ユーザーズガイド YAMAHA RK-MG102

[. . . ] 49 U. R. G. , Digital Musical Instruments Division ©2012 Yamaha Corporation RK-MG102 MIDIリファレンス 210MW-A0 JA 1 エフェクトパラメーター一覧 Control欄に印がついているものは、AC1(アサイナブルコントローラー 1)などでコントロール可能なパラメーターです。 CVP-609 (*1) (*2) (*3) (*4) Reverb Chorus, Variation, Insertion1 – 8 – – CVP-605 Reverb Chorus, Variation, Insertion1 – 3 – – Reverb Chorus, DSP1 DSP2 – 4 CVP-601 DSP2 – 4 では存在しないパラメーターを示す。 REVERB REVERB: BASIC HALL, LIGHT HALL, HALL1, HALL2, HALL3, HALL4, HALL5, HALL M, HALL L, ATMO HALL, VOCAL HALL1, VOCAL HALL2, ACOSTIC ROOM, DRUMS ROOM, PERC ROOM, ROOM1, ROOM2, ROOM3, ROOM4, ROOM5, ROOM6, ROOM7, ROOM S, ROOM M, ROOM L, STAGE1, STAGE2, STAGE3, STAGE4, PLATE1, PLATE2, PLATE3, GM PLATE No. 1 2 3 DELAY DELAY: DELAY LCR1, DELAY LCR2 No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Parameter Lch Delay Rch Delay Cch Delay Feedback Delay Feedback Level Cch Level High Damp Display 0. 1ms – 1638. 3ms (*2) 0. 1ms – 1486. 0ms (*3) 0. 1ms – 1638. 3ms (*2) 0. 1ms – 1486. 0ms (*3) 0. 1ms – 1638. 3ms (*2) 0. 1ms – 1486. 0ms (*3) 0. 1ms – 1638. 3ms (*2) 0. 1ms – 1486. 0ms (*3) -63 – 0 – +63 0 – 127 0. 1 – 1. 0 1 1 1 1 1 1 1 1 1 0 1 Min Max 16383 14860 16383 14860 16383 14860 16383 14860 127 127 10 Table Control Parameter Reverb Time Diffusion Initial Delay Display 0. 3s – 30. 0s 0 – 10 0. 1ms – 200. 0ms (*1) 0. 1ms – 99. 3ms (*2) 0. 1ms – 99. 3ms (*3) Thru, 22Hz – 8. 0kHz 1. 0kHz – 18kHz, Thru Min 0 0 0 0 0 0 34 Max 69 10 127 63 63 52 60 Table Table #4 Table #5 Control 4 5 6 7 8 9 10 11 HPF Cutoff LPF Cutoff Table #3 Table #3 Dry/Wet D63>W – D=W – D<W63 1 127  Dry/Wet Reverb Delay 12 13 14 15 16 Density ER/Reverb Balance High Damp Feedback Level D63>W – D=W – D<W63 0. 1ms – 200. 0ms (*1) 0. 1ms – 99. 3ms (*2) 0. 1ms – 99. 3ms (*3) 0 – 4 (192step, 96step) 0 – 2 (*3) E63>R – E=R – E<R63 0. 1 – 1. 0 -63 – 0 – +63 1 0 0 0 0 0 1 1 1 127 127 63 63 4 2 127 10 127  Table #5 EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain 32Hz – 2. 0kHz -12dB – 0dB – +12dB 500Hz – 16. 0kHz -12dB – 0dB – +12dB 4 52 28 52 40 76 58 76 Table #3 Table #3 DELAY: DELAY LR No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Parameter Lch Delay Rch Delay Feedback Delay 1 Feedback Delay 2 Feedback Level High Damp Display 0. 1ms – 1638. 3ms (*2) 0. 1ms – 1486. 0ms (*3) 0. 1ms – 1638. 3ms (*2) 0. 1ms – 1486. 0ms (*3) 0. 1ms – 1638. 3ms (*2) 0. 1ms – 1486. 0ms (*3) 0. 1ms – 1638. 3ms (*2) 0. 1ms – 1486. 0ms (*3) -63 – 0 – +63 0. 1 – 1. 0 1 1 1 1 1 1 1 1 1 1 Min Max 16383 14860 16383 14860 16383 14860 16383 14860 127 10 Table Control REVERB: BALLAD HALL, PIANO HALL, LARGE HALL, MEDIUM HALL, WARM ROOM, WOODY ROOM, RICH PLATE No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Parameter Reverb Time Diffusion Initial Delay HPF Cutoff LPF Cutoff Display 0. 3s – 30. 0s 0 – 10 0. 1ms – 200. 0ms Thru, 22Hz – 8. 0kHz 1. 0kHz – 18kHz, Thru Min 0 0 0 0 34 Max 69 10 127 52 60 Table Table #4 Table #5 Table #3 Table #3 Control Dry/Wet D63>W – D=W – D<W63 1 127  Dry/Wet D63>W – D=W – D<W63 1 127  High Damp 0. 1 – 1. 0 1 10 EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain 32Hz – 2. 0kHz -12dB – 0dB – +12dB 500Hz – 16. 0kHz -12dB – 0dB – +12dB 4 52 28 52 40 76 58 76 Table #3 Table #3 DELAY: ECHO No. Parameter Lch Delay1 Lch Feedback Level Rch Delay1 Rch Feedback Level High Damp Lch Delay2 Rch Delay2 Delay2 Level Dry/Wet Display 0. 1ms – 1486. 0ms (*2) 0. 1ms – 743. 0ms (*3) -63 – 0 – +63 0. 1ms – 1486. 0ms (*2) 0. 1ms – 743. 0ms (*3) -63 – 0 – +63 0. 1 – 1. 0 0. 1ms – 1486. 0ms (*2) 0. 1ms – 743. 0ms (*3) 0. 1ms – 1486. 0ms (*2) 0. 1ms – 743. 0ms (*3) 0 – 127 D63>W – D=W – D<W63 1 1 1 1 1 1 1 1 1 1 1 0 1 Min Max 14860 7430 127 14860 7430 127 10 14860 7430 14860 7430 127 127 Table Control REVERB: TUNNEL, CANYON, BASEMENT, WHITE ROOM No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 1 Parameter Reverb Time Diffusion Initial Delay HPF Cutoff LPF Cutoff Width Height Depth Wall Vary Dry/Wet Reverb Delay Density ER/Reverb Balance High Damp Feedback Level Display 0. 3s – 30. 0s 0 – 10 0. 1ms – 200. 0ms (*1) 0. 1ms – 99. 3ms (*2) Thru, 22Hz – 8. 0kHz 1. 0kHz – 18kHz, Thru 0. 5m – 30. 2m (*1) 0. 5m – 10. 2m (*2) 0. 5m – 30. 2m (*1) 0. 5m – 20. 2m (*2) 0. 5m – 30. 2m 0 – 30 D63>W – D=W – D<W63 0. 1ms – 200. 0ms (*1) 0. 1ms – 99. 3ms (*2) 0–4 E63>R – E=R – E<R63 0. 1 – 1. 0 -63 – 0 – +63 Min 0 0 0 0 0 34 0 0 0 0 0 0 1 0 0 0 1 1 1 Max 69 10 127 63 52 60 104 37 104 73 104 30 127 127 63 4 127 10 127 Table Table #4 Table #5 Table #3 Table #3 Table #11 Table #11 Table #11 Control 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16   Table #5 EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain 32Hz – 2. 0kHz -12dB – 0dB – +12dB 500Hz – 16. 0kHz -12dB – 0dB – +12dB 4 52 28 52 40 76 58 76 Table #3 Table #3 RK-MG102 MIDIリファレンス エフェクトパラメーター一覧 2 DELAY: CROSS DELAY1, CROSS DELAY2 No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 ER/KARAOKE: ER1, ER2 Min 1 1 1 1 1 0 1 Parameter L  R Delay R  L Delay Feedback Level Input Select High Damp Display 0. 1ms – 1486. 0ms (*2) 0. 1ms – 743. 0ms (*3) 0. 1ms – 1486. 0ms (*2) 0. 1ms – 743. 0ms (*3) -63 – 0 – +63 L, R, L&R 0. 1 – 1. 0 Max 14860 7430 14860 7430 127 2 10 Table Control No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Parameter Type Room Size Diffusion Initial Delay Feedback Level HPF Cutoff LPF Cutoff Display S-H, L-H, Rdm, Rvs, Plt, Spr 0. 1 – 20. 0 0 – 10 0. 1ms – 200. 0ms -63 – 0 – +63 Thru, 22Hz – 8. 0kHz 1. 0kHz – 18kHz, Thru Min 0 0 0 0 1 0 34 Max 5 127 10 127 127 52 60 Table Table #6 Table #5 Table #3 Table #3 Control Dry/Wet D63>W – D=W – D<W63 1 127  Dry/Wet Liveness Density High Damp D63>W – D=W – D<W63 0 – 10 0–3 0. 1 – 1. 0 1 0 0 1 127 10 3 10  EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain 32Hz – 2. 0kHz -12dB – 0dB – +12dB 500Hz – 16. 0kHz -12dB – 0dB – +12dB 4 52 28 52 40 76 58 76 Table #3 Table #3 ER/KARAOKE: GATE REVERB1, GATE REVERB2, REVERS GATE DELAY: TEMPO DELAY1, TEMPO DELAY2, TEMPO ECHO No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 No. Min 0 0 0 1 4 52 28 52 1 3 4 PHASER: PHASER2, PHASER3 No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Parameter Sensitivity Dyna Level Offset Feedback Level Attack Time Release Time Release Curve Direction Dyna Threshold Level Dry/Wet Stage EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Display 0 – 127 0 – 127 -63 – 0 – +63 0. 3ms – 227ms 2. 6ms – 2171. 4ms 0 – 127 Up, Down 0 – 127 D63>W – D=W – D<W63 4, 5, 6 32Hz – 2. 0kHz -12dB – 0dB – +12dB 500Hz – 16. 0kHz -12dB – 0dB – +12dB 0 0 1 0 0 0 0 0 1 4 Min Max 127 127 127 127 127 127 1 127 127 6 40 76 58 76 Table Control  Parameter LFO Frequency LFO Depth Phase Shift Offset Feedback Level EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet Stage LFO Phase Difference Display 0. 