ユーザーズガイド YAMAHA Q1027 戵־ (摜F[^)

[. . . ] Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. [. . . ] RATIO HPF LPF SYNC NOTE L NOTE C NOTE R NOTE FB Range 0. 0–2730. 0 ms Description NOTE FBL NOTE FBR 0. 0–2730. 0 ms 0. 0–2730. 0 ms 0. 0–2730. 0 ms –100 to +100% –100 to +100% Parameter –100 to +100% –99 to +99% 0. 1–1. 0 THRU, 21. 2 Hz– 8. 00 kHz 50. 0 Hz–16. 0 kHz, THRU OFF/ON *1 Range 0. 05–40. 00 Hz Description FREQ. AM DEPTH 0–100% PM DEPTH MOD. DLY WAVE SYNC NOTE LSH F LSH G EQ F EQ G EQ Q HSH F HSH G 0–100% 0. 0–500. 0 ms Sine, Tri OFF/ON *1 *1 *1 *1 21. 2 Hz–8. 00 kHz –12. 0 to +12. 0 dB 100 Hz–8. 00 kHz –12. 0 to +12. 0 dB 10. 0–0. 10 50. 0 Hz–16. 0 kHz –12. 0 to +12. 0 dB 234 Parameter FREQ. GAIN WAVE SYNC NOTE LSH F LSH G EQ F EQ G EQ Q HSH F HSH G Range 0. 05–40. 00 Hz 0–100% 0. 0–500. 0 ms –99 to +99% Sine, Tri OFF/ON *1 Description Parameter FREQ. GAIN OFFSET PHASE STAGE SYNC NOTE LSH F LSH G HSH F HSH G Range 0. 05–40. 00 Hz 0–100% –99 to +99% 0–100 0. 00–354. 38 degrees 2, 4, 6, 8, 10, 12, 14, 16 OFF/ON *1 Description 21. 2 Hz–8. 00 kHz –12. 0 to +12. 0 dB 100 Hz–8. 00 kHz –12. 0 to +12. 0 dB 10. 0–0. 10 50. 0 Hz–16. 0 kHz –12. 0 to +12. 0 dB 21. 2 Hz–8. 00 kHz –12. 0 to +12. 0 dB 50. 0 Hz–16. 0 kHz –12. 0 to +12. 0 dB Parameter FREQ. DLY WAVE SYNC NOTE LSH F LSH G EQ F EQ G EQ Q HSH F HSH G Range 0. 05–40. 00 Hz WAVE 0–100% 0. 0–500. 0 ms Sine, Tri OFF/ON *1 Range 0. 05–40. 00 Hz 0–100% *1 Description Description DIR. Sine, Tri, Square OFF/ON *2 SYNC NOTE LSH F LSH G EQ F EQ G EQ Q HSH F HSH G ↔ → 21. 2 Hz–8. 00 kHz –12. 0 to +12. 0 dB 100 Hz–8. 00 kHz –12. 0 to +12. 0 dB 10. 0–0. 10 50. 0 Hz–16. 0 kHz –12. 0 to +12. 0 dB ← 21. 2 Hz–8. 00 kHz –12. 0 to +12. 0 dB 100 Hz–8. 00 kHz –12. 0 to +12. 0 dB 10. 0–0. 10 50. 0 Hz–16. 0 kHz –12. 0 to +12. 0 dB 235 Parameter FREQ. DEPTH WAVE SYNC NOTE LSH F LSH G EQ F EQ G EQ Q HSH F HSH G Range 0. 05–40. 00 Hz 0–100% Sine, Tri, Square OFF/ON *1 Description Parameter PITCH 1 FINE 1 LEVEL 1 PAN 1 DELAY 1 FB. G 1 MODE PITCH 2 FINE 2 LEVEL 2 Range –24 to +24 semitones –50 to +50 cents –100 to +100% L63 to R63 0. 0–1000. 0 ms –99 to +99% 1–10 –24 to +24 semitones –50 to +50 cents –100 to +100% L63 to R63 0. 0–1000. 0 ms –99 to +99% OFF/ON *1 Description 21. 2 Hz–8. 00 kHz –12. 0 to +12. 0 dB 100 Hz–8. 00 kHz –12. 0 to +12. 0 dB 10. 0–0. 10 50. 0 Hz–16. 0 kHz –12. 0 to +12. 0 dB PAN 2 DELAY 2 FB. G 2 SYNC NOTE 1 NOTE 2 *1 Parameter PITCH FINE DELAY FB. GAIN MODE SYNC NOTE Range –12 to +12 semitones –50 to +50 cents 0. 0–1000. 0 ms –99 to +99% 1–10 OFF/ON *1 Description Parameter ROTATE Range STOP, START Description SPEED SLOW, FAST SLOW FAST DRIVE ACCEL LOW HIGH 0. 