ユーザーズガイド YAMAHA TP-129C

[. . . ] Fx4 Lib+1 Recall Fx4 Lib-1 Recall Fx4 LibXXX RCL. Fx1 Bypass Fx2 Bypass Fx3 Bypass Fx4 Bypass CH Lib+1 Recall CH Lib-1 Recall CH LibXXX Recall Gate Lib+1 RCL. EQ Lib+1 Recall EQ Lib-1 Recall EQ LibXXX Recall Surr. Libxxx Surr. Mon L Mute Surr. Mon R Mute Surr. Mon Ls Mute Surr. Mon Rs Mute Surr. Mon C Mute Surr. Mon Bs Mute Surr. Mon LFEMute Surr. SLOT1 ON Surr. SLOT2 ON Bass Manage ON SNAP TO SPL85 BUS to ST Lib+1 BUS to ST Lib-1 BUS to ST LibXX IN Patch Lib+1 IN Patch Lib-1 IN Patch LibXX Out Patch Lib+1 Out Patch Lib-1 Out Patch LibXX IN Fader Group A 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 Input Fader Group Enable B Input Fader Group Enable C Input Fader Group Enable D Input Fader Group Enable E Input Fader Group Enable F Input Fader Group EnableG Input Fader Group Enable H Input MUTE Group Enable I Input MUTE Group Enable J Input MUTE Group Enable K Input MUTE Group Enable L Input MUTE Group Enable M Input MUTE Group Enable N Input MUTE Group Enable O Input MUTE Group Enable P Output Fader Group Enable Q Output Fader Group Enable R Output Fader Group Enable S Output Fader Group Enable T Output MUTE Group Enable U Output MUTE Group Enable V Output MUTE Group Enable W Output MUTE Group Enable X Input Fader Group Assign X Input Mute Group Assign X Input EQ Group Assign X Input COMP Group Assign X Output Fader Group Assign X Output Mute Group Assign X Output EQ Group Assign X Output COMP Group Assign X Input Mute Group Master X Output MUTE Group Master X Automix REC Automix PLAY Automix STOP Automix ABORT Automix AUTO REC Automix ENABLE Automix RETURN Automix RELATIVE Automix TOUCH SENSE Automix UPDATE TO END Overwrite FADER IN Fader Group B IN Fader Group C IN Fader Group D IN Fader Group E IN Fader Group F IN Fader Group G IN Fader Group H IN Mute Group I IN Mute Group J IN Mute Group K IN Mute Group L IN Mute Group M IN Mute Group N IN Mute Group O IN Mute Group P OutFader Group Q OutFader Group R OutFader Group S OutFader Group T Out Mute Group U Out Mute Group V Out Mute Group W Out Mute Group X IN Fader Assign X IN Mute Assign X IN EQ Assign x IN COMP Assign x OutFader Assign X Out Mute Assign X Out EQ Assign x Out COMP Assign x In Mute Master X Out Mute Master X Automix REC Automix PLAY Automix STOP Automix ABORT Automix AUTOREC Automix ENABLE Automix RETURN Automix RELATIVE Automix T. SENSE Amx UPDATETO END Overwrite FADER Overwrite ON Overwrite PAN Overwrite SURR. [. . . ] AD+DA (to OMNI OUT) @ fs=48 kHz 106 dB typ. AD+DA (to OMNI OUT) @ fs=96 kHz –128 dB Equivalent Input Noise –86 dB residual output noise. OMNI OUT (STEREO OUT off) Signal Delay Fader Fader Resolution Total Harmonic Distortion*1 (CH INPUT to OMNI OUT) (Input