-3 34-60 0-127 1-127 0-127 52-76 28-54 52-76 10-120 52-76 8-40 28-58 8-40 52-76 28-58 52-76 14-54 52-76 10-120
FLANGER
1 LFO Frequency 2 LFO Depth 3 PhaseShiftOffset 4 Feedback Level 6 EQLowFrequency 7 EQLowGain 8 EQHighFrequency 9 EQHighGain 1 0 Dry/W et 1 1 Stage 1 2 Diffusion 1 3 LFOPhaseDifference 1 2 3 4 5 7 8 9 1 0 1 1 1 2 3 4 1 0 1 1 1 2 3 4 5 6 7 1 2 3 4 1 1 1 2 1 3 Drive EQLowFrequency EQLowGain LPFCutoff Output Level EQMidFrequency EQMidGain EQMidWidth Dry/W et Edge(Clip Cur ve) Drive AMPT ype LPFCutoff Output Level Dry/W et Edge(Clip Cur
DISTOR TION OVERDRIVE
SYMPHONIC
GUIT ARAMP SIMULA TOR
ROTARY SPEAKER
ve)
3BAND EQ
EQLowGain EQMidFrequency EQMidGain EQMidWidth EQHighGain EQLowFrequency EQHighFrequency EQLowFrequency EQLowGain EQHighFrequency EQHighGain EQMidFrequency EQMidGain EQMidWidth
TREMOLO
2BAND EQ
176
BASIC TYPE No. Parameter AUTO W AH 1 2 3 4 6 7 8 9 1 0 1 1 1 2 3 4 5 1 0 1 1 1 2 1 3 1 4 1 5 1 2 3 4 5 6 7 1 0 1 1 1 2 1 3 1 4 1 5 1 6 1 2 3 4 5 6 1 0 1 1 1 2 1 3 1 4 1 5 1 6 1 2 3 4 5 6 7 8 1 0 1 1 1 2 1 3 1 4 1 5 1 6 LFO Frequency LFO Depth Cutoff Frequency Offset Resonance EQLowFrequency EQLowGain EQHighFrequency EQHighGain Dry/W et Drive ReverbT ime Diffusion InitialDelay HPFCutoff LPFCutoff Dry/W et RevDelay Density Er/Rev Balance HighDamp Feedback Level LchDelay RchDelay CchDelay Feedback Delay Feedback Level CchLevel HighDamp Dry/W et HPFCutoff LPFCutoff EQLowFrequency EQLowGain EQHighFrequency EQHighGain LchDelay RchDelay FeedbackDelay1 FeedbackDelay2 Feedback Level HighDamp Dry/W et HPFCutoff LPFCutoff EQLowFrequency EQLowGain EQHighFrequency EQHighGain LchDelay1 LchFeedbackLevel RchDelay1 RchFeedbackLevel HighDamp LchDelay2 RchDelay2 Delay2 Level Dry/W et HPFCutoff LPFCutoff EQLowFrequency EQLowGain EQHighFrequency EQHighGain
Display* 0. 00~39. 7Hz 0 ~ 1 2 7 0 ~ 1 2 7 1. 0~12. 0 50Hz~2. 0kHz -12~+12dB 500Hz~16. 0kHz -12~+12dB D63>W~D=W~D<W63 0 ~ 1 2 7 0. 3~30. 0s 0 ~ 1 0 0 ~ 6 3 Thru~8. 0kHz 1. 0k~Thru D63>W~D=W~D<W63 0 ~ 6 3 0 ~ 3 E63>R~E=R~E<R63 0. 1~1. 0 -63~+63 0. 1~715. 0ms 0. 1~715. 0ms 0. 1~715. 0ms 0. 1~715. 0ms -63~+63 0 ~ 1 2 7 0. 1~1. 0 D63>W~D=W~D<W63 Thru~8. 0kHz 1. 0k~Thru 50Hz~2. 0kHz -12~+12dB 500Hz~16. 0kHz -12~+12dB 0. 1~715. 0ms 0. 1~715. 0ms 0. 1~715. 0ms 0. 1~715. 0ms -63~+63 0. 1~1. 0 D63>W~D=W~D<W63 Thru~8. 0kHz 1. 0k~Thru 50Hz~2. 0kHz -12~+12dB 500Hz~16. 0kHz -12~+12dB 0. 1~355. 0ms -63~+63 0. 1~355. 0ms -63~+63 0. 1~1. 0 0. 1~355. 0ms 0. 1~355. 0ms 0 ~ 1 2 7 D63>W~D=W~D<W63 Thru~8. 0kHz 1. 0k~Thru 50Hz~2. 0kHz -12~+12dB 500Hz~16. 0kHz -12~+12dB
Value 0-127 0-127 0-127 10-120 8-40 52-76 28-58 52-76 1-127 0-127 0-69 0-10 0-63 0-52 34-60 1-127 0-63 0-3 1-127 1-10 1-127 1-7150 1-7150 1-7150 1-7150 1-127 0-127 1-10 1-127 0-52 34-60 8-40 52-76 28-58 52-76 1-7150 1-7150 1-7150 1-7150 1-127 1-10 1-127 0-52 34-60 8-40 52-76 28-58 52-76 1-3550 1-127 1-3550 1-127 1-10 1-3550 1-3550 0-127 1-127 0-52 34-60 8-40 52-76 28-58 52-76