05–10. 00 Hz 0. 05–10. 00 Hz 0–100 0–10 0–100 0–100 Parameter SOURCE Range OSC, SELF Description OSC FREQ FM FREQ. FM DEPTH SYNC FM NOTE 0. 0–5000. 0 Hz 0. 05–40. 00 Hz 0–100% OFF/ON *1 236 Parameter FREQ. DEPTH PHASE TYPE Range 0. 05–40. 00 Hz 0–100% 0. 00–354. 38 degrees LPF, HPF, BPF Description Parameter SOURCE SENSE DIR. 0–100% 1–19 OFF/ON SYNC *1 0–10 0. 0–500. 0 ms 0–10 0–100% 1–19 OFF/ON *1 DENSITY ER NUM. NOTE L *1 NOTE R *1 *1 *1 NOTE FB 240 → Parameter DELAY L DELAY R FB. GAIN DELAY HI DLY/REV HPF LPF REV TIME INI. DENSITY SYNC NOTE L NOTE R NOTE FB Range 0. 0–1000. 0 ms 0. 0–1000. 0 ms 0. 0–1000. 0 ms –99 to +99% 0. 1–1. 0 0–100% THRU, 21. 2 Hz– 8. 00 kHz 50. 0 Hz–16. 0 kHz, THRU 0. 3–99. 0 s 0. 0–500. 0 ms 0. 1–1. 0 0–10 0–100% OFF/ON *1 Description Parameter DELAY L DELAY R FB. GAIN DELAY HI DLY. BAL HPF LPF REV TIME INI. DENSITY SYNC NOTE L NOTE R NOTE FB Range 0. 0–1000. 0 ms 0. 0–1000. 0 ms 0. 0–1000. 0 ms –99 to +99% 0. 1–1. 0 0–100% THRU, 21. 2 Hz– 8. 00 kHz 50. 0 Hz–16. 0 kHz, THRU 0. 3–99. 0 s 0. 0–500. 0 ms 0. 1–1. 0 0–10 0–100% OFF/ON *1 Description *1 *1 *1 *1 → Parameter DST TYPE DRIVE MASTER TONE N. DEPTH DLY. BAL Range DST1, DST2, OVD1, OVD2, CRUNCH 0–100 0–100 –10 to +10 0–20 OFF/ON *1 *2 Description 0. 0–2725. 0 ms –99 to +99% 0. 1–1. 0 0. 05–40. 00 Hz 0–100% 0–100% 241 Parameter Range 0. 3–99. 0 s Hall, Room, Stage, Plate 0. 0–100. 0 ms 0. 1–1. 0 Description Parameter TYPE 1 FREQ. 3 Range LPF, HPF, BPF 28. 0 Hz–16. 0 kHz 0–100 0–20 LPF, HPF, BPF 28. 0 Hz–16. 0 kHz 0–100 0–20 Description REV TIME REV TYPE INI. RATIO DIFF. 0. 1–2. 4 0–10 0–100% 0–100% THRU, 21. 2 Hz– 8. 00 kHz 50. 0 Hz–16. 0 kHz, THRU LPF, HPF, BPF 28. 0 Hz–16. 0 kHz 0–100 0–20 HPF LPF DENSITY E/R BAL. Parameter Range Description REC MODE MANUAL, INPUT Parameter MID GAIN HI. GAIN Range –96. 0 to +12. 0 dB –96. 0 to +12. 0 dB Description LOW GAIN –96. 0 to +12. 0 dB REC DLY –1000 to +1000 ms PRESENCE PLY MODE MOMENT, CONTI. , INPUT L–M XOVR TRG LVL –60 to 0 dB –10 to +10 21. 2 Hz–8. 00 kHz M–H XOVR 21. 2 Hz–8. 00 kHz SLOPE CEILING –6 dB, –12 dB –6. 0 dB to 0. 0 dB, OFF TRG MASK 0–1000 ms START END LOOP LOOP NUM PITCH FINE MIDI TRG START [SAMPLE] END [SAMPLE] LOOP [SAMPLE] *1 CMP. THRE –24. 0 dB to 0. 0 dB *1 *1 CMP. REL 1:1 to 20:1 0–120 ms *1 0–100 –12 to +12 semitones –50 to +50 cents OFF, C1–C6, ALL 0–131000 CMP. [. . . ] You Cannot Create User Key. 269 ❍ ❍ ❍ ❍ ❍ ❍ ❍ ❍ ❍ ❍ ❍ ❍ ❍ ❍ ❍ ❍ ❍ ❍ ❍ ❍ ❍ ❍ ❍ ❍ ❍ ❍ ❍ ❍ ❍ ❍ ❍ ❍ ❍ ❍ ❍ ❍ ❍ ❍ ❍ ❍ ❍ ❍ ❍ ❍ ❍ ❍ ❍ ❍ ❍ ❍ ❍ ❍ ❍ ❍ 270 ❍ ❍ ❍ ❍ ❍ ❍ ❍ ❍ ❍ ❍ ❍ ❍ 271 39. 69 Digital Input Fs = 44. 1 kHz or 48 kHz Digital Input Fs = 39. 69–50. 88 kHz Word Clock: INT 44. 