00Hz – 39. 7Hz 0 – 127 0 – 127 -63 – 0 – +63 32Hz – 2. 0kHz -12dB – 0dB – +12dB 500Hz – 16. 0kHz -12dB – 0dB – +12dB D63>W – D=W – D<W63 3 – 11 -180deg – 0deg – +180deg (resolution=3deg. ) Max 127 127 127 127 40 76 58 76 127 11 124 Table Table #1 Control Table #3 Table #3  1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Table #16 Table #17 4 52 28 52 Table #3 Table #3 PHASER: VIN. PHASER1, VIN. PHASER2 No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Parameter Speed Manual Depth Feedback Stage Mode Color (*) Display 0. 100Hz – 10. 00Hz 0 – 127 0 – 127 0 – 127 4, 6, 8, 10, 12, 16 1, 2, 3 0 – 127 0 0 0 0 0 0 0 Min Max 252 127 127 127 5 2 127 Table Table #22 Control  NOTE: (*)以下の設定のときはColorは動作しない。Mode=1でStage=4、6、8のとき、および Mode=2でStage=4、10のとき。 RK-MG102 MIDIリファレンス エフェクトパラメーター一覧 5 DISTORTION/DISTORTION+ DISTORTION: V_DIST WARM, V_DIST CLS H, V_DIST CLS S, V_DIST METAL, V_DIST CRUNC, V_DIST BLUES, V_DIST EDGY, V_DIST SOLID, V_DST CLEAN1, V_DST CLEAN2, V_DIST TWIN, V_DST JZ CLN, V_DIST HARD, V_DIST SOFT No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 No. 13 14 15 16 Parameter Display Min Max Table Control Parameter Overdrive Device Speaker Presence Output Level Display 0% – 100% Transistor, Vintage Tube, Dist1, Dist2, Fuzz Flat, Stack, Combo, Twin, Radio, Megaphone 0 – 20 0% – 100% 0 0 0 0 0 Min Max 100 4 5 20 100 Table Control DISTORTION: DIST HEAVY, OVERDRIVE No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Parameter Drive EQ Low Frequency EQ Low Gain LPF Cutoff Output Level EQ Mid Frequency EQ Mid Gain EQ Mid Width Dry/Wet Edge (Clip Curve) Display 0 – 127 32Hz – 2. 0kHz -12dB – 0dB – +12dB 1. 0kHz – 18kHz, Thru 0 – 127 100Hz – 10. 0kHz -12dB – 0dB – +12dB 0. 1 – 12. 0 D63>W – D=W – D<W63 0 – 127 (mild – sharp) Min 0 4 52 34 0 14 52 1 1 0 Max 127 40 76 60 127 54 76 120 127 127 Table Table #3 Table #3 Control  Table #3 Dry/Wet D63>W – D=W – D<W63 1 127  DISTORTION: V_DIST ROCA, V_DST FUSION DISTORTION+: V_DST H+TDL1, V_DST H+TDL2, V_DST S+TDL1, V_DST S+TDL2 No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 DISTORTION: ST DIST, ST OD No. Control 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Parameter Drive EQ Low Frequency EQ Low Gain LPF Cutoff Output Level EQ Mid Frequency EQ Mid Gain EQ Mid Width Dry/Wet Edge (Clip Curve) Display 0 – 127 32Hz – 2. 0kHz -12dB – 0dB – +12dB 1. 0kHz – 18kHz, Thru 0 – 127 100Hz – 10. 0kHz -12dB – 0dB – +12dB 0. 1 – 12. 0 D63>W – D=W – D<W63 0 – 127 Min 0 4 52 34 0 14 52 1 1 0 Max 127 40 76 60 127 54 76 120 127 127 Table Table #3 Table #3 Control  Parameter Overdrive Device Display 0 0 0 0 0 0 1 1 1 1 0 1 Min Max 100 4 5 20 100 19 127 127 127 127 127 10 Table 0% – 100% Transistor, Vintage Tube, Dist1, Dist2, Fuzz Speaker Flat, Stack, Combo, Twin, Radio, Megaphone Presence 0 – 20 Output Level 0% – 100% Delay Time 64th/3 – 4thx6 Delay Feedback Level -63 – 0 – +63 L/R Diffusion -63ms – 0ms – 63ms Lag -63ms – 0ms – 63ms Dry/Wet D63>W – D=W – D<W63 Delay Mix 0 – 127 Feedback High Dump 0. 1 – 1. 0 Table #3 Table #14  DISTORTION: AMP SIM2 No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Parameter Drive AMP Type LPF Cutoff Output Level Display 0 – 127 Off, Stack, Combo, Tube, Crunch, Higain, British 1. 0kHz – 18kHz, Thru 0 – 127 0 0 Min Max 127 6 60 127 Table Control  DISTORTION: ST AMP SOLID, ST AMP CRUNC, ST AMP BLUES, ST AMP CLEAN, ST AMP HARP, ST DIST HARD, ST DIST SOFT, ST AMP1, ST AMP2, ST AMP3, ST AMP4, ST AMP5, ST AMP6 No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 34 0 Table #3 Parameter Drive AMP Type LPF Cutoff Output Level Display 0 – 127 Off, Stack, Combo, Tube 1. 0kHz – 18kHz, Thru 0 – 127 Min 0 0 34 0 Max 127 3 60 127 Table Control  Table #3 Dry/Wet D63>W – D=W – D<W63 1 127 Dry/Wet Edge (Clip Curve) D63>W – D=W – D<W63 0 – 127 (mild – sharp) 1 0 127 127 DISTORTION+: DST+DELAY1, DST+DELAY2, OD+DELAY1, OD+DELAY2 No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Parameter Lch Delay Time Rch Delay Time Delay Feedback Time Delay Feedback Level Delay Mix Dist Drive Dist Output Level Dist EQ Low Gain Dist EQ Mid Gain Dry/Wet Display 0. 1ms – 1638. 3ms 0. 1ms – 1638. 3ms 0. 1ms – 1638. 3ms -63 – 0 – +63 0 – 127 0 – 127 0 – 127 -12dB – 0dB – +12dB -12dB – 0dB – +12dB D63>W – D=W – D<W63 Min 1 1 1 1 0 0 0 52 52 1 Max 16383 16383 16383 127 127 127 127 76 76 127 Table Control DISTORTION: DIST HARD1, DIST HARD2, DIST SOFT1, DIST SOFT2, AMP SIM1 No. 1 2 3 4 5 6 7 8 9 10 11 12 Parameter Drive AMP Type LPF Cutoff Output Level Display 0 – 127 Off, Stack, Combo, Tube 1. 0kHz – 18kHz, Thru 0 – 127 Min 0 0 34 0 Max 127 3 60 127 Table Control  Table #3  Dry/Wet Edge (Clip Curve) D63>W – D=W – D<W63 0 – 127 (mild – sharp) 1 0 127 127 RK-MG102 MIDIリファレンス エフェクトパラメーター一覧 6 DISTORTION+: CMP+DST+DLY1, CMP+DST+DLY2, CMP+OD+DLY1, CMP+OD+DLY2 No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 DISTORTION+: CMP+DST+TDL, CMP+OD+TDLY1, CMP+OD+TDLY2, CMP+OD+TDLY3, CMP+OD+TDLY4, CMP+OD+TDLY5, CMP+OD+TDLY6 Control No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Parameter Delay Time Delay Feedback Level Delay Mix Dist Drive Dist Output Level Dist EQ Low Gain Dist EQ Mid Gain Display 0. 1ms – 1638. 3ms -63 – 0 – +63 0 – 127 0 – 127 0 – 127 -12dB – 0dB – +12dB -12dB – 0dB – +12dB Min 1 1 0 0 0 52 52 Max 16383 127 127 127 127 76 76 Table Parameter Delay Time Delay Feedback Level Delay Mix Dist Drive Dist Output Level Dist EQ Low Gain Dist EQ Mid Gain L/R Diffusion Lag Dry/Wet Comp. [. . . ] Ratio D63>W – D=W – D<W63 1ms – 40ms 10ms – 680ms -48dB – -6dB 1. 0 – 20. 0 1 0 0 79 0 127 19 15 121 7  Table #8 Table #9 Table #10  Table #8 Table #9 Table #10 DISTORTION+: V_DST H+DLY, V_DST S+DLY No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Parameter Overdrive Device Display 0 0 0 0 0 1 1 1 1 1 0 1 Min Max 100 4 5 20 100 16383 16383 16383 127 127 127 10 Table Control REAL DIST REAL DIST: MLT DS SOLO, MLT DS BASIC, MLT OD CHO, MLT CR WAH, MLT OLD DLY, VINTAGE ECHO No. 1 2 0% – 100% Transistor, Vintage Tube, Dist1, Dist2, Fuzz Speaker Flat, Stack, Combo, Twin, Radio, Megaphone Presence 0 – 20 Output Level 0% – 100% Delay Time L 0. 1ms – 1638. 3ms Delay Time R 0. 1ms – 1638. 3ms Delay Feedback Time 0. 1ms – 1638. 3ms Delay Feedback Level -63 – 0 – +63 Dry/Wet D63>W – D=W – D<W63 Delay Mix 0 – 127 Feedback High Dump 0. 1 – 1. 0 Parameter Comp. Sustain Wah Sw Display Off, 0. 1 – 10. 0 Off, Wah Pedal, Auto+ Full, Auto+ Mid, Auto+ Light, Auto- Full, Auto- Mid, AutoLight 0 – 127 Off, Overdrive, Distortion1, Distortion2, Clean, Crunch, Higain, Modern 0. 0 – 10. 0 High Boost, Mid Boost, Mid Cut 1, Mid Cut 2, Mid Cut 3, Low Cut 1, Low Cut 2, High Cut, High/Low 0. 0 – 10. 0 0. 0 – 10. 0 0 – 127 Off, Stack, Twin, Tweed, Oldies, Modern, Mean, Soft, Small, Dip1, Dip2, Metal, Light 0. 