Gain=Min. ) Frequency Response (CH INPUT to OMNI OUT) Dynamic Range (maximum level to noise level) Hum & Noise*2 (20 Hz~20 kHz) Rs=150 Ω Input Gain=Max. –86 dB (90 dB S/N) OMNI OUT Input Pad =0 dB (STEREO fader at nominal level and all CH INPUT faders at minimum level) Input Pad =0 dB Input Sensitivity =–60 dB –64 dB (68 dB S/N) OMNI OUT (STEREO fader at nominal level and one CH INPUT fader at nominal level) 74 dB CH INPUT (CH1~16) to OMNI OUT (STEREO, BUS, AUX) 80 dB adjacent input channels (CH1~16) 80 dB input to output Phantom switch Pad switch Gain control +48 V DC 0/20 dB attenuation 44 dB (–60 ~ –16), detented LED (red) turns on when post HA level reaches 3 dB below clipping at digital domain LED (green) turns on when post HA level reaches 20 dB below nominal at digital domain 24-bit linear, 128-times oversampling (fs=44. 1, 48 kHz), 64-times oversampling (fs=88. 2, 96 kHz) 24-bit linear, 128-times oversampling (fs=44. 1, 48 kHz), 64-times oversampling (fs=88. 2, 96 kHz) Optional digital interface cards (MY16, MY8, MY4 series) On/off (1:3 and 3:1 maximum input to output sample rate ratio) Maximum Voltage Gain Crosstalk (@ 1 kHz) Input Gain=Min. AD Input (1~16) Peak indicator Signal indicator AD converter Analog Input (OMNI IN 1~4) Option Input (SLOT 1~2) Digital Input (2TR IN DIGITAL 1~2) AD converter Available cards SRC 336 Input patch Phase Gate-type*3 — Normal/reverse On/off Key in: 12 ch Group (1~12, 13~24, 25~36, 37~48)/AUX1~8 On/off Comp-type*4 Attenuator EQ Delay On/off Input Channel CH1~48 Fader Aux send Solo Pan Surround pan LFE level Routing Direct out Metering Level control TALKBACK AD converter Talkback select On/off Level OSCILLATOR On/off Waveform Routing Key in: self /Stereo Link Pre EQ/pre fader/post fader –96. 0 ~ +12. 0 dB (0. 1 dB step) 4-band PEQ (TYPE1)*5 On/off 0~43400 samples — 100 mm motorized (INPUT/AUX1~8) On/off AUX1~8; pre fader/post fader On/off Pre fader/after pan 127 positions (Left= 1~63, Center, Right= 1~63) 127 × 127 positions [(Left= 1~63, Center, Right= 1~63)] x [(Front= 1~63, Center, Rear= 1~63)] –∞, –96 dB ~ +10 dB (256 step) STEREO, BUS1~8, DIRECT OUT Pre EQ/pre fader/post fader Displayed on LCD Peak hold on/off Analog rotary potentiometer 24-bit linear, 128-times oversampling (@fs=44. 1, 48 kHz), 64-times oversampling (@fs=88. 2, 96 kHz) Built-in microphone/AD IN 1~16/OMNI IN 1~4 — 0 ~ –96 dB (1 dB step) — Sine 100 Hz, sine 1 kHz, sine 10 kHz, 400 Hz/1 kHz, pink noise, burst noise BUS1~8, AUX1~8, STEREO L, R STEREO, BUS1~8, AUX1~8, SURROUND MONITOR, CONTROL ROOM, DIRECT OUT 1~48, INSERT OUT (CH1~48, BUS1~8, AUX1~8, STEREO), MONITOR MATRIX OUT, SOLO OUT, CASCADE OUT (BUS1~8, AUX 1~8, STEREO, SOLO) 24-bit linear, 128-times oversampling (@fs=44. 