BASIC TYPE No. Parameter CROSS DELA Y 1 2 3 4 5 1 0 1 1 1 2 1 3 1 4 1 5 1 6 1 2 3 4 5 6 7 1 0 1 1 1 2 1 3 1 2 3 4 5 6 7 1 0 1 1 1 2 1 3 1 2 3 4 5 6 7 8 9 1 0 1 1 1 2 1 3 1 4 1 5 1 2 3 4 1 0 L->RDelay R->LDelay Feedback Level InputSelect HighDamp Dry/W et HPFCutoff LPFCutoff EQLowFrequency EQLowGain EQHighFrequency EQHighGain Type RoomSize Diffusion InitialDelay Feedback Level HPFCutoff LPFCutoff Dry/W et Liveness Density HighDamp Type RoomSize Diffusion InitialDelay Feedback Level HPFCutoff LPFCutoff Dry/W et Liveness Density HighDamp ReverbT ime Diffusion InitialDelay HPFCutoff LPFCutoff Width Heigt Depth WallV ar y Dry/W et RevDelay Density Er/Rev Balance HighDamp Feedback Level DelayT ime Feedback Level HPFCutoff LPFCutoff Dry/W et
Display* 0. 1~355. 0ms 0. 1~355. 0ms -63~+63 L, R, L&R 0. 1~1. 0 D63>W~D=W~D<W63 Thru~8. 0kHz 1. 0k~Thru 50Hz~2. 0kHz -12~+12dB 500Hz~16. 0kHz -12~+12dB S-H, L-H, Rdm, Rvs, Plt, Spr 0. 1~7. 0 0 ~ 1 0 0 ~ 6 3 -63~+63 Thru~8. 0kHz 1. 0k~Thru D63>W~D=W~D<W63 0 ~ 1 0 0 ~ 3 0. 1~1. 0 TypeA, T ypeB 0. 1~7. 0 0 ~ 1 0 0 ~ 6 3 -63~+63 Thru~8. 0kHz 1. 0k~Thru D63>W~D=W~D<W63 0 ~ 1 0 0 ~ 3 0. 1~1. 0 0. 3~30. 0s 0 ~ 1 0 0 ~ 6 3 Thru~8. 0kHz 1. 0k~Thru 0. 5~10. 2m 0. 5~20. 2m 0. 5~30. 2m 0 ~ 3 0 D63>W~D=W~D<W63 0 ~ 6 3 0 ~ 3 E63>R~E=R~E<R63 0. 1~1. 0 -63~+63 0 ~ 1 2 7 -63~+63 Thru~8. 0kHz 1. 0k~Thru D63>W~D=W~D<W63
Value 1-3550 1-3550 1-127 0-2 1-10 1-127 0-52 34-60 8-40 52-76 28-58 52-76 0-5 0-44 0-10 0-63 1-127 0-52 34-60 1-127 0-10 0-3 1-10 0-1 0-44 0-10 0-63 1-127 0-52 34-60 1-127 0-10 0-3 1-10 0-69 0-10 0-63 0-52 34-60 0-37 0-73 0-104 0-30 1-127 0-63 0-3 1-127 1-10 1-127 0-127 1-127 0-52 34-60 1-127
HALL ROOM STAGE PLATE
EARL YREF
DELA YL, C, R
GATEREVERB REVERSE GATE
DELA YL, R
WHITEROOM TUNNEL CANYON BASEMENT
ECHO
KARAOKE
177
POWER ON/OFF Replace backup battery!Save data to disk before replacing battery. DEMONSTRATION Select a song and press [START]. ONE TOUCH SETTING ONE TOUCH SETTING cannot be used with CUSTOM STYLE. MULTI PAD Engage ABC to play the chord pads. Engage the SF, FC1, FC2, FULL KEYBOARD or AUTO MIDI BASS mode to play the chord pads. Select a drum kit then press a key while holding a pad. SKIP LOAD CUSTOM STYLE cannot be loaded.
180
CUSTOM VOICE cannot be loaded. If you cancel now the partial data in memory will be erased. File "********" will be overwritten. Ready to create new file "********". File "********" already exists. YES NO YES NO YES NO YES YES
NO
NO
Not enough disk space!RD Press [RD] to reduce the amount of data; [CD]to use a different disk; or [SP] to split the CD data into more than one file. (Split data can not be loaded individually. ) SP Too many files!RD Press [RD] to reduce the amount of data; [CD]to use a different disk; or [SP] to split the CD data into more than one file. (Split data can not be loaded individually. ) SP Disk full!It may not be possible to load some or all of the data. [. . . ] YES
NO
Select the file to be deleted then press [EXECUTE]. Select the song to be deleted then press [EXECUTE]. The partially deleted file will not be usable. Insert the disk to be formatted and press [EXECUTE]. [. . . ]
YAMAHA PSS-140ダウンロード上のご注意
Lastmanualsはユーザー主導型のハードウエア及びソフトウエアのマニュアル(ユーザーガイド・マニュアル・クイックスタート・技術情報など)を共有・保存・検索サービスを提供します。
お探しの書類がなかったり、不完全だったり、言語が違ったり、モデル名や言語が説明と違う場合など、いかなる場合でもLastmanualsはその責を負いません。またLastmanualsは翻訳のサービスもしていません。
規約に同意して「マニュアルをダウンロード」をクリックすればYAMAHA PSS-140のマニュアルのダウンロードが開始されます。