1Hz – 9. 925Hz Off, Standard, Wide, Vibe, Tremolo Off, Delay M, Echo1 M, Echo2 M, Chorus M, Dl Chorus M, Flanger1 M, Flanger2 M, Flanger3 M, Delay St, Echo1 St, Echo2 St, Chorus St, Dl Chorus St, Flanger1 St, Flanger2 St, Flanger3 St 0 – 127 0 – 127 0 0 Min Max 100 7 Table Control 3 4  5 6 Wah Pedal Dist Sw 0 0 127 7  Dist Drive Dist EQ 0 0 100 8 DISTORTION+: DST+TDLY, OD+TDLY No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Parameter Delay Time Delay Feedback Level Delay Mix Dist Drive Dist Output Level Dist EQ Low Gain Dist EQ Mid Gain L/R Diffusion Lag Dry/Wet Display 64th/3 – 4thx6 -63 – 0 – +63 0 – 127 0 – 127 0 – 127 -12dB – 0dB – +12dB -12dB – 0dB – +12dB -63ms – 0ms – 63ms -63ms – 0ms – 63ms D63>W – D=W – D<W63 Min 0 1 0 0 0 52 52 1 1 1 Max 19 127 127 127 127 76 76 127 127 127 Table Table #14 Control 7 8 9 10 11 Dist Tone Dist Presence Output SP Type 0 0 0 0 100 100 127 12 12 13 14 LFO Speed Phaser Sw Delay Sw 0 0 0 127 4 16 Table #27  15 16 Delay Ctrl Delay Time 0 0 127 127 REAL DIST: ST AMP DS, ST AMP OD, ST AMP VT, ST AMP HV No. Min 0 4 52 34 0 14 52 1 1 0 0 0 79 0 DISTORTION+: COMP+DIST1, COMP+DIST2 No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Parameter Comp. Level Dist Type Display Off, On 0. 0 – 10. 0 0. 0 – 10. 0 Overdrive, Distortion1, Distortion2, Clean, Crunch, Higain, Modern 0. 0 – 10. 0 High Boost, Mid Boost, Mid Cut 1, Mid Cut 2, Mid Cut 3, Low Cut 1, Low Cut 2, High Cut, High/Low 0. 0 – 10. 0 0. 0 – 10. 0 0 – 127 0 0 0 1 Min Max 1 100 100 7 Table Control Parameter Drive EQ Low Frequency EQ Low Gain LPF Cutoff Output Level EQ Mid Frequency EQ Mid Gain EQ Mid Width Dry/Wet Edge (Clip Curve) Attack Release Threshold Ratio Display 0 – 127 32Hz – 2. 0kHz -12dB – 0dB – +12dB 1. 0kHz – 18kHz, Thru 0 – 127 100Hz – 10. 0kHz -12dB – 0dB – +12dB 0. 1 – 12. 0 D63>W – D=W – D<W63 0 – 127 (mild – sharp) 1ms – 40ms 10ms – 680ms -48dB – -6dB 1. 0 – 20. 0 Max 127 40 76 60 127 54 76 120 127 127 19 15 121 7 Table Table #3 Table #3 Control  1 2 3 4 5 6 Dist Drive Dist EQ 0 0 100 8 Table #3 7 8 9 10 11 Dist Tone Dist Presence Output SP Type 0 0 0 100 100 127  12 Table #8 Table #9 Table #10 Off, Stack, Twin, Tweed, 0 Oldies, Modern, Mean, Soft, Small, Dip1, Dip2, Metal, Light 12 13 14 15 16 RK-MG102 MIDIリファレンス エフェクトパラメーター一覧 7 REAL DIST: AMP1 CLASSIC, AMP1 TOP BST, AMP1 CUSTOM, AMP1 HEAVY No. 1 2 3 4 5 6 7 8 9 10 11 WAH AUTO Control Parameter Mode Normal Brilliant Bass Treble Cut Output SP Type Display Bright, Top Boost 0. 0 – 10. 0 0. 0 – 10. 0 0. 0 – 10. 0 0. 0 – 10. 0 0. 0 – 10. 0 0 – 127 0 0 0 0 0 0 0 Min Max 1 100 100 100 100 100 127 Table WAH AUTO: AUTO WAH1, AUTO WAH2 No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Parameter LFO Frequency LFO Depth Cutoff Frequency Offset Resonance EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet Drive (*4) Display 0. 00Hz – 39. 7Hz 0 – 127 0 – 127 1. 0 – 12. 0 32Hz – 2. 0kHz -12dB – 0dB – +12dB 500Hz – 16. 0kHz -12dB – 0dB – +12dB D63>W – D=W – D<W63 0 – 127 0 0 0 Min Max 127 127 127 120 40 76 58 76 127 127 Table Table #1 Control  10 4 52 28 52 1 0 Table #3 Table #3  Off, BS 4x12, AC 2x12, AC 0 1x12, AC 4x10, BC 2x12, AM 4x12, YC 4x12, JC 2x12, OC 2x12, OC 1x8 0–2 0 Center, Edge 0 10 12 13 14 15 16 SP Air Mic Position 2 1 REAL DIST: AMP2 BLUES, AMP2 HEAVY1, AMP2 HEAVY2, AMP2 CLEAN, AMP2 DRT CLN No. 1 2 3 4 5 6 7 8 9 10 11 WAH AUTO: V. AUTO WAH No. Parameter Speed Bottom Top Resonance Offset LFO Wave Type Overdrive Output Display 0. 100Hz – 20. 00Hz 0 – 127 0 – 127 -12. 0 – 0. 0 – +12. 0 Sin, Trp High, Mid, Low, Bass 0. 0dB – +40. 0dB -20. 0dB – 0. 0dB – +10. 0dB Min 0 0 0 40 0 0 0 24 Max 254 127 127 88 1 3 80 84 Table Table #23 Control  Parameter Sensitivity PreAmp Bass Middle Treble Presence Master Output SP Type High, Low 0. 0 – 10. 0 0. 0 – 10. 0 0. 0 – 10. 0 0. 0 – 10. 0 0. 0 – 10. 0 0. 0 – 10. 0 0 – 127 Display 0 0 0 0 0 0 0 0 Min Max 1 100 100 100 100 100 100 127 Table Control  Off, BS 4x12, AC 2x12, AC 0 1x12, AC 4x10, BC 2x12, AM 4x12, YC 4x12, JC 2x12, OC 2x12, OC 1x8 0–2 0 Center, Edge 0 10 12 13 14 15 16 SP Air Mic Position 2 1 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 WAH AUTO: AT. WAH+DST1, AT. WAH+DST2, AT. WH+DST HD, AT. WH+DST HV, AT. WH+DST LT, AT. WAH+OD1, AT. WAH+OD2, AT. WH+OD HD, AT. WH+OD HV, AT. WH+OD LT No. 1 2 3 PITCH CHANGE PITCH CHANGE: PITCH CHG1, PITCH CHG2 No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Parameter LFO Frequency LFO Depth Cutoff Frequency Offset Resonance EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet Drive Dist EQ Low Gain Dist EQ Mid Gain LPF Cutoff Output Level Display 0. 00Hz – 39. 7Hz 0 – 127 0 – 127 1. 0 – 12. 0 32Hz – 2. 0kHz -12dB – 0dB – +12dB 500Hz – 16. 0kHz -12dB – 0dB – +12dB D63>W – D=W – D<W63 0 – 127 -12dB – 0dB – +12dB -12dB – 0dB – +12dB 1. 0kHz – 18kHz, Thru 0 – 127 0 0 0 Min Max 127 127 127 120 40 76 58 76 127 127 76 76 60 127 Table Table #1 Control  Parameter Pitch Initial Delay Fine 1 Fine 2 Feedback Level Display -24 – 0 – +24 0. 1ms – 400. 0ms -50 – 0 – +50 -50 – 0 – +50 -63 – 0 – +63 Min 40 0 14 14 1 Max 88 127 114 114 127 Table Table #7 Control Dry/Wet Pan 1 Output Level 1 Pan 2 Output Level 2 D63>W – D=W – D<W63 L63 – C – R63 0 – 127 L63 – C – R63 0 – 127 1 1 0 1 0 127 127 127 127 127  4 5 6 7 8 9 10 11 12 13 14 15 16 10 4 52 28 52 1 0 52 52 34 0 Table #3 Table #3 Table #3 WAH AUTO: TEMPO AT. WAH No. 1 2 3 Parameter LFO Freq LFO Depth Cutoff Frequency Offset Resonance EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet Drive (*4) Display 16th – 4thx16 0 – 127 0 – 127 1. 0 – 12. 0 32Hz – 2. 0kHz -12dB – 0dB – +12dB 500Hz – 16. 0kHz -12dB – 0dB – +12dB D63>W – D=W – D<W63 0 – 127 5 0 0 Min Max 29 127 127 120 40 76 58 76 127 127 Table Table #14 Control PITCH CHANGE: PITCH CHG3 No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16  Parameter Pitch Initial Delay Fine 1 Fine 2 Feedback Level Display -24 – 0 – +24 0. 1ms – 400. 0ms -50cent – 0cent – +50cent -50cent – 0cent – +50cent -63 – 0 – +63 Min 40 0 14 14 1 Max 88 127 114 114 127 Table Table #7 Control 4 5 6 7 8 9 10 11 12 13 14 15 16 10 4 52 28 52 1 0 Table #3 Table #3 Dry/Wet Pan 1 Output Level 1 Pan 2 Output Level 2 D63>W – D=W – D<W63 L63 – C – R63 0 – 127 L63 – C – R63 0 – 127 1 1 0 1 0 127 127 127 127 127  RK-MG102 MIDIリファレンス エフェクトパラメーター一覧 8 WAH AUTO: T_AT. WH+DST, T_A. WH+DSTHD, T_A. WH+DSTHV, T_A. WH+DSTLT, T_AT. WH+OD, T_A. WH+OD HD, T_A. WH+OD HV, T_A. WH+OD LT No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 WAH TCH/PDL: TC. WH+DST1, TC. WH+DST2 No. Control 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Parameter Sensitivity Cutoff Frequency Offset Resonance 0 – 127 0 – 127 1. 0 – 12. 