1, 48 kHz), 64-times oversampling (@fs=88. 2, 96 kHz) On/off Word length 16, 20, 24-bit STEREO, BUS1~8, AUX 1~8, CONTROL ROOM, DIRECT OUT 1~48, INSERT OUT (CH 1~48, BUS 1~8, AUX 1~8, STEREO), SOLO OUT, CASCADE OUT (BUS 1~8, AUX 1~8, STEREO, SOLO) Optional digital interface card (MY16, MY8, MY4 series) STEREO, BUS1~8, AUX 1~8, SURROUND MONITOR, CONTROL ROOM, DIRECT OUT 1~48, INSERT OUT (CH 1~48, BUS 1~8, AUX 1~8, STEREO), MONITOR MATRIX OUT, SOLO OUT, CASCADE OUT (BUS 1~8, AUX 1~8, STEREO, SOLO) On/off Word length 16/20/24-bit Output patch OMNI OUT 1~12 DA converter Dither 2TR OUT DIGITAL 1~2 Output patch Available card Option Output (SLOT 1~2) Output patch Dither 337 On/off Pre EQ/pre fader/post fader –96. 0 ~ +12. 0 dB (0. 1 dB step) 4-band PEQ*5 On/off STEREO On/off Fader Balance Delay Metering — 100 mm motorized 127 positions (Left=1~63, Center, Right=1~63) 0~29100 samples Displayed on LCD Peak hold on/off 32-elements x2 LED meters Comp-type*4 Attenuator EQ On/off BUS1~8 Fader Delay Bus to stereo On/off Pre EQ/pre fader/post fader –96. 0 ~ +12. 0 dB (0. 1 dB step) 4-band PEQ*5 On/off — 100 mm motorized 0~29100 samples Level (–∞, –138 dB ~ 0 dB) On/off Pan: 127 positions (Left=1~63, Center, Right=1~63) Metering Comp-type*4 Attenuator EQ AUX1~8 On/off Fader Delay Metering Mute Solo Source Monitor to C-R SURROUND MONITOR Oscillator Monitor matrix Bass management Monitor alignment Bypass INTERNAL EFFECTS (EFFECT 1~4) In/out Effect-in from Displayed on LCD Peak hold on/off On/off Pre EQ/pre fader/post fader –96. 0 ~ +12. 0 dB (0. 1 dB step) 4-band PEQ*5 On/off — 100 mm motorized 0~29100 samples Displayed on LCD Peak hold on/off On/off On/off BUS1~8, SLOT 1~2 On/off Pink noise/500~2 kHz/1 kHz 6. 1→6. 1, 6. 1→5. 1, 6. 1→3-1, 6. 1→ST, 5. 1→5. 1, 5. 1→3-1, 5. 1→ST, 3-1→3-1, 3-1→ST 5 presets ATT (–12. 0 dB ~ 12 dB 0. 1 dB step), Delay (0~30. 0 msec 0. 02 msec step) On/off 8-in, 8-out (EFFECT1): depends on effects type 2-in, 2-out (EFFECT2~4): depends on effects type AUX1~8/INSERT OUT/effect-out (out 1, 2 only) Comp-type*4 Attenuator EQ Effect-out 1, 2 to Input patch/effect-in 338 Power Requirements Dimensions Net weight Operating free-air temperature range Storage temperature range (H x D x W) 100 V, 50/60 Hz 135 W 200 x 585 x 436 mm 20 kg 10~35°C –20 ~ 60°C AC Cable (3P/2P AC plug adapter) CD-ROM (Studio Manager) Owner’s Manual Studio Manager Installation Guide Warranty card Digital interface card (MY16, MY8, MY4 series) PEAK METER BRIDGE: MB1000 SIDE PANEL: SP1000 RACK MOUNT KIT: RK1 Supplied Accessories Options *1. Total harmonic distortion is measured with a 6 dB/octave filter @ 80 kHz. Hum & Noise are measured with a 6 dB/octave filter @ 12. 