1 kHz Word Clock: INT 48 kHz Word Clock: INT 44. 1 kHz or 48 kHz Word Clock: INT 44. 1 kHz or 48 kHz Resolution: 1, 024 steps, +10 to -138, -∞ dB for all faders From end to the other end, Under normal software control 100 44. 1 48 50. 88 10 20 kHz ns kHz 50 5 ppm ns mm sec ±1. 5 0. 3 272 ❏ Input Terminals GAIN Actual Load Impedance For Use With Nominal Input Level Sensitivity *1 -82 dBu (61. 6 µV) -10 dBu (245 mV) Nominal -62 dBu (0. 616 mV) +10 dBu (2. 45 V) Max. before clip -42 dBu (6. 16 mV) +30 dBu (24. 5 V) Connector INPUT 1-16 <LS9-16> INPUT 1-32 <Q1027> -62 dB 3 kΩ +10 dB 50-600Ω Mics & 600Ω Lines XLR-3-31 type (Balanced) *2 ❏ Output Terminals Actual Source Impedance For Use With Nominal Gain Switch *3 Output Level Nominal +4 dBu (1. 23 V) -2 dBu (616 mV) 75 mW *4 65 mW *4 Max. before clip +24 dBu (12. 3 V) +18 dBu (6. 16 V) 150 mW 150 mW Connector OMNI OUT 1-8 <LS9-16> OMNI OUT 1-16 <Q1027> 75 Ω 600 Ω Lines 8 Ω Phones 40 Ω Phones +24 dB (default) +18 dB XLR-3-32 type (Balanced) *1 Stereo Phone Jack (TRS) (Unbalanced) *2 PHONES OUT 15 Ω — — ❏ Terminal 2TR IN DIGITAL Coaxial Format IEC-60958 Data Length 24 bit Level 0. 5 Vpp/75 Ω RCA Pin Jack Connector ❏ Terminal 2TR OUT DIGITAL Coaxial Format IEC-60958 Consumer Use Data Length 24 bit Level 0. 5 Vpp/75 Ω RCA Pin Jack Connector 273 ❏ Card Name MY8-AD24 MY8-AD96 MY8-ADDA96 MY8-AE MY8-AE96 MY8-AE96S MY8-AEB MY8-AT MY8-DA96 MY8-TD MY4-DA MY4-AD MY16-AE MY16-AT MY16-TD MY16-CII Function Analog In Analog In Analog In/Out AES/EBU AES/EBU AES/EBU AES/EBU ADAT Analog Out TASCAM Analog Out Analog In AES/EBU ADAT TASCAM CobraNet Input 8In 8In 8In 8In 8In 8In 8In 8In — 8In — 4In 16In 16In 16In 16In Output — — 8Out 8Out 8Out 8Out 8Out 8Out 8Out 8Out 4Out — 16Out 16Out 16Out 16Out The number of available cards LS9-16 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 Q1027 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 ❏ Terminal MIDI WORD CLOCK NETWORK (Ethernet) USB LAMP (Q1027 only) IN OUT IN OUT Format MIDI MIDI — — 100Base-T USB 1. 1 Host — Level — — TTL/75Ω terminated TTL/75Ω 100Base-T USB *1 0V–12V Connector DIN Connector 5P DIN Connector 5P BNC Connector BNC Connector RJ-45 USB A Connector (Female) XLR-4-31 type *2 274 ❏ Input INPUT 1-16 <LS9-16> INPUT 1-32 <Q1027> Fs = 44. 1kHz or 48kHz@20Hz–20kHz, referenced to the nominal output level @1kHz Output OMNI OUT 1-8 <LS9-16> OMNI OUT 1-16 <Q1027> PHONES OUT RL 600 Ω 8Ω GAIN: max. 0. 5 0. 5 Unit dB ❏ Input INPUT 1-16 <LS9-16> INPUT 1-32 <Q1027> Output Fs = 44. 1kHz or 48kHz@1kHz RL 600 Ω Conditions Input level: -62dBu, GAIN: max. 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