0 Display 0 0 Min Max 127 127 120 Table Control  Parameter LFO Freq LFO Depth Cutoff Frequency Offset Resonance EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet Drive Dist EQ Low Gain Dist EQ Mid Gain LPF Cutoff Output Level Display 16th – 4thx16 0 – 127 0 – 127 1. 0 – 12. 0 32Hz – 2. 0kHz -12dB – 0dB – +12dB 500Hz – 16. 0kHz -12dB – 0dB – +12dB D63>W – D=W – D<W63 0 – 127 -12dB – 0dB – +12dB -12dB – 0dB – +12dB 1. 0kHz – 18kHz, Thru 0 – 127 5 0 0 Min Max 29 127 127 120 40 76 58 76 127 127 76 76 60 127 Table Table #14 10  10 4 52 28 52 1 0 52 52 34 0 Table #3 Table #3 EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet Drive 32Hz – 2. 0kHz -12dB – 0dB – +12dB 500Hz – 16. 0kHz -12dB – 0dB – +12dB D63>W – D=W – D<W63 0 – 127 4 52 28 52 1 0 40 76 58 76 127 127 Table #3 Table #3 Table #3 WAH TCH/PDL: TC. WAH+OD1, TC. WAH+OD2, TC. WAH+OD HD, TC. WAH+OD HV, TC. WAH+OD LT No. 1 2 WAH TCH/PDL WAH TCH/PDL: TOUCH WAH1 No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Parameter Sensitivity Cutoff Frequency Offset Resonance 0 – 127 0 – 127 1. 0 – 12. 0 Display 0 0 Min Max 127 127 120 Table Control  Parameter Sensitivity Cutoff Frequency Offset Resonance 0 – 127 0 – 127 1. 0 – 12. 0 Display 0 0 Min Max 127 127 120 Table Control  10 EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet Drive (*4) 32Hz – 2. 0kHz -12dB – 0dB – +12dB 500Hz – 16. 0kHz -12dB – 0dB – +12dB D63>W – D=W – D<W63 0 – 127 4 52 28 52 1 0 40 76 58 76 127 127 Table #3 Table #3 3 4 5 6 7 8 9 10 11 12 13 14 15 16 10 EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet Drive Dist EQ Low Gain Dist EQ Mid Gain LPF Cutoff Output Level Release 32Hz – 2. 0kHz -12dB – 0dB – +12dB 500Hz – 16. 0kHz -12dB – 0dB – +12dB D63>W – D=W – D<W63 0 – 127 -12dB – 0dB – +12dB -12dB – 0dB – +12dB 1. 0kHz – 18kHz, Thru 0 – 127 10ms – 680ms 4 52 28 52 1 0 52 52 34 0 52 40 76 58 76 127 127 76 76 60 127 67 Table #3 Table #3 Table #3 Table #12 WAH TCH/PDL: WH+DST+DLY1, WH+DST+DLY2, WH+OD+DLY1, WH+OD+DLY2 No. Parameter Delay Time Delay Feedback Level Delay Mix Dist Drive Dist Output Level Dist EQ Low Gain Dist EQ Mid Gain Display 0. 1ms – 1638. 3ms -63 – 0 – +63 0 – 127 0 – 127 0 – 127 -12dB – 0dB – +12dB -12dB – 0dB – +12dB Min 1 1 0 0 0 52 52 Max 16383 127 127 127 127 76 76 Table Control WAH TCH/PDL: TOUCH WAH2, TOUCH WAH3, TC. WH+DST HD, TC. WH+DST HV, TC. WH+DST LT, CLAVI TC. WAH, EP TC. WAH No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Parameter Sensitivity Cutoff Frequency Offset Resonance 0 – 127 0 – 127 1. 0 – 12. 0 Display 0 0 Min Max 127 127 120 Table Control  10 EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet Drive (*4) Dist EQ Low Gain (*4) Dist EQ Mid Gain (*4) LPF Cutoff (*4) Output Level (*4) Release 32Hz – 2. 0kHz -12dB – 0dB – +12dB 500Hz – 16. 0kHz -12dB – 0dB – +12dB D63>W – D=W – D<W63 0 – 127 -12dB – 0dB – +12dB -12dB – 0dB – +12dB 1. 0kHz – 18kHz, Thru 0 – 127 10ms – 680ms 4 52 28 52 1 0 52 52 34 0 52 40 76 58 76 127 127 76 76 60 127 67 Table #3 Table #3 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Dry/Wet Wah Sensitivity Wah Cutoff Freq Offset Wah Resonance Wah Release D63>W – D=W – D<W63 0 – 127 0 – 127 1. 0 – 12. 0 10ms – 680ms 1 0 0 10 52 127 127 127 120 67  Table #12 Table #3 Table #12 WAH TCH/PDL: WH+DST+TDLY, WH+OD+TDLY1, WH+OD+TDLY2 No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Parameter Delay Time Delay Feedback Level Delay Mix Dist Drive Dist Output Level Dist EQ Low Gain Dist EQ Mid Gain L/R Diffusion Lag Dry/Wet Wah Sensitivity Wah Cutoff Freq Offset Wah Resonance Wah Release Display 64th/3 – 4thx6 -63 – 0 – +63 0 – 127 0 – 127 0 – 127 -12dB – 0dB – +12dB -12dB – 0dB – +12dB -63ms – 0ms – 63ms -63ms – 0ms – 63ms D63>W – D=W – D<W63 0 – 127 0 – 127 1. 0 – 12. 0 10ms – 680ms Min 0 1 0 0 0 52 52 1 1 1 0 0 10 52 Max 19 127 127 127 127 76 76 127 127 127 127 127 120 67 Table Table #14 Control WAH TCH/PDL: V. TOUCH WAH No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Parameter Sensitivity Bottom Top Resonance Offset Direction Type Overdrive Output Display 0 – 127 0 – 127 0 – 127 -12. 0 – 0. 0 – +12. 0 Up, Down High, Mid, Low, Bass 0. 0dB – +40. 0dB -20. 0dB – 0. 0dB – +10. 0dB Min 0 0 0 40 0 0 0 24 Max 127 127 127 88 1 3 80 84 Table Control   Table #12 Attack Offset -5 – 0 – +5 59 69 RK-MG102 MIDIリファレンス エフェクトパラメーター一覧 9 WAH TCH/PDL: V. PEDAL WH B, V. PEDAL WH D No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 DYNAMIC: COMP MELODY, COMP BASS, MBAND COMP Max 127 127 127 88 1 3 80 84 Parameter Pedal Control Bottom Top Resonance Offset Direction Type OverDrive Output Display 0 – 127 0 – 127 0 – 127 -12. 0 – 0. 0 – +12. 0 Up, Down High, Mid, Low, Bass 0. 0dB – +40. 0dB -20. 0dB – 0. 0dB – +10. 0dB Min 0 0 0 40 0 0 0 24 Table Control  No. 1 Type Parameter Display Normal, Low, Mid, High, Low/High, Low/Mid, Mid/ High, Full Bit, Wild, Attacky, Low End, Hard, Basic -32 – +32 -63 – 0 – +63 -63 – 0 – +63 -63 – 0 – +63 0 Min Max 12 Table Control EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain 32Hz – 2. 0kHz -12dB – 0dB – +12dB 500Hz – 16. 0kHz -12dB – 0dB – +12dB 4 52 28 52 40 76 58 76 Table #3 Table #3 WAH TCH/PDL: PEDAL WAH No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Threshold Offset Low Gain Offset Mid Gain Offset High Gain Offset 32 1 1 1 96 127 127 127  Parameter Pedal Control Depth Cutoff Frequency Offset Resonance EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet Drive (*4) 0 – 127 0 – 127 0 – 127 1. 0 – 12. 0 Display 0 0 0 Min Max 127 127 127 120 40 76 58 76 127 127 Table Control  DYNAMIC: V. COMPRESSOR No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Parameter Input Level Output Level Ratio Attack Release Display -∞ – 0. 00dB -∞ – 0. 00dB 2, 4, 8, 12, 20 0. 022ms – 50. 40ms 10. 88ms – 544. 22ms 0 0 0 0 0 Min Max 200 200 4 200 200 Table Table #24 Table #24 Table #25 Table #26 Control 10 4 52 28 52 1 0 32Hz – 2. 0kHz -12dB – 0dB – +12dB 500Hz – 16. 0kHz -12dB – 0dB – +12dB D63>W – D=W – D<W63 0 – 127 Table #3 Table #3 WAH TCH/PDL: PEDAL WH+DST, P. WH+DIST HD, P. WH+DIST HV, P. WH+DIST LT, PEDAL WH+OD, P. WH+OD HD, P. WH+OD HV, P. WH+OD LT No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 DYNAMIC: NOISE GATE No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Parameter Pedal Control Depth Cutoff Frequency Offset Resonance EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet Drive Dist EQ Low Gain Dist EQ Mid Gain LPF Cutoff Output Level 0 – 127 0 – 127 0 – 127 1. 0 – 12. 0 Display 0 0 0 Min Max 127 127 127 120 40 76 58 76 127 127 76 76 60 127 Table Control  Parameter Attack Release Threshold Output Level Display 1ms – 40ms 10ms – 680ms -72dB – -30dB 0 – 127 Min 0 0 55 0 Max 19 15 97 127 Table Table #8 Table #9 Control 10 4 52 28 52 1 0 52 52 34 0 32Hz – 2. 0kHz -12dB – 0dB – +12dB 500Hz – 16. 0kHz -12dB – 0dB – +12dB D63>W – D=W – D<W63 0 – 127 -12dB – 0dB – +12dB -12dB – 0dB – +12dB 1. 