7 kHz; equivalent to a 20 kHz filter with infinite dB/octave attenuation. LOW/HPF 0. 1~10. 0 (41 points) low shelving HPF ±18 dB (0. 1 dB step) HPF: on/off L-MID 0. 1~10. 0 (41 points) H-MID HIGH /LPF 0. 1~10. 0 (41 points) high shelving LPF ±18 dB (0. 1 dB step) LPF: on/off Q F G 21. 2 Hz~20 kHz (1/12 oct step) ±18 dB (0. 1 dB step) Threshold Range Attack –54 dB ~ 0 dB (0. 1 dB step) –70 dB ~ 0 dB (1 dB step) 0 ms~120 ms (1 ms step) 0. 02 ms~1. 96 s (216 points) @ 48 kHz 0. 02 ms~2. 13 s (216 points) @ 44. 1 kHz 0. 01 ms~981 ms (216 points) @ 96 kHz 0. 01 ms~1. 06 s (216 points) @ 88. 2 kHz 5 ms~42. 3 s (160 points) @ 48 kHz 6 ms~46. 0 s (160 points) @ 44. 1 kHz 3 ms~21. 1 s (160 points) @ 96 kHz 3 ms~23. 0 s (160 points) @ 88. 2 kHz –54 dB ~ 0 dB (0. 1 dB step) –70 dB ~ 0 dB (1 dB step) 0 ms~120 ms (1 ms step) 0. 02 ms~1. 96 s (216 points) @ 48 kHz 0. 02 ms~2. 13 s (216 points) @ 44. 1 kHz 0. 01 ms~981 ms (216 points) @ 96 kHz 0. 01 ms~1. 06 s (216 points) @ 88. 2 kHz 5 ms~42. 3 s (160 points) @ 48 kHz 6 ms~46. 0 s (160 points) @ 44. 1 kHz 3 ms~21. 1 s (160 points) @ 96 kHz 3 ms~23. 0 s (160 points) @ 88. 2 kHz Gate Hold Decay Threshold Range Attack Ducking Hold Decay 339 Threshold Ratio (x :1) Out gain Knee Compressor Attack –54 dB ~ 0 dB (0. 1 dB step) x=1, 1. 1, 1. 3, 1. 5, 1. 7, 2, 2. 5, 3, 3. 5, 4, 5, 6, 8, 10, 20, ∞ (16 points) 0 dB ~ +18 dB (0. 1 dB step) Hard, 1, 2, 3, 4, 5 (6 step) 0 ms~120 ms (1 ms step) 5 ms~42. 3 s (160 points) @ 48 kHz 6 ms~46. 0 s (160 points) @ 44. 1 kHz 3 ms~21. 1 s (160 points) @ 96 kHz 3 ms~23. 0 s (160 points) @ 88. 2 kHz –54 dB ~ 0 dB (0. 1 dB step) x=1, 1. 1, 1. 3, 1. 5, 1. 7, 2, 2. 5, 3, 3. 5, 4, 5, 6, 8, 10, 20, ∞ (16 points) 0 dB ~ +18 dB (0. 1 dB step) Hard, 1, 2, 3, 4, 5 (6 points) 0 ms~120 ms (1 ms step) 5 ms~42. 3 s (160 points) @ 48 kHz 6 ms~46. 0 s (160 points) @ 44. 1 kHz 3 ms~21. 1 s (160 points) @ 96 kHz 3 ms~23. 0 s (160 points) @ 88. 2 kHz –54 dB ~ 0 dB (0. 1 dB step) x=1, 1. 1, 1. 3, 1. 5, 1. 7, 2, 2. 5, 3, 3. 5, 4, 5, 6, 8, 10, 20 (15 points) –18 dB ~ 0 dB (0. 1 dB step) 1 dB~90 dB (1 dB step) 0 ms~120 ms (1 ms step) 5 ms~42. 3 s (160 points) @ 48 kHz 6 ms~46. 0 s (160 points) @ 44. 1 kHz 3 ms~21. 1 s (160 points) @ 96 kHz 3 ms~23. 0 s (160 points) @ 88. 2 kHz –54 dB ~ 0 dB (0. 1 dB step) x=1, 1. 1, 1. 3, 1. 5, 1. 7, 2, 2. 5, 3, 3. 5, 4, 5, 6, 8, 10, 20 (15 points) –18 dB ~ 0 dB (0. 1 dB step) 1 dB~90 dB (1 dB step) 0 ms~120 ms (1 ms step) 5 ms~42. 3 s (160 points) @ 48 kHz 6 ms~46. 0 s (160 points) @ 44. 1 kHz 3 ms~21. 1 s (160 points) @ 96 kHz 3 ms~23. 0 s (160 points) @ 88. 2 kHz Release Threshold Ratio (x :1) Out gain Knee Expander Attack Release Threshold Ratio (x :1) Out gain Width Compander H Attack Release Threshold Ratio (x :1) Out gain Width Compander S Attack Release 340 Effect library (EFFECT 1~4) Compressor library Gate library EQ library Channel library Surround Monitor library Input patch library Output patch library Bus to Stereo library Presets User memories Presets User memories Presets User memories Presets User memories Presets User memories Presets User memories Presets User memories Presets User memories Presets User memories 61 (EFFECT2-4:53) 67 36 92 4 124 40 160 2 127 1 32 1 32 1 32 1 32 Input level Input PAD GAIN Actual Load Impedance For Use With Nominal Sensitivity *1 Nominal –60 dB (0. 775 mV) –16 dB (0. 123 V) +4 dB (1. 23 V) +4 dB (1. 23 V) Max. before clip –40 dB (7. 75 mV) +4 dB (1. 23 V) +24 dB (12. 28 V) +24 dB (12. 28 V) Connector –60 dB 0 INPUT 1~16 –16 dB 20 OMNI IN 1~4 — 10k Ω 600 Ω Lines 3k Ω 50~600 Ω Mics & 600 Ω Lines –70 dB (0. 245 mV) –26 dB (38. 8 mV) –6 dB (388 mV) +4 dB (1. 23 V) XLR-3-31 type (Balanced)*2 *1. Sensitivity is the lowest level that will produce an output of +4 dB (1. 23 V) or the nominal output level when the unit is set to maximum gain. (All faders and level controls are maximum position. ) *2. XLR-3-31 type connectors are balanced (1=GND, 2=HOT, 3=COLD). In these specifications, when dB represents a specific voltage, 0 dB is referenced to 0. 775 Vrms. SUB STATUS FORMAT No. 11110000 01000011 0010nnnn 01111110 F0 43 2n 7E System exclusive message Manufacture’s ID number (YAMAHA) n=0-15 (Device number=MIDI Channel) Universal bulk dump STATUS ID No. SUB STATUS FORMAT No. 11110000 01000011 0000nnnn 01111110 F0 43 0n 7E System exclusive message Manufacture’s ID number (YAMAHA) n=0-15 (Device number=MIDI Channel) Universal bulk dump 366 COUNT HIGH 0ccccccc COUNT LOW 0ccccccc 01001100 01001101 00100000 00100000 00111000 01000011 00111001 00110001 DATA NAME 01001100 00000000 0bbbbbbb BLOCK INFO. 0ttttttt 0bbbbbbb DATA 0ddddddd : 0ddddddd CHECK SUM 0eeeeeee EOX 11110111 ch cl 4C 4D 20 20 38 43 39 31 4C 00 bb tt bb ds : de ee F7 data count = ch * 128 + cl ‘L’ ‘M’ ‘’ ‘’ ‘8’ ‘C’ ‘9’ ‘1’ ‘L’ b=0-3(bank no. 1-4) total block number(minimum number is 0) current block number(0-total block number) User define layer data of block[bb] STATUS ID No. SUB STATUS FORMAT No. DATA NAME EOX ee=(Invert(‘L’+…+de)+1)&0x7F End of exclusive 11110000 01000011 0010nnnn 01111110 01001100 01001101 00100000 00100000 00111000 01000011 00111001 00110001 01010110 00000000 0bbbbbbb 11110111 F0 43 2n 7E 4C 4D 20 20 38 43 39 31 56 00 bb F7 System exclusive message Manufacture’s ID number (YAMAHA) n=0-15 (Device number=MIDI Channel) Universal bulk dump ‘L’ ‘M’ ‘’ ‘’ ‘8’ ‘C’ ‘9’ ‘1’ ‘V’ b=0-7(bank no. A-H) End of exclusive STATUS ID No. SUB STATUS FORMAT No. DATA NAME EOX 11110000 01000011 0010nnnn 01111110 01001100 01001101 00100000 