0kHz – 18kHz, Thru 0 – 127 Table #3 Table #3 Table #3 DYNAMIC DYNAMIC: COMP MED, COMP HEAVY, COMPRESSOR No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 ROTARY SP ROTARY SP: DUAL ROT BRT, DUAL ROT WRM, DUAL ROT SP1, DUAL ROT SP2 No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Parameter Attack Release Threshold Ratio Output Level Display 1ms – 40ms 10ms – 680ms -48dB – -6dB 1. 0 – 20. 0 0 – 127 Min 0 0 79 0 0 Max 19 15 121 7 127 Table Table #8 Table #9 Table #10 Control Parameter Rotor Speed Slow Horn Speed Slow Rotor Speed Fast Horn Speed Fast Slow-Fast Time of R Slow-Fast Time of H Drive Low Drive High Low/High Balance EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Mic L-R Angle Speed Control Display 0. 00Hz – 2. 65Hz 0. 00Hz – 2. 65Hz 2. 69Hz – 39. 7Hz 2. 69Hz – 39. 7Hz 0 – 127 0 – 127 0 – 127 0 – 127 L63>H – L=H – L<H63 32Hz – 2. 0kHz -12dB – 0dB – +12dB 500Hz – 16. 0kHz -12dB – 0dB – +12dB 0deg – 180deg Slow, Fast Min 0 0 64 64 0 0 0 0 1 4 52 28 52 0 0 Max 63 63 127 127 127 127 127 127 127 40 76 58 76 60 1 Table Table #1 Table #1 Table #1 Table #1 Control Table #3 Table #3  RK-MG102 MIDIリファレンス エフェクトパラメーター一覧 10 ROTARY SP: ROTARY SP1, ROTARY SP6 No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 ROTARY SP: DST+ROT SP, OD+ROT SP Min 0 0 Parameter LFO Frequency LFO Depth Display 0. 00Hz – 39. 7Hz 0 – 127 Max 127 127 Table Table #1 Control No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Parameter LFO Frequency LFO Depth Display 0. 00Hz – 39. 7Hz 0 – 127 0 0 Min Max 127 127 Table Table #1 Control  EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet EQ Mid Frequency (*4) EQ Mid Gain (*4) EQ Mid Width (*4) 32Hz – 2. 0kHz -12dB – 0dB – +12dB 500Hz – 16. 0kHz -12dB – 0dB – +12dB D63>W – D=W – D<W63 100Hz – 10. 0kHz -12dB – 0dB – +12dB 0. 1 – 12. 0 4 52 28 52 1 14 52 1 40 76 58 76 127 54 76 120 Table #3 Table #3 EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet 32Hz – 2. 0kHz -12dB – 0dB – +12dB 500Hz – 16. 0kHz -12dB – 0dB – +12dB D63>W – D=W – D<W63 4 52 28 52 1 40 76 58 76 127 Table #3 Table #3 Table #3 Drive LPF Cutoff Output Level 0 – 127 1. 0kHz – 18kHz, Thru 0 – 127 0 34 0 127 60 127 Table #3 ROTARY SP: ROTARY SP2, ROTARY SP3, ROTARY SP7 TREMOLO: TREMOLO2, GT TREMOLO1 SPATIAL: AUTO PAN1, AUTO PAN2, EP AUTOPAN No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 ROTARY SP: DST+2ROT SP, OD+2ROT SP No. Table Table #1 Parameter Rotor Speed Drive Low Drive High Low/High Balance EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Crossover Frequency Mic L-R Angle Drive LPF Cutoff Output Level Display 0. 00Hz – 39. 7Hz 0 – 127 0 – 127 L63>H – L=H – L<H63 32Hz – 2. 0kHz -12dB – 0dB – +12dB 500Hz – 16. 0kHz -12dB – 0dB – +12dB 100Hz – 10. 0kHz 0deg – 180deg 0 – 127 1. 0kHz – 18kHz, Thru 0 – 127 0 0 0 1 Min Max 127 127 127 127 40 76 58 76 54 60 127 60 127 Table Table #1 Control  Parameter LFO Frequency L/R Depth F/R Depth PAN Direction Display 0. 00Hz – 39. 7Hz 0 – 127 0 – 127 L  R, L  R, L  R, Lturn, Rturn, L/R 32Hz – 2. 0kHz -12dB – 0dB – +12dB 500Hz – 16. 0kHz -12dB – 0dB – +12dB 100Hz – 10. 0kHz -12dB – 0dB – +12dB 0. 1 – 12. 0 0 0 0 0 Min Max 127 127 127 5 Control  EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain EQ Mid Frequency (*4) EQ Mid Gain (*4) EQ Mid Width (*4) 4 52 28 52 14 52 1 40 76 58 76 54 76 120 Table #3 Table #3 Table #3 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 4 52 28 52 14 0 0 34 0 Table #3 Table #3 Table #3 Table #3 ROTARY SP: AMP+ROT SP No. Parameter LFO Frequency LFO Depth AMP Type Display 0. 00Hz – 39. 7Hz 0 – 127 Off, Stack, Combo, Tube 0 0 0 Min Max 127 127 3 Table Table #1 Control  ROTARY SP: ROTARY SP4 TREMOLO: TREMOLO1, TREMOLO3, EP TREMOLO, GT TREMOLO2 No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Parameter LFO Frequency AM Depth PM Depth Display 0. 00Hz – 39. 7Hz 0 – 127 0 – 127 0 0 0 Min Max 127 127 127 Table Table #1 Control  EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain EQ Mid Frequency (*4) EQ Mid Gain (*4) EQ Mid Width (*4) LFO Phase Difference Input Mode 32Hz – 2. 0kHz -12dB – 0dB – +12dB 500Hz – 16. 0kHz -12dB – 0dB – +12dB 100Hz – 10. 0kHz -12dB – 0dB – +12dB 0. 1 – 12. 0 -180deg – 0deg – +180deg (resolution=3deg. ) mono, stereo 4 52 28 52 14 52 1 4 0 40 76 58 76 54 76 120 124 1 Table #3 Table #3 Table #3 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet 32Hz – 2. 0kHz -12dB – 0dB – +12dB 500Hz – 16. 0kHz -12dB – 0dB – +12dB D63>W – D=W – D<W63 4 52 28 52 1 40 76 58 76 127 Table #3 Table #3 Drive LPF Cutoff Output Level 0 – 127 1. 0kHz – 18kHz, Thru 0 – 127 0 34 0 127 60 127 Table #3 ROTARY SP: AMP+2ROT SP No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Parameter Rotor Speed Drive Low Drive High Low/High Balance EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Crossover Frequency Mic L-R Angle AMP Type Drive LPF Cutoff Output Level Display 0. 00Hz – 39. 7Hz 0 – 127 0 – 127 L63>H – L=H – L<H63 32Hz – 2. 0kHz -12dB – 0dB – +12dB 500Hz – 16. 0kHz -12dB – 0dB – +12dB 100Hz – 10. 0kHz 0deg – 180deg Off, Stack, Combo, Tube (AMPSIM only) 0 – 127 1. 0kHz – 18kHz, Thru 0 – 127 0 0 0 1 Min Max 127 127 127 127 40 76 58 76 54 60 3 127 60 127 Table Table #1 Control  ROTARY SP: 2WAY ROT SP No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Parameter Rotor Speed Drive Low Drive High Low/High EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Crossover Frequency Mic L-R Angle Display 0. 00Hz – 39. 7Hz 0 – 127 0 – 127 L63>H – L=H – L<H63 32Hz – 2. 0kHz -12dB – 0dB – +12dB 500Hz – 16. 0kHz -12dB – 0dB – +12dB 100Hz – 10. 0kHz 0deg – 180deg (resolution=3deg. ) 0 0 0 1 Min Max 127 127 127 127 40 76 58 76 54 60 Table Table #1 Control  4 52 28 52 14 0 0 0 34 0 Table #3 Table #3 4 52 28 52 14 0 Table #3 Table #3 Table #3 Table #3 Table #3 RK-MG102 MIDIリファレンス エフェクトパラメーター一覧 11 TREMOLO TREMOLO: VIBE VIBRATE No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 SPATIAL: T_AUTO PAN2 No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Parameter LFO Freq L/R Depth F/R Depth PAN Direction LFO Wave EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain EQ Mid Frequency EQ Mid Gain EQ Mid Width Input Mode Display 16th – 4thx16 0 – 127 0 – 127 L  R, L  R, L  R, Lturn, Rturn, L/R 0 – 28 32Hz – 2. 0kHz -12dB – 0dB – +12dB 500Hz – 16. 0kHz -12dB – 0dB – +12dB 100Hz – 10. 0kHz -12dB – 0dB – +12dB 0. 1 – 12. 0 mono, stereo 5 0 0 0 Min Max 29 127 127 5 28 40 76 58 76 54 76 120 1 Table Table #14 Control  Parameter Vibrate Speed Vibrate Depth (AM) Vibrate Depth (PM) Display 0. 00Hz – 39. 7Hz 0 – 127 0 – 127 0 0 0 Min Max 127 127 127 Table Table #1 Control EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet EQ Mid Frequency (*4) EQ Mid Gain (*4) EQ Mid Width (*4) LFO Phase Difference Input Mode Vibrate SW 32Hz – 2. 