00100000 00111000 01000011 00111001 00110001 01001100 00000000 0bbbbbbb 11110111 F0 43 2n 7E 4C 4D 20 20 38 43 39 31 4C 00 bb F7 System exclusive message Manufacture’s ID number (YAMAHA) n=0-15 (Device number=MIDI Channel) Universal bulk dump ‘L’ ‘M’ ‘’ ‘’ ‘8’ ‘C’ ‘9’ ‘1’ ‘L’ b=0-3(bank no. 1-4) End of exclusive STATUS ID No. COUNT HIGH COUNT LOW 11110000 01000011 0000nnnn 01111110 0ccccccc 0ccccccc 01001100 01001101 00100000 00100000 00111000 01000011 00111001 00110001 DATA NAME 01010110 00000000 0bbbbbbb BLOCK INFO. 0ttttttt 0bbbbbbb DATA 0ddddddd : 0ddddddd CHECK SUM 0eeeeeee EOX 11110111 F0 43 0n 7E ch cl 4C 4D 20 20 38 43 39 31 56 00 bb tt bb ds : de ee F7 System exclusive message Manufacture’s ID number (YAMAHA) n=0-15 (Device number=MIDI Channel) Universal bulk dump data count = ch * 128 + cl ‘L’ ‘M’ ‘’ ‘’ ‘8’ ‘C’ ‘9’ ‘1’ ‘V’ b=0-7(bank no. A-H) total block number(minimum number is 0) current block number(0-total block number) User define key data of block[bb] 11110000 01000011 0000nnnn 01111110 0ccccccc 0ccccccc 01001100 01001101 00100000 00100000 00111000 01000011 00111001 00110001 DATA NAME 01010101 00000000 0bbbbbbb BLOCK INFO. 0ttttttt 0bbbbbbb DATA 0ddddddd : 0ddddddd CHECK SUM 0eeeeeee EOX 11110111 F0 43 0n 7E ch cl 4C 4D 20 20 38 43 39 31 55 00 bb tt bb ds : de ee F7 System exclusive message Manufacture’s ID number (YAMAHA) n=0-15 (Device number=MIDI Channel) Universal bulk dump data count = ch * 128 + cl ‘L’ ‘M’ ‘’ ‘’ ‘8’ ‘C’ ‘9’ ‘1’ ‘U’ b=0-3(bank no. 1-4) total block number(minimum number is 0) current block number(0-total block number) User assignable layer data of block[bb] ee=(Invert(‘L’+…+de)+1)&0x7F End of exclusive STATUS ID No. SUB STATUS FORMAT No. DATA NAME ee=(Invert(‘L’+…+de)+1)&0x7F End of exclusive EOX 11110000 01000011 0010nnnn 01111110 01001100 01001101 00100000 00100000 00111000 01000011 00111001 00110001 01010101 00000000 0bbbbbbb 11110111 F0 43 2n 7E 4C 4D 20 20 38 43 39 31 55 00 bb F7 System exclusive message Manufacture’s ID number (YAMAHA) n=0-15 (Device number=MIDI Channel) Universal bulk dump ‘L’ ‘M’ ‘’ ‘’ ‘8’ ‘C’ ‘9’ ‘1’ ‘U’ b=0-3(bank no. 1-4) End of exclusive 367 EOX STATUS ID No. COUNT HIGH COUNT LOW 11110000 01000011 0000nnnn 01111110 0ccccccc 0ccccccc 01001100 01001101 00100000 00100000 00111000 01000011 00111001 00110001 DATA NAME 01000011 00000010 00000000 BLOCK INFO. 0ttttttt 0bbbbbbb DATA 0ddddddd : 0ddddddd CHECK SUM 0eeeeeee EOX 11110111 F0 43 0n 7E ch cl 4C 4D 20 20 38 43 39 31 43 02 00 tt bb ds : de ee F7 System exclusive message Manufacture’s ID number (YAMAHA) n=0-15 (Device number=MIDI Channel) Universal bulk dump data count = ch * 128 + cl ‘L’ ‘M’ ‘’ ‘’ ‘8’ ‘C’ ‘9’ ‘1’ ‘C’ 11110111 F7 End of exclusive STATUS ID No. [. . . ] SUB