0kHz -12dB – 0dB – +12dB 500Hz – 16. 0kHz -12dB – 0dB – +12dB D63>W – D=W – D<W63 100Hz – 10. 0kHz -12dB – 0dB – +12dB 0. 1 – 12. 0 -180deg – 0deg – +180deg (resolution=3deg. ) mono, stereo Off, On 4 52 28 52 1 14 52 1 4 0 0 40 76 58 76 127 54 76 120 124 1 1 Table #3 Table #3 0 4 52 28 52 14 52 1 0 Table #3 Table #3 Table #3 Table #3  EQ/ENHANCER TREMOLO: T_TREMOLO No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Parameter LFO Freq AM Depth PM Depth Display 16th – 4thx16 0 – 127 0 – 127 5 0 0 Min Max 29 127 127 Table Table #14 Control  EQ/ENHANCER: EQ DISCO, EQ TEL, 3BAND EQ, ST 3BAND EQ MISC: LO-FI DRUM3, LO-FI DRUM4 No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Parameter EQ Low Gain EQ Mid Frequency EQ Mid Gain EQ Mid Width EQ High Gain EQ Low Frequency EQ High Frequency Display -12dB – 0dB – +12dB 100Hz – 16. 0kHz -12dB – 0dB – +12dB 0. 1 – 12. 0 -12dB – 0dB – +12dB 50Hz – 2. 0kHz 500Hz – 16. 0kHz Min 52 14 52 1 52 8 28 Max 76 58 76 120 76 40 58 Table Table #3 Control EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain EQ Mid Frequency (*4) EQ Mid Gain (*4) EQ Mid Width (*4) LFO Phase Difference Input Mode 32Hz – 2. 0kHz -12dB – 0dB – +12dB 500Hz – 16. 0kHz -12dB – 0dB – +12dB 100Hz – 10. 0kHz -12dB – 0dB – +12dB 0. 1 – 12. 0 -180deg – 0deg – +180deg (resolution=3deg. ) mono, stereo 4 52 28 52 14 52 1 4 0 40 76 58 76 54 76 120 124 1 Table #3 Table #3 Table #3 Table #3 Table #3 Input Mode mono, stereo 0 1 SPATIAL SPATIAL: AUTO PAN3 No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 EQ/ENHANCER: 2BAND EQ No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Parameter EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Display 32Hz – 2. 0kHz -12dB – 0dB – +12dB 500Hz – 16. 0kHz -12dB – 0dB – +12dB Min 4 52 28 52 Max 40 76 58 76 Table Table #3 Table #3 Control Parameter LFO Frequency L/R Depth F/R Depth PAN Direction LFO Wave EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain EQ Mid Frequency EQ Mid Gain EQ Mid Width Input Mode Display 0. 00Hz – 39. 7Hz 0 – 127 0 – 127 L  R, L  R, L  R, Lturn, Rturn, L/R 0 – 28 32Hz – 2. 0kHz -12dB – 0dB – +12dB 500Hz – 16. 0kHz -12dB – 0dB – +12dB 100Hz – 10. 0kHz -12dB – 0dB – +12dB 0. 1 – 12. 0 mono, stereo 0 0 0 0 Min Max 127 127 127 5 28 40 76 58 76 54 76 120 1 Table Table #1 Control  0 4 52 28 52 14 52 1 0 Table #3 Table #3 Table #3 EQ/ENHANCER: HM ENHANCE1, HM ENHANCE2 No. Parameter HPF Cutoff Drive Mix Level Display 500Hz – 16. 0kHz 0 – 127 0 – 127 Min 28 0 0 Max 58 127 127 Table Control SPATIAL: T_AUTO PAN1 No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Parameter LFO Freq L/R Depth F/R Depth PAN Direction Display 16th – 4thx16 0 – 127 0 – 127 L  R, L  R, L  R, Lturn, Rturn, L/R 32Hz – 2. 0kHz -12dB – 0dB – +12dB 500Hz – 16. 0kHz -12dB – 0dB – +12dB 100Hz – 10. 0kHz -12dB – 0dB – +12dB 0. 1 – 12. 0 5 0 0 0 Min Max 29 127 127 5 Table Table #14 Control  EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain EQ Mid Frequency (*4) EQ Mid Gain (*4) EQ Mid Width (*4) 4 52 28 52 14 52 1 40 76 58 76 54 76 120 Table #3 Table #3 Table #3 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 RK-MG102 MIDIリファレンス エフェクトパラメーター一覧 12 MISC MISC: VCE CANCEL No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 MISC: DYN FILTER No. 1 Parameter Filter Type Sensitivity Dyna Level Offset Resonance Attack Time Release Time Release Curve Direction Dyna Threshold Level Dry/Wet Display LPF (12dB), LPF (18dB), LPF (24dB), HPF, BPF, BEF 0 – 127 0 – 127 -16 – +111 0. 3ms – 227ms 2. 6ms – 2171. 4ms 0 – 127 Up, Down 0 – 127 D63>W – D=W – D<W63 0 0 0 0 0 0 0 0 0 1 Min 5 Max Table Control Parameter Display Min Max Table Control Low Adjust High Adjust 0 – 26 0 – 26 0 0 26 26 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 127 127 127 127 127 127 1 127 127  Table #16 Table #17 EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain 32Hz – 2. 0kHz -12dB – 0dB – +12dB 500Hz – 16. 0kHz -12dB – 0dB – +12dB 4 52 28 52 40 76 58 76 Table #3 Table #3 MISC: DYN RINGMOD No. X=ignored = Sub-ID #1 = Device Control Message = Sub-ID #2 = Global Parameter Control = Slot path length = 1 = Parameter ID width = 1 = Value width = 1 = Slot path MSB = 1 = Slot path LSB = 1 (Reverb) = Parameter to be controlled. = End of Exclusive        Parameter (pp) Value (vv) Display -------------------------------------------------------pp=0 Reverb Type 0…8 0: RoomS 1: RoomM 2: RoomL 3: HallM 4: HallL (default) 8: GM Plate pp=1 Reverb Time 0…127 0…11. 0s Chorus Parameter [GM2] F0 7F XN 04 05 01 01 01 01 02 PP VV … F7 11110000 01111111 0xxxnnnn 00000100 00000101 00000001 00000001 00000001 00000001 00000010 0ppppppp 0vvvvvvv … 11110111 F0 7F XN 04 05 01 01 01 01 02 PP VV … F7 = Exclusive status = Universal Real Time = When N is received N=0-F, whichever is received. X=ignored = Sub-ID #1 = Device Control Message = Sub-ID #2 = Global Parameter Control = Slot path length = 1 = Parameter ID width = 1 = Value width = 1 = Slot path MSB = 1 = Slot path LSB = 2 (Chorus) = Parameter to be controlled. = End of Exclusive        Parameter (pp) Value (vv) Display --------------------------------------------------------------pp=0 Chorus Type 0…5 0: GM Chorus1 1: GM Chorus2 2: GM Chorus3 (default) 3: GM Chorus4 4: FB Chorus 5: GM Flanger pp=1 Mod Rate 0…127 0…15. 5Hz pp=2 Mod Depth 0…127 pp=3 Feedback 0…127 pp=4 Send to Reverb 0…127 RK-MG102 MIDIリファレンス MIDIデータフォーマット 40 [MIDI] 対応音色 MIDI受信 MIDI送信 [本体シーケンサー ] PLAY REC MIDIイベント データフォーマット CVP-605/ Regular/ 609: Main/ Drum/ Mic/ Layer/Left Natural/ Vocal Song Keyboard Style CVP-601: Organ Harmony Right1/ Voice Right2/Left       CVP-605/ 609: Main/ Layer/Left Extra Style CVP-601: Right1/ Right2/Left    Song Upper PLAY Lower REW Panelから 録音 Channel Pressure (Aftertouch) F0 7F XN 09 01 0M PP RR … F7 [GM2] 11110000 01111111 0xxxnnnn 00001001 00000001 0000mmmm 0ppppppp 0rrrrrrr … 11110111 F0 = Exclusive status 7F = Universal Real Time XN = When N is received N=0-F, whichever is received. X=ignored 09 = Sub-ID #1= Controller Destination Setting 01 = Sub-ID #2= Controller Type: 01 (Channel Pressure) 0M = MIDI Channel (00-0F) PP = Controlled Parameter RR = Data … F7 = End of Exclusive      Controlled ParameterとRangeをペアで設定。 設定しなかったパラメーターは初期化される。 Control Parameter (pp) Data (RR) Description 初期値 ---------------------------------------------------------------------------------pp=00 Pitch Control 28H-58H -24…0…+24semitones 40H pp=01 Filter Cutoff Control 00H-7FH -9600…0…+9450cents 40H pp=02 Amplitude Control 00H-7FH -100…0…+100% 40H pp=03 LFO Pitch Depth 00H-7FH 0…127 00H pp=04 LFO Filter Depth 00H-7FH 0…127 00H pp=05 LFO Amplitude Depth 00H-7FH 0…127 00H Controller (Control Change) [GM2] F0 7F XN 09 03 0M CC PP RR … F7 11110000 01111111 0xxxnnnn 00001001 00000011 0000mmmm 0ccccccc 0ppppppp 0rrrrrrr … 11110111 F0 = Exclusive status 7F = Universal Real Time XN = When N is received N=0-F, whichever is received. X=ignored 09 = Sub-ID #1 = Controller Destination Setting 03 = Sub-ID #2 = Controller Type: 03 (Control Change) 0M = MIDI Channel (00-0F) CC = Controller Number (01H-1FH, 40H-5FH) PP = Controlled Parameter RR = Range … F7 = End of Exclusive               Controlled ParameterとRangeをペアで設定。 