STATUS GROUP ID MODEL ID ADDRESS DATA EOX 11110000 01000011 0001nnnn 00111110 01111111 00010000 0100ffff 0mmmmmmm 0mmmmmmm 0ddddddd : 0ddddddd 11110111 F0 43 1n 3E 7F 10 4f mh ml dd : dd F7 System exclusive message Manufacture’s ID number (YAMAHA) n=0-15 (Device number=MIDI Channel) MODEL ID (digital mixer) Universal Function call title number High number Low title 1 : title x(depend on the library) End of exclusive number 0-99, 256(0:response only) 1-200(1-40:response only) 1-128(1-4:response only) 1-128(1-36:response only) 1-128(1-xx(*1):response only) 0-128(0:response only) 0-32(0:response only) 0-32(0:response only) 0-32(0:response only) 0-32(0:response only) 1-16 size 16 16 16 16 16 16 16 16 16 16 16 STATUS ID No. SUB STATUS GROUP ID MODEL ID ADDRESS DATA EOX 11110000 01000011 0001nnnn 00111110 01111111 00010000 00ffffff 0mmmmmmm 0mmmmmmm 0ccccccc 0ccccccc 11110111 F0 43 1n 3E 7F 10 ff mh ml ch cl F7 System exclusive message Manufacture’s ID number (YAMAHA) n=0-15 (Device number=MIDI Channel) MODEL ID (digital mixer) Universal Function call function number High number Low channel High channel Low End of exclusive number 0-99, 8192 1-200, 8192 1-128, 8192 1-128, 8192 1-128, 8192 0-128, 8192 0-32, 8192 0-32, 8192 0-32, 8192 0-32, 8192 1-16 1-99 41-200 5-128 37-128 xx(*2)-128 1-128 1-32 1-32 channel*1) 256 0-513 0-95 0-513 0-3 0-513 256 256 256 256 256 256, 16383 0-513, 16383 0-47, 16383 0-513, 16383 0-3, 16383 0-513, 16383 256, 16383 256, 16383 tx/rx tx/rx tx/rx tx/rx tx/rx tx/rx tx/rx tx/rx tx/rx tx/rx tx/rx tx/rx tx/rx tx/rx tx/rx tx/rx tx/rx tx/rx tx/rx tx/rx function SCENE LIB TITLE EQ LIB TITLE GATE LIB TITLE COMP LIB TITLE EFF LIB TITLE CHANNEL LIB TITLE INPATCH LIB TITLE OUTPATCH LIB TITLE Bus to Stereo LIB TITLE Surround Monitor LIB TITLE AUTOMIX LIB TITLE 0x40 0x41 0x42 0x43 0x44 0x46 0x47 0x48 0x49 0x4A 0x4B function SCENE RECALL EQ LIB RECALL GATE LIB RECALL COMP LIB RECALL EFF LIB RECALL CHANNEL LIB RECALL INPATCH LIB RECALL OUTPATCH LIB RECALL Bus to Stereo LIB RECALL Surround Monitor LIB RECALL AUTOMIX LIB RECALL SCENE STORE EQ LIB STORE GATE LIB STORE COMP LIB STORE EFF LIB STORE CHANNEL LIB STORE INPATCH LIB STORE OUTPATCH LIB STORE 0x00 0x01 0x02 0x03 0x04 0x06 0x07 0x08 0x09 0x0A 0x0B 0x20 0x21 0x22 0x23 0x24 0x26 0x27 0x28 STATUS ID No. SUB STATUS GROUP ID MODEL ID ADDRESS EOX 11110000 01000011 0011nnnn 00111110 01111111 00010000 0100ffff 0mmmmmmm 0mmmmmmm 11110111 F0 43 3n 3E 7F 10 4f mh ml F7 System exclusive message Manufacture’s ID number (YAMAHA) n=0-15 (Device number=MIDI Channel) MODEL ID (digital mixer) Universal Function call title number High number Low End of exclusive 374 STATUS ID No. SUB STATUS GROUP ID MODEL ID ADDRESS STATUS ID No. [. . . ]