設定しなかったパラメーターは初期化される。 Control Parameter (pp) Data (RR) Description 初期値 ---------------------------------------------------------------------------------pp=00 Pitch Control 28H-58H -24…0…+24semitones 40H pp=01 Filter Cutoff Control 00H-7FH -9600…0…+9450cents 40H pp=02 Amplitude Control 00H-7FH -100…0…+100% 40H pp=03 LFO Pitch Depth 00H-7FH 0…127 00H pp=04 LFO Filter Depth 00H-7FH 0…127 00H pp=05 LFO Amplitude Depth 00H-7FH 0…127 00H Key-Based Instrument Control F0 7F XN 0A 01 0M KK CC VV … F7 [GM2] 11110000 01111111 0xxxnnnn 00001010 00000001 0000mmmm 0kkkkkkk 0ccccccc 0vvvvvvv … 11110111 F0 = Exclusive status 7F = Universal Real Time XN = When N is received N=0-F, whichever is received. X=ignored 0A = Sub-ID #1 = Key-Based Instrument Control 01 = Sub-ID #2= Controller 0M = MIDI Channel (00-0F) KK = Key Number CC = Controller Number VV = Value … F7 = End of Exclusive  (Drumのみ)              Controlled NumberとValueをペアで設定。 Control Parameter (pp) Value (VV) Description 初期値 ---------------------------------------------------------------------------------CC=07H Volume 00H-7FH -100…0…+100% 40H CC=0AH Pan 00H-7FH -L63…C…R63 (Preset value) (absolute) CC=5BH Reverb Send Level 00H-7FH 0…Max (Preset value) (absolute) CC=5DH Chorus Send Level 00H-7FH 0…Max (Preset value) (absolute) RK-MG102 MIDIリファレンス MIDIデータフォーマット 41 システムエクスクルーシブメッセージ(ユニバーサルノンリアルタイムメッセージ) [MIDI] 対応音色 MIDI受信 MIDI送信 [本体シーケンサー ] PLAY REC MIDIイベント データフォーマット CVP-605/ Regular/ 609: Main/ Drum/ Mic/ Layer/Left Natural/ Vocal Song Keyboard Style CVP-601: Organ Harmony Right1/ Voice Right2/Left  —  (Song, Extra Partに有効) CVP-605/ 609: Main/ Layer/Left Extra Style CVP-601: Right1/ Right2/Left  Song Upper PLAY Lower REW Panelから 録音 GM1 System On [GM1] [GM2] F0 7E XN 09 01 F7 11110000 01111110 0xxxnnnn 00001001 00000001 11110111 F0 7E XN 09 01 F7 = Exclusive status = Universal Non-Real Time = When N is received N=0-F, whichever is received. X=ignored = Sub-ID #1 = General MIDI Message = Sub-ID #2 = General MIDI On = End of Exclusive    GM2 System On [GM2] F0 7E XN 09 03 F7 11110000 01111110 0xxxnnnn 00001001 00000011 11110111 F0 7E XN 09 03 F7 = Exclusive status = Universal Non-Real Time = When N is received N=0-F, whichever is received. X=ignored = Sub-ID #1 = General MIDI Message = Sub-ID #2 = General MIDI2 On = End of Exclusive  —  (Song, Extra Partに有効)     General MIDI System Off [GM1] [GM2] F0 7E XN 09 02 F7 11110000 01111110 0xxxnnnn 00001001 00000010 11110111 F0 7E XN 09 02 F7 = Exclusive status = Universal Non-Real Time = When N is received N=0-F, whichever is received. X=ignored = Sub-ID #1 = General MIDI Message = Sub-ID #2 = General MIDI Off = End of Exclusive  —  (Song, Extra Partに有効)     Scale/Octave Tuning [GM2] F0 7E XN 08 08 JJ GG MM SS … F7 11110000 01111110 0xxxnnnn 00001000 00001000 0jjjjjjj 0ggggggg 0mmmmmmm 0sssssss F0 7E XN 08 08 JJ = Exclusive status = Universal Non-Real Time = When N is received N=0-F, whichever is received. [. . . ] X=ignored = Sub-ID #1 = General MIDI Message = Sub-ID #2 = General MIDI Off = End of Exclusive  —  (Song, Extra Partに有効)     Scale/Octave Tuning [GM2] F0 7E XN 08 08 JJ GG MM SS … F7 11110000 01111110 0xxxnnnn 00001000 00001000 0jjjjjjj 0ggggggg 0mmmmmmm 0sssssss F0 7E XN 08 08 JJ = Exclusive status = Universal Non-Real Time = When N is received N=0-F, whichever is received. X=ignored = Sub-ID #1= MIDI Tuning Standard = Sub-ID #2= scale/octave tuning 1 byte form = Channel/option byte1 bits 0 to 1 = channel 15 to 16 bits 2 to 6 = reserved GG = Channel byte 2 – bits 0 to 6 = channel 8 to 14 MM= Channel byte 2 – bits 0 to 6 = channel 1 to 7 SS = 12byte tuning offset of 12 semitones from C to B 00H means -64cent 40H means 0cent 7FH means +63cent … F7= End of Exclusive    (Song Partに有効)     … 11110111 RK-MG102 MIDIリファレンス MIDIデータフォーマット 42 System Exclusive Messages (2) * Receive System Exclusive Messageの設定がOFFのときには受信しません。 * Transmit System Exclusive Messageの設定がOFFのときには送信しません。 システムエクスクルーシブメッセージ(スタイル) [MIDI] 対応音色 MIDIイベント データフォーマット MIDI受信 MIDI 送信 Regular/Drum/ Natural/ Organ Voice — Mic/Vocal Harmony — CVP-605/609: Main/Layer/Left Song Keyboard Style CVP-601: Right1/ Right2/Left  CVP-605/609: Main/Layer/Left Extra Style CVP-601: Right1/ Right2/Left  Song Upper Lower セクションコントロール F0 43 7E 00 ss dd F7 11110000 01000011 01111110 00000000 0sssssss 00H 01H 02H 03H 08H 09H 0AH 0BH 10H 11H 12H 13H 18H 20H 21H 22H 23H F0 43 7E 00 ss = Exclusive status = YAMAHA ID = Style = Switch No. INTRO 1 INTRO 2 INTRO 3 INTRO 4 MAIN A MAIN B MAIN C MAIN D FILL IN AA FILL IN BB FILL IN CC FILL IN DD BREAK FILL ENDING 1 ENDING 2 ENDING 3 ENDING 4 0ddddddd dd = Switch On/Off 00H (Off) 7FH (On) 11110111 F7 = End of Exclusive テンポ コントロール F0 43 7E 01 t4 t3 t2 t1 F7 11110000 01000011 01111110 00000001 0ttttttt 0ttttttt 0ttttttt 0ttttttt 11110111 F0 43 7E 01 t4 t3 t2 t1 F7 = Exclusive status = YAMAHA ID = Style = tempo4 = tempo3 = tempo2 = tempo1 = End of Exclusive — —   コード コントロール F0 43 7E tt d1 d2 d3 d4 F7 Type1 (tt=02) 11110000 01000011 01111110 00000010 0ddddddd 0ddddddd 0ddddddd 0ddddddd 11110111 F0 43 7E 02 d1 d2 d3 d4 F7 = Exclusive status = YAMAHA ID = Style = type 1 = chord root (cr) = chord type (ct) = bass note (bn) = bass type (bt) = End of Exclusive — —   cr: Chord Root 0fffnnnn fff: b or #, nnnn: note (root) 0000nnnn 0n bbb 0001nnnn 1n bb 0010nnnn 2n b 0011nnnn 3n natural 0100nnnn 4n # 0101nnnn 5n ## 0110nnnn 6n ### ct: Chord Type 0-34, 127 00000000 00 0 Maj 00000001 01 1 Maj6 00000010 02 2 Maj7 00000011 03 3 Maj7(#11) 00000100 04 4 Maj(9) 00000101 05 5 Maj7(9) 00000110 06 6 Maj6(9) 00000111 07 7 aug 00001000 08 8 min 00001001 09 9 min6 00001010 0A 10 min7 00001011 0B 11 min7b5 00001100 0C 12 min(9) 00001101 0D 13 min7(9) 00001110 0E 14 min7(11) 00001111 0F 15 minMaj7 00010000 10 16 minMaj7(9) 00010001 11 17 dim bn: On Bass Note bt: Bass Chord 0fff0000 0fff0001 0fff0010 0fff0011 0fff0100 0fff0101 0fff0110 0fff0111 00010010 00010011 00010100 00010101 00010110 00010111 00011000 00011001 00011010 00011011 00011100 00011101 00011110 00011111 00100000 00100001 00100010 x0 x1 x2 x3 x4 x5 x6 x7 12 13 14 15 16 17 18 19 1A 1B 1C 1D 1E 1F 20 21 22 reserved C D E F G A B 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 dim7 7th 7sus4 7b5 7(9) 7(#11) 7(13) 7(b9) 7(b13) 7(#9) Maj7aug 7aug 1+8 1+5 sus4 1+2+5 cc Same as Chord root 127: No bass chord Same as Chord root 127: No bass chord *Receive Chord System Exclusive Messageの設定がOFFのときには受信しません。 *Transmit Chord System Exclusive Messageの設定が OFFのときには送信しません。 Type2 (tt=03) 11110000 01000011 01111110 00000011 0ddddddd 0ddddddd 0ddddddd : 0ddddddd 11110111 : パネル操作で送信可能 F0 43 7E 03 dd dd dd = Exclusive status = YAMAHA ID = Style = type 2 = note1 = note2 = note3 : dd = note10 F7 = End of Exclusive — —   RK-MG102 MIDIリファレンス MIDIデータフォーマット 43 システムエクスクルーシブメッセージ(XG) [MIDI] 対応音色 MIDIイベント データフォーマット MIDI受信 MIDI送信 Regular/Drum/ Natural/ Organ Voice Mic/Vocal Harmony CVP-605/609: Main/Layer/Left Song Keyboard Style CVP-601: Right1/ Right2/Left  *XG Parameter Change Tableを参照のこと CVP-605/609: Main/Layer/Left Extra Style CVP-601: Right1/ Right2/Left  Song Upper Lower XGパラメーターチェンジ F0 43 1n 4C hh mm ll dd … F7 11110000 01000011 0001nnnn 01001100 0hhhhhhh 0mmmmmmm 0lllllll 0ddddddd : 11110111 F0 = Exclusive status 43 = YAMAHA ID 1n = Device Number n=always 0 (when transmit), n=0-F (when receive) 4C = Model ID hh = Address High mm= Address Mid ll = Address Low dd = Data : F7 = End of Exclusive *XG Parameter Change Tableを 参照のこと *XG Parameter Change Tableを参照のこと XGバルクダンプ F0 43 0n 4C aa bb hh mm ll dd … dd cc F7 11110000 01000011 0000nnnn 01001100 0aaaaaaa 0bbbbbbb 0hhhhhhh 0mmmmmmm 0lllllll 0ddddddd : 0ddddddd 0ccccccc 11110111 F0 = Exclusive status 43 = YAMAHA ID 0n = Device Number n=always 0 (when transmit), n=0-F (when receive) 4C = Model ID aa = Byte Count MSB bb = Byte Count LSB hh = Address High mm= Address Mid ll = Address Low dd = Data : dd = Data cc = Checksum F7 = End of Exclusive * XG Parameter Change Tableを 参照のこと  *XG Parameter Change Tableを参照のこと  *XG Parameter Change Tableを参照のこと XGパラメーターリクエスト F0 43 3n 4C hh mm ll F7 11110000 01000011 0011nnnn 01001100 0hhhhhhh 0mmmmmmm 0lllllll 11110111 F0 = Exclusive status 43 = YAMAHA ID 3n = Device Number n=always 0 (when transmit), n=0-F (when receive) 4C = Model ID hh = Address High mm= Address Mid ll = Address Low F7 = End of Exclusive — —  *XG Parameter Change Tableを参照のこと  *XG Parameter Change Tableを参照のこと XGダンプリクエスト F0 43 2n 4C hh mm ll F7 11110000 01000011 0010nnnn 01001100 0hhhhhhh 0mmmmmmm 0lllllll 11110111 F0 = Exclusive status 43 = YAMAHA ID 2n = Device Number n=always 0 (when transmit), n=0-F (when receive) 4C = Model ID hh = Address High mm= Address Mid ll = Address Low F7 = End of Exclusive — —  *XG Parameter Change Tableを参照のこと  *XG Parameter Change Tableを参照のこと RK-MG102 MIDIリファレンス MIDIデータフォーマット 44 システムエクスクルーシブメッセージ(クラビノーバ準拠) 11110000 01000011 01110011 : 11110111 F0 = Exclusive status 43 = YAMAHA ID 73 = Clavinova ID : F7 = End of Exclusive [MIDI] 対応音色 MIDIイベント データフォーマット MIDI受信 MIDI送信 Regular/Drum/ Natural/ Organ Voice — Mic/Vocal Harmony — CVP-605/609: Main/Layer/Left Song Keyboard Style CVP-601: Right1/ Right2/Left  CVP-605/609: Main/Layer/Left Extra Style CVP-601: Right1/ Right2/Left  Song Upper Lower Internal Clock F0 43 73 01 02 F7 00000001 01 = Model ID (Clavinova common ID) 00000010 02 = Internal Clock Substatus External Clock F0 43 73 01 03 F7 00000001 01 = Model ID (Clavinova common ID) 00000011 03 = External Clock Substatus — —   Organ Flutes data Bulk Dump F0 43 73 01 06 0B 00 00 01 06 0n [Bulk Data] sum F7 01H 06H 0BH 00H, 00H, 01H, 06H Model ID (Clavinova common ID) Bulk ID Bulk No. (Organ Flutes data Bulk Dump) Data Length: 16 bytes 0nH 00 - 08H 00 - 08H 00 - 08H 00 - 08H 00 - 08H 00 - 08H 00 - 08H 00 - 08H 00 - 08H 00 - 08H 00 - 08H 00 - 08H 00 - 08H 00 - 08H 00 - 01H 00H: Each, 01H: First 00 - 02H 00H: Sine, 01H: Vintage, 02H Euro 01 - 09H 00H 00H 00H 00H  (Organ Flute)           1st Channel No. 2nd Footage [1'] 3rd [1 1/3'] 4th [1 3/5'] 5th [2'] 6th [2 2/3'] 7th [4'] 8th [5 1/3'] 9th [8'] 10th [16'] 11th [Attack 2'] 12th [Attack 2 2/3'] 13th [Attack 4'] 14th Settings [Attack Length] 15th [Response] 16th [Attack Mode] 17th [Wave Variation] 18th [Volume] 19th [予備] 20th [予備] 21st [予備] 22nd [予備] sum Check Sum = 0-sum (BULK DATA) Wave Variation: Euro CVP-601 CVP-605 CVP-609 : パネル操作で送信可能    システムエクスクルーシブメッセージ(ナチュラルボイス関連) [MIDI] 対応音色 MIDIイベント データフォーマット MIDI受信 MIDI送信 Regular/Drum/ Natural/ Organ Voice  一部のNatural Voice のみ Mic/Vocal Harmony  CVP-605/609: Main/Layer/Left Song Keyboard Style CVP-601: Right1/ Right2/Left     CVP-605/609: Main/Layer/Left Extra Style CVP-601: Right1/ Right2/Left    Song  Upper Lower  String Resonance Depth F0 43 73 01 50 11 0n 02 dd F7 11110000 01000011 01110011 00000001 01010000 00010001 0000nnnn 00000010 0ddddddd 11110111 F0 43 73 01 50 11 0n 02 dd F7 = Exclusive status = YAMAHA ID = Clavinova ID = Model ID (Clavinova common ID) = Sub ID = Sub ID = Channel (00-0F) = Sub ID (String Resonance Depth) = Depth (00-48) = End of Exclusive Sustain Sample Depth F0 43 73 01 50 11 0n 03 dd F7 11110000 01000011 01110011 00000001 01010000 00010001 0000nnnn 00000011 0ddddddd 11110111 F0 43 73 01 50 11 0n 03 dd F7 = Exclusive status = YAMAHA ID = Clavinova ID = Model ID (Clavinova common ID) = Sub ID = Sub ID = Channel (00-0F) = Sub ID (Sustain Sample Depth) = Depth (00-48) = End of Exclusive  一部のNatural Voice のみ           Key Off Sampling Depth F0 43 73 01 50 11 0n 04 dd F7 11110000 01000011 01110011 00000001 01010000 00010001 0000nnnn 00000100 0ddddddd 11110111 F0 43 73 01 50 11 0n 04 dd F7 = Exclusive status = YAMAHA ID = Clavinova ID = Model ID (Clavinova common ID) = Sub ID = Sub ID = Channel (00-0F) = Sub ID (Key Off Sampling Depth) = Depth (00-50) = End of Exclusive  一部のNatural Voice のみ           RK-MG102 MIDIリファレンス MIDIデータフォーマット 45 [MIDI] 対応音色 MIDIイベント データフォーマット MIDI受信 MIDI送信 Regular/Drum/ Natural/ Organ Voice  一部のNatural Voice のみ Mic/Vocal Harmony  CVP-605/609: Main/Layer/Left Song Keyboard Style CVP-601: Right1/ Right2/Left     CVP-605/609: Main/Layer/Left Extra Style CVP-601: Right1/ Right2/Left    Song  Upper Lower  Soft Pedal Depth F0 43 73 01 50 11 0n 05 dd F7 11110000 01000011 01110011 00000001 01010000 00010001 0000nnnn 00000101 0ddddddd 11110111 F0 43 73 01 50 11 0n 05 dd F7 = Exclusive status = YAMAHA ID = Clavinova ID = Model ID (Clavinova common ID) = Sub ID = Sub ID = Channel (00-0F) = Sub ID (Soft Pedal Depth) = Depth (00-7F) = End of Exclusive : パネル操作で送信可能 システムエクスクルーシブメッセージ (特殊操作子 Vocal Harmony Additional Parameters) Vocal Harmony CVP-601 CVP-605 CVP-609    [MIDI] 対応音色 MIDIイベント データフォーマット MIDI受信 MIDI送信 Regular/Drum/ Natural/ Organ Voice  Mic/Vocal Harmony  CVP-605/609: Main/Layer/Left Song Keyboard Style CVP-601: Right1/ Right2/Left  CVP-605/609: Main/Layer/Left Extra Style CVP-601: Right1/ Right2/Left  Song Upper Lower Vocal Harmony Vocoder Part (Harmony Part (Panel)) F0 43 73 01 11 0n 50 10 dd F7 11110000 01000011 01110011 00000001 00010001 0000nnnn 01010000 00010000 0ddddddd = Exclusive status = YAMAHA ID = Clavinova ID = Model ID (Clavinova common ID) = 特殊操作子